And if you're clumsy and your older brothers and sisters all call you "Awkward Anna" as well, it's even worse. In award-winning writer Jean Little's poignant novel, From Anna, readers are sure to be touched by Anna Soldens's struggles with her new home in Canada, the unfamiliar language of English, and the realization that, in fact, there is a reason for her being such an awkward child. When it's discovered that Anna needs glasses and that her clumsiness is actually the result of being visually impaired, Anna's life changes completely. Suddenly her brothers and sisters see Anna in a new light and try to make amends for being unkind. From Anna is one of Jean Little's most popular novels, and it's little wonder. Readers will also want to check out the sequel, Listen for the Singing. (Ages 10 to 14) --Jeffrey Canton

    It’s not enough that his mother has sent him away from home to learn magic. It’s not enough that everyone at his new school calls him Thornmallow because he’s “prickly on the outside, squishy within.” It’s not enough that the only talent he shows at Wizard’s Hall is an ability to make messes of even the simplest spells. Now, when Wizard’s Hall is threatened by a cruel sorcerer’s fearsome beast, it is up to Henry--er, Thornmallow--to figure out how to save not only his new friends but also the entire school for wizards.

    . . ."Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who treated him with the utmost care and adored him completely. And then, one day, he was lost. Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the top of a garbage heap to the fireside of a hoboes' camp, from the bedside of an ailing child to the bustling streets of Memphis. And along the way, we are shown a true miracle — that even a heart of the most breakable kind can learn to love, to lose, and to love again.

    Nothing much has changed in the dollhouse during that time, except for the fact that 45 years ago, Annabelle's Auntie Sarah disappeared from the dollhouse without a trace. After all this time, restless Annabelle is becoming more and more curious about her aunt's fate. And when she discovers Auntie Sarah's old diary, she becomes positively driven. Her cautious family tries to discourage her, but Annabelle won't be stopped, even though she risks Permanent Doll State, in which she could turn into a regular, nonliving doll. And when the "Real Pink Plastic" Funcraft family moves in next door, the Doll family's world is turned upside down--in more ways than one! Fans of The Borrowers and Stuart Little will love this exciting story of adventure and mystery. The relationship between the two doll families, one antique, one modern, is hilariously, wonderfully drawn. The Funcrafts are reckless and raucous, with fearlessness born of their unbreakable plastic parts. The Doll family is reserved and somewhat prim, even though they occasionally break into '60s tunes like "Respect" in their sing-alongs. Annabelle is a heroine with integrity and gumption. Ann Martin (The Babysitters Club series) and Laura Godwin create a witty, intriguing tale, illustrated with humor and a clever eye for detail by Brian Selznick. (Ages 7 to 11) --Emilie Coulter

    Translated into more than fifty languages, Cheaper by the Dozen is the unforgettable story of the Gilbreth clan as told by two of its members. In this endearing, amusing memoir, siblings Frank Jr. and Ernestine capture the hilarity and heart of growing up in an oversized family.Mother and Dad are world-renowned efficiency experts, helping factories fine-tune their assembly lines for maximum output at minimum cost. At home, the Gilbreths themselves have cranked out twelve kids, and Dad is out to prove that efficiency principles can apply to family as well as the workplace. The heartwarming and comic stories of the jumbo-size Gilbreth clan have delighted generations of readers, and will keep you and yours laughing for years.

    Now the kids want to tell their story but the faeries will do everything they can to stop them.

    So when a new family moves into the house across the street, Betsy hopes they will have a little girl she can play with. Sure enough, they do—a little girl named Tacy. And from the moment they meet at Betsy's fifth birthday party, Betsy and Tacy become such good friends that everyone starts to think of them as one person—Betsy-Tacy.Betsy and Tacy have lots of fun together. They make a playhouse from a piano box, have a sand store, and dress up and go calling. And one day, they come home to a wonderful surprise—a new friend named Tib.Ever since their first publication in the 1940's, the Betsy-Tacy stories have been loved by each generation of young readers.

    But when a mysterious green violin enters his life he begins to imagine a life of freedom. Hannah is a soft-hearted, strong-willed girl from the tenements, who supports her family as a hotel maid when tragedy strikes and her father can no longer work. She learns about a hidden treasure, which she knows will save her family — if she can find it. And Frederick, the talented and intense clockmaker's apprentice, seeks to learn the truth about his mother while trying to forget the nightmares of the orphanage where she left him. He is determined to build an automaton and enter the clockmakers' guild — if only he can create a working head.Together, the three discover they have phenomenal power when they team up as friends, and that they can overcome even the darkest of fears.

    Samantha's stories describe her life during this important period of change. Her own world is filled with frills and finery, parties and play. But Samantha sees that times are not good for everybody. That's why she tries to make a difference in the life of her friend Nellie, a servant girl whose world is nothing like Samantha's Samantha befriends a servant girl named Nellie who moves in next door. The girls become fast friends, though their lives are different.

    At the same time, Curdie overhears a fiendish plot by the goblins. Princess Irene & Curdie must make sense of their separate knowledge & foil the goblins' schemes.

    Alex's active sense of humor helps him get along with the school braggart, make the most of his athletic talents, and simply get by in a hectic world.

    It was not until Robin's father found a permanent job at the McCurdy ranch, after three years as a migrant worker, that Robin had a place to wander to. As time went by the Velvet Room became more and more of a haven for her — a place to read and dream, a place to bury one's fears and doubts, a place to count on. The Velvet Room, first published in 1965, was a Junior Library Guild selection, and part of Scholastic Books' Arrow Book Club.

    Mario, the son of Mama and Papa Bellini, proprietors of the subway-station newsstand, had only heard the sound once. What was this new, strangely musical chirping? None other than the mellifluous leg-rubbing of the somewhat disoriented Chester Cricket from Connecticut. Attracted by the irresistible smell of liverwurst, Chester had foolishly jumped into the picnic basket of some unsuspecting New Yorkers on a junket to the country. Despite the insect's wurst intentions, he ends up in a pile of dirt in Times Square. Mario is elated to find Chester. He begs his parents to let him keep the shiny insect in the newsstand, assuring his bug-fearing mother that crickets are harmless, maybe even good luck. What ensues is an altogether captivating spin on the city mouse/country mouse story, as Chester adjusts to the bustle of the big city. Despite the cricket's comfortable matchbox bed (with Kleenex sheets); the fancy, seven-tiered pagoda cricket cage from Sai Fong's novelty shop; tasty mulberry leaves; the jolly company of Tucker Mouse and Harry Cat; and even his new-found fame as "the most famous musician in New York City," Chester begins to miss his peaceful life in the Connecticut countryside. The Cricket in Times Square--a Newbery Honor Book in 1961--is charmingly illustrated by the well-loved Garth Williams, and the tiniest details of this elegantly spun, vividly told, surprisingly suspenseful tale will stick with children for years and years. Make sure this classic sits on the shelf of your favorite child, right next to The Wind in the Willows. (Ages 9 to 12)

    She's also pretty lonely, until she meets Jennifer. Jennifer is...well, different. She's read Macbeth. She never wears jeans or shorts. She never says please or thank you. And she says she is a witch. It's not always easy being friends with a witch, but it's never boring. At first an apprentice and then a journeyman witch, Elizabeth learns to eat raw ends and how to cast small spells. And she and Jennifer collaborate on cooking up an ointment that will enable them to fly. That's when a marvelous toad, Hilary Ezra, enters their lives. And that's when trouble starts to brew.

    History is boring, right? Wrong! The Victorians weren't all deadly dull and drippy. Lottie certainly isn't. She's eleven - like me - but she's left school and has a job as a nursery maid. Her life is really hard, just work work work, but I bet she'd know what to do about my mum's awful boyfriend and his wimpy little son. I bet she wouldn't mess it all up like I do . . .