For more than a century, Algeria had been legally and administratively part of France; after the bloody war that concluded in 1962, it was other--its eight million Algerian residents deprived of French citizenship while hundreds of thousands of French pieds noirs were forced to return to a country that was never home. This rupture violated the universalism that had been the essence of French republican theory since the late eighteenth century. Shepard contends that because the amputation of Algeria from the French body politic was accomplished illegally and without explanation, its repercussions are responsible for many of the racial and religious tensions that confront France today. In portraying decolonization as an essential step in the inexorable tide of history, the French state absolved itself of responsibility for the revolutionary change it was effecting. It thereby turned its back not only on the French of Algeria--Muslims in particular--but also on its own republican principles and the 1958 Constitution. From that point onward, debates over assimilation, identity, and citizenship--once focused on the Algerian province/colony--have troubled France itself. In addition to grappling with questions of race, citizenship, national identity, state institutions, and political debate, Shepard also addresses debates in Jewish history, gender history, and queer theory.

    I disagree. We are made up of stories. The stories we hear from our mothers, the ones we tell our daughters. The tales we share with sisters and friends. The ones we never say out loud, but are heavy on our minds and run like a fever in our blood.There are a multitude of great divides between us; race, religion, cultures, the way we dress, the languages we speak, but the stories we tell bridge us together in the universal tongue of smiles, tears, pain and laughter. They remind us that, as women, we’re all chasing similar fairy-tales.This book is a call to celebrate the bridges, delight in our stories and to focus on the joy in our lives right now, rather than racing behind the happily-ever-after. That will come in it’s own time.

    "The Lion and the Leopard" takes place during the Great 1914-18 War when German forces invaded Nyasaland, Northern Rhodesia and Portuguese East Africa. Martin Russell ("The Settler") and his step-daughter, Clare, travel to the war front, while the Spaight family (Alan, from "Lake of Slaves", and his son Drew, and daughters Mandy and Kirsty) are also drawn into the conflict. A young British officer falls in love with Mandy, but she finds her true love elsewhere. Kirsty's friend, a Britsh naval reservist, joins the gunboat flotilla on Lake Tanganyika. The Chilembwe Uprising in Nyasaland provides an unwelcome distraction early in the war. The loves and tragedies in the families unfold during the long and bitter campaign.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    Driving through the Sahara in a battered Chevrolet, having converted to Islam and with a knowledge of Arabic, he leaves the beaten track to discover communities and landscapes shrouded in mystery for centuries. Brushes with magicians, cave-dwellers and Sufi mystics, however, prove less astonishing than the cruelties inflicted on the local populations by Mussolini's generals.

    Color these images and recite these poetries together at Sunset/evening. The love quotients between you would increase exponentially.

    It features new revelations about high-profile, unsolved hits and the intricate relationships between known criminals and police officers at all levels. It delves into the current power struggle between opposing factions in Cape Town's security industry and the suspected involvement of state operatives in the bloody standoff.Wiener has gained exclusive access to and on-the-record interviews with key underworld characters and police generals accused of colluding with criminals. These have helped her track the parallel narrative of the capture of law-enforcement agencies and unravel how players with inexplicable political backing have been able to pillage secret slush funds and abuse organs of state for their own benefit.Against this backdrop, prominent underworld figures - Radovan Krejcir key among them - have been able to thrive, setting up elaborate networks with the assistance of police. While crime is flourishing, the top echelons of the police and prosecution have been at war with themselves.The proximity of politics, law enforcement and organised crime over the past decade is frighteningly intertwined. The story of the rise and reign of the Ministry of Crime winds its way from the depths of the underworld, via multiple mysterious unsolved murders, to senior politicians and the very top ranks of the country's police force.

         Ronan O'Gara has been at the heart of Munster and Irish rugby for the past fifteen years. Now, as he comes to the end of a glittering playing career, it is time for him to reflect on those many successes and occasional failures with the straight-talking attitude that has become his trademark. Never one to shy away from the truth, the result is Ronan O'Gara: Unguarded.     Packed full of anecdotes and analysis of the teammates O'Gara has been proud to share the shirt with, and of the coaches he has played under -- often in controversial circumstances -- this is the definitive record of an era when Munster rose to triumph in Europe, and Ireland to win the Grand Slam, before crashing down to earth again. It is simply the must-have rugby book of the year.

    Quick and stimulating to read, but slowly burning in the memory, they offer a different, more transcendent way of looking at our extreme, gritty world.

    Chez knows this but when his wealth, power and woman is taken from him and he finds himself at deaths door, his strength is truly tested. The streets that Chez once reigned over are now at the will of Supreme, Mann and a team of New York wolves that show no mercy to anyone! Supreme is the king of the City and with Chez's demise there is no one left to dispute him as he makes millions. When Chez meets and befriends Monty in prison, their relationship grows to the point of brothers. What Chez doesn't realize is that he has actually met the one man who has the heart and manpower that he needs to take back what the New Yorker's have taken from him. Just when the streets have counted him out and everyone that he ever loved has crossed him, the Legend is reborn... Chez is set out to show that although God may forgive, The Streets Don't!!!

    Rider Haggard's Quatermain series, including 'King Solomon's Mines' and 'Allan Quatermain.' Includes an active table of contents for easy navigation.Contents:King Solomon's MinesAllan QuatermainAllan's WifeMaiwa's RevengeMarieChild of StormAllan the Holy FlowerFinishedThe Ivory ChildThe Ancient AllanAllan and the Ice-GodsMagepa the BuckA Tale of Three LionsHunter Quatermain's StoryLong OddsHenry Rider Haggard (1856-1925) was an English writer of adventure novels set predominantly in Africa, and a founder of the Lost World literary genre. Haggard is most famous as the author of the novels KING SOLOMON'S MINES and its sequel ALLAN QUATERMAIN, and SHE and its sequel AYESHA, swashbuckling adventure novels set in the context of late 19th century Africa. Hugely popular KING SOLOMON'S MINES is one of the best-selling adventure books of all time.This unexpurgated edition contains the complete text, with minor errors and omissions corrected.

    Her fiancé had died in a crash a week before their wedding and for six years she had brought up their son single-handed. Tayo Browne was a widower with two daughters. Enitan, the younger girl, thought they would make an ideal family and all the other relatives were in full support. No one had expected such relentless hostility from Joy, Tayo's teenage daughter.

    A landmark compilation of popular music, this collection contains Paul Simon's lyrics from his first album in 1964 to the present, now with 2011’s So Beautiful Or So What?

    His ‘natural supernaturalism’, personal mythology and vision can leave readers dazzled by the intensity and passion of his verse. In this outstanding work, Chesterton goes right to the heart of the matter and addresses the question of whether Blake’s genius was tainted by madness or whether his peculiar outlook on the world was the key to his success. With a detailed exposition of Blake’s life, and by weaving lucid explanations of his philosophy and religion into a discourse on his poetry, Chesterton has produced a remarkable and sensitive biography.