A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt, while brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that comprise the novel's framework yield to the final day and Hurricane Katrina, the unforgettable family at the novel's heart—motherless children sacrificing for each other as they can, protecting and nurturing where love is scarce—pulls itself up to struggle for another day. A wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, "Salvage the Bones" is muscled with poetry, revelatory, and real.

    Ferrante's inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.

    In the one or two photographs I’ve kept of him I can still see it. He stares out of them almost miserably, as if his loveliness is an affliction. Not that I saw it that way, at least not in the beginning. In the beginning I thought it was a kind of miracle.Arthur Wheeler is haunted by his infatuation with a Japanese youth he encountered in the enemy alien camp where he worked as a guard during WW2. Abandoning his wife and baby son, Arthur sets out on a doomed mission to rescue his lover from forced deportation back to Japan, a country in ruins.Thus begins the secret history of a soldier at war with his own sexuality and dangerously at odds with the racism that underpins the crumbling British Empire.Four decades later Arthur is still obsessed with the traumatic events of his youth. He proposes a last reunion with his lost lover, in the hope of laying his ghosts to rest, but this mission too seems doomed to failure.Like Merry Christmas Mr Lawrence and Snow Falling On Cedars, My Beautiful Enemy explores questions of desire and redemption against the background of a savage racial war. In this context, Arthur’s private battles against his own nature, and against the conventions of his time, can only end in heartache.

    There's no trace at all of Elliot, there hasn't been for some weeks and Paul, his younger brother, is the only one who seems to be active in the search. Taking Elliot's place on their antagonistic cousin's boat, Paul soon learns how many opportunities there are to get lost in those many thousands of kilometres of lonely coastline.Fierce, evocative and memorable, this is an Australian story set within an often wild and unforgiving sea, where mysterious influences are brought to bear on the inhospitable town and its residents. Sam Carmody is a real literary talent, with an artist's inquiring mind and a natural feel for the beauty and toughness of language. Charlotte Wood, author of the award-winning The Natural Way of Things

    a trip to the dark lands of Australian Gothic, for readers of Kate Morton and Hannah Richell. Last night I dreamt I went to Sargasso again ...As a child, Hannah lived at Sargasso, the isolated beachside home designed by her father, a brilliant architect. A lonely, introverted child, she wanted no company but that of Flint, the enigmatic boy who no one else ever saw ... and who promised he would always look after her.Hannah's idyllic childhood at Sargasso ended in tragedy, but now as an adult she is back to renovate the house, which she has inherited from her grandmother. Her boyfriend Tristan visits regularly but then, amid a series of uncanny incidents, Flint reappears ... and as his possessiveness grows, Hannah's hold on the world begins to lapse. What is real and what is imaginary, or from beyond the grave?A mesmerising Australian novel that echoes the great Gothic stories of love and hate: Wuthering Heights, Jane Eyre, and especially Daphne du Maurier's Rebecca.'So beautifully written, so skilfully plotted, such a masterpiece of tension and atmosphere ...' Australian Book Review

    The only survivor is Isabella Winterbourne, who clutches a priceless gift meant for the Australian Parliament. This gift could be her ticket to a new life, free from the bonds of her husband and his overbearing family. But whom can she trust in Lighthouse Bay?Fast-forward to 2011: after losing her lover, Libby Slater leaves her life in Paris to return to her hometown of Lighthouse Bay, hoping to gain some perspective and grieve her recent loss. Libby also attempts to reconcile with her sister, Juliet, to whom she hasn’t spoken in twenty years. Libby did something so unforgivable, Juliet is unsure if she can ever trust her sister again.In these two adventurous love stories, both Isabella and Libby must learn that letting go of the past is the only way to move into the future. The answers they seek lie in Lighthouse Bay.

    Her distinguished career ended under a cloud over a decade earlier, following an unspecified scandal involving a much younger male teacher. After losing her savings in the financial crash, she is forced to sell the dream house she had built for her old age and live on in her dilapidated cottage opposite. Initially extremely resentful and hostile towards Frank and Evelyn, the young couple who buy the new house, she develops a flirtatious friendship with Frank, and then a grudging affinity for his 12-year-old niece, Kim, who lives with them. Thea has never liked children, but she discovers an unexpected bond with  the solitary, half-Vietnamese Kim, an awkward, bookish child from a very deprived background. As Thea and Kim become close, Thea begins to find  Frank's behavior increasingly irresponsible, and to harbor worries that all is not well in the house. Her growing suspicions, which may or may not be irrational, start to dominate her life, and build to a catastrophic climax.

    Haunted by the assault, she hides from the world, finding solace in her mathematical theories. A few years later, her intellectual brilliance is discovered and she leaves conflict-stricken Pakistan for a better education in Melbourne, where she finds herself placed with Kate—a successful plastic surgeon facing emotional insecurities of her own.   Malika and Kate’s lives slowly intertwine as they find within each other what each has lacked alone. At first, Kate’s skills appear to offer a simple solution to Malika’s anguish, but when tragedy strikes, the price of beauty is found to be much higher than either of them could have known.  As Swallows Fly is a poignant portrayal of survival, identity and empowerment in a culture dominated by the pursuit of perfection. In a captivating and unforgettable debut, McMahon asks what might be possible if we have the courage to be flawed.

    Sam has to learn how to live with his silent, hitherto absent father, who decides to make a man out of his son by taking him to work at Tangalooma, then the largest whaling station in the southern hemisphere. What follows is the devastatingly beautiful story of a gentle boy trying to make sense of the terrible reality of whaling and the cruelty and alienation of his new world, the world of men. Set around Moreton Island and Noosa in 1961, To Become a Whale is an extraordinarily vivid and haunting novel that reads like an instant classic of Australian literature. There are echoes of Craig Silvey, Favel Parrett, Tim Winton and Randolph Stow in this moving, transformative and very Australian novel.'Hobson takes us to the depths of cruelty to show us life. A boy tries to be a man, a man tries to be a father, and both struggle to navigate what it means to be men. A great study in masculinity.'WILLY VLAUTIN, author of Lean on Pete and The Free'A powerful tale of fathers and sons and all that can't be spoken between them. The writing is honest, rich and clean, and it made me feel so much. Too many writers fuss things up, but Ben tells it simply, which is so affecting.'SOFIE LAGUNA, author of Miles Franklin-winning The Eye of the Sheep

    As she tries to navigate her new body through the world, she develops a deep fascination with the local octopuses, and in doing so finds herself drawn towards the friendship of an old woman and her son. As the story unfolds, the octopuses come to shape Lucy's body and her sense of self in ways even she can't quite understand.The Octopus and I is a stunning debut novel that explores the wild, beating heart at the intersection of human and animal, love and loss, fear and hope.

    First Paragraph:'P S,' they said. And 'Vanessa'. Or sometimes 'Ness'. PS. PS. PS. PS. Ness. Ness. Ness. It sounded through his half sleep like surreptitious mice foraging through tissue paper. It was as mysterious as the lateness of the hour — after nine o'clock — and only as far away as the kitchen door, ajar so as to hear him if he should call to them or have a nightmare. He turned in bed, listening to the whispering undertones, as steady and continuous as a tap left running and broken only by a cough or sometimes a chair scraping back on the linoleum; then a dish being taken from a cupboard and now and then a voice would catch on fire and break adrift from the murmurings, but always with the same word, Vanessa, said sharply like hitting a brass gong at dead of night and then someone would say, 'Shhh, was that him? Did he call out?' and tiptoeing would startle the old floorboards while a shadow grew larger and larger on his wall; bent to hear if he was stirring and so, annoyed with their secrets, he would feign sleep until whoever it was retreated to the kitchen and the whispering hissed up again like damp green eucalyptus logs burning.

    Failing out of school, picking up shifts at Margo’s diner, she’s left fending for herself in a town where she’s never quite felt at home. When she “borrows” her neighbor’s car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that’s all hers.As April moves through the world, meeting people who feel like home, she chronicles her life in the songs she writes and discovers that where she came from doesn’t dictate who she has to be. This lyrical, unflinching tale is for anyone who has ever yearned for the fierce power of found family or to grasp the profound beauty of choosing to belong.

    The importance of home. Of love. Of kindness to strangers. Of memories and dreams.Australia's rural towns and communities are closing down, much of Australia is being sold to overseas interests, states and countries and regions are being realigned worldwide. Town matriarch Granna Adams, her grandson Roberto, the lonely and thoughtful Clare – all try in their own way to hold on to their sense of self, even as the world around them fractures.What would you do if all you held to be familiar was lost? More importantly, wheredo you belong?An extraordinary debut novel from an exciting new Australian voice.

    Faulkner's novel is enlivened by a strong gift for metaphor and the wisdom to use it sparingly.'When Roberta 'Bertie' Lightfoot is struck down with polio, her world collapses. But Mama doesn't tolerate self-pity, and Bertie is nobody if not her mother's daughter - until she sets her heart on becoming an artist. Through drawing, the gifted and perceptive Bertie gives form and voice to the reality of the people and the world around her. While her father is happy enough to indulge Bertie's driving passion, her mother will not let art get in the way of the future she wishes for her only daughter.In 1955 the family moves to post-colonial Port Moresby, a sometimes violent frontier town, where Bertie, determined to be the master of her own life canvas, rebels against her mother's strict control. In this tropical landscape, Bertie thrives amid the lush pallette of colours and abundance, secretly learning the techniques of drawing and painting under the tutelage of her mother's arch rival.But Roberta is not the only one deceiving her family. As secrets come to light, the domestic varnish starts to crack, and jealousy and passion threaten to forever mar the relationship between mother and daughter.Tender and witty, The Beloved is a moving debut novel which paints a vivid portrait of both the beauty and the burden of unconditional love.WINNER OF THE NITA B KIBBLE LITERARY AWARD 2013SHORTLISTED FOR THE MILES FRANKLIN AWARD 2013WINNER OF THE QUEENSLAND PREMIER'S LITERARY AWARD FOR AN EMERGING QUEENSLAND AUTHOR 2011COMMENDED FOR THE FAW CHRISTINA STEAD AWARD 2012

    A punchy, powerful and page-turning novel about the redemptive power of great literature, from industry insider, John Purcell. Amy Winston is a hard-drinking, bed-hopping, hot-shot young book editor on a downward spiral. Having made her name and fortune by turning an average thriller writer into a Lee Child, Amy is given the unenviable task of steering literary great Helen Owen back to publication. When Amy knocks on the door of their beautiful townhouse in north-west London, Helen and her husband, the novelist Malcolm Taylor, are conducting a silent war of attrition. The townhouse was paid for with the enormous seven-figure advance Helen was given for the novel she wrote to end fifty years of making ends meet on critical acclaim alone. The novel Malcolm thinks unworthy of her. The novel Helen has yet to deliver. The novel Amy has come to collect.Amy has never faced a challenge like this one. Helen and Malcolm are brilliant, complicated writers who unsettle Amy into asking questions of herself - questions about what she values, her principles, whether she has integrity, whether she is authentic. Before she knows it, answering these questions becomes a matter of life or death.From ultimate book industry insider, John Purcell, comes a literary page-turner, a ferocious and fast-paced novel that cuts to the core of what it means to balance ambition and integrity, and the redemptive power of great literature.