Except that these secrets are not buried in the past.Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there. Because Maggie has done things to Nina that can’t ever be forgiven, and now she is paying the price.But there are many things about the past that Nina doesn’t know, and Maggie is going to keep it that way—even if it kills her.Because in this house, the truth is more dangerous than lies.

    Driving back from a holiday in France one night, Finn pulls in to a service station, leaving Layla alone in the car. When he returns, minutes later, Layla has vanished, never to be seen again. That’s the story Finn tells the police. It’s the truth – but not the whole truth.Twelve years later, Finn has built a new life with Ellen, Layla’s sister, when he receives a phone call. Someone has seen Layla. But is it her – or someone pretending to be her? If it is her, what does she want? And what does she know about the night she disappeared?

    Through interviews with Zoe's closest friends and family, she begins piecing together what really happened in 2011. But where some versions of events overlap, aligning perfectly with one another, others stand in stark contrast, giving rise to troubling inconsistencies.Shaken by revelations of Zoe's secret life, and stalked by a figure from the shadows, Evelyn turns to crime writer Joseph Knox to help make sense of a case where everyone has something to hide.Zoe Nolan may be missing presumed dead, but her story is only just beginning

    Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    There she sets up her new home with her husband and two young daughters, and goes into business with her difficult mother managing a guesthouse in the Brecon Beacons. But when the guesthouse is ready to be occupied, Kirsty encounters the last person she ever expected to see: her estranged cousin Selena. It has been seventeen years since they last talked—when Selena tore everything apart between them.Why has she chosen now to walk back into Kirsty's life? Is Selena running from something too? Or is there an even darker reason for her visit?As Kirsty becomes increasingly concerned for the safety of her daughters, her dream home begins to feel like her worst nightmare.Kirsty knows that once you invite trouble into your home, it can be murder getting rid of it . . .

    "That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all."Meet Chrissie... Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost -- she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.Twenty years later, adult Chrissie is living in hiding under a changed name. A single mother, all she wants is for her daughter to have the childhood she herself was denied. That's why the threatening phone calls are so terrifying. People are looking for them, the past is catching up, and Chrissie fears losing the only thing in this world she cares about, her child.

    She is a stay-at-home mother-of-three with boundless reserves of patience, energy, and love. After being friends for a decade, this is how Liz sees Jess. Then one moment changes everything. Dark thoughts and carefully guarded secrets surface—and Liz is left questioning everything she thought she knew about her friend, and about herself. The truth can’t come soon enough.

    Y2K is expected to end in chaos: planes falling from the sky, elevators plunging to earth, world markets collapsing. A digital apocalypse. None of that happens. But at a Blockbuster Video in Linden, New Jersey, four teenage girls working the night shift are attacked. Only one survives. Police quickly identify a suspect who flees and is never seen again.Fifteen years later, in the same town, four teenage employees working late at an ice cream store are attacked, and again only one makes it out alive. Both surviving victims recall the killer speaking only a few final words... “Goodnight, pretty girl.”In the aftermath, three lives intersect: the survivor of the Blockbuster massacre who’s forced to relive her tragedy; the brother of the original suspect, who’s convinced the police have it wrong; and the FBI agent, who’s determined to solve both cases. On a collision course toward the truth, all three lives will forever be changed, and not everyone will make it out alive.Twisty, poignant, and redemptive, The Night Shift is a story about the legacy of trauma and how the broken can come out on the other side, and it solidifies Alex Finlay as one of the new leading voices in the world of thrillers.

    Kate is in the middle of a two week quarantine period, but she just can't take it anymore - the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know.But Kate's neighbour Alice sees her leaving and Matt, Kate's son, soon realizes she's missing. And Kate, who planned only a quick solitary walk - a breath of open air - falls and badly injures herself. What began as a furtive walk has turned into a mountain rescue operation . . . Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since March 2020, and the place it was before. Sarah Moss's novel is a story about compassion and kindness and what we must do to survive, and it will move you to tears.

    Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep. His & Hers is a twisty, smart, psychological thriller. A gripping tale of suspense, told by expertly-drawn narrators that will keep readers guessing until the very end.

    Wealth. Success.She’s got it all.And it all should’ve been mine. When Eleanor Hardwicke’s beloved father dies, her world is further shattered by a gut-wrenching secret: the man she’s grieving isn’t really her dad. Eleanor was the product of an affair and her biological father is still out there, living blissfully with the family he chose. With her personal life spiraling, a desperate Eleanor seeks him out, leading her to uncover another branch on her family tree—an infuriatingly enviable half sister.Perfectly perfect Victoria has everything Eleanor could ever dream of. Loving childhood, luxury home, devoted husband. All of it stolen from Eleanor, who plans to take it back. After all, good sisters are supposed to share. And quiet little Eleanor has been waiting far too long for her turn to play.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Nobody. But when neuropsychiatrist Dr. Emma Lewis is invited to assess him, she discovers he does recall something about her own past that no one else knows.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?