She could have done without the guardian bit that put a bull’s eye on her back. Being a guardian comes with so many risks and rules that immortality ought to be a fringe benefit. Whenever the New Orleans Supernaturals’ Crime Unit calls for her help she’d like to tell them to go to Hell—but they’re already in that particularly unpleasant part of the netherworld. Even a guardian has to pay her bills, and Cate has no intention of following in her mother’s footsteps as an enforcer for the Council of Supernatural Beings. Opening the Darkmirror Agency was a great idea. Her clients are mostly human, and they pay for everything from bounty hunting to process serving. But one day it all goes to Hell, figuratively. Then literally.Because that’s the day the Council’s detective Jacqueline Sloan slinks her way into Cate’s life. Jacq. So alluring. So powerful. So immortal. And up to her sexy neck in a secret that will unleash Hell’s Belle.Marie Castle’s unpredictable Darkmirror world is unveiled in this romantic, sizzling debut.

    Merle is in her first year at the Corcoran School of Art, catapulted from her impoverished Appalachian upbringing into a sophisticated, dissipated art scene.It is also 1870. The teenage poet Arthur Rimbaud is on the verge of breaking through to the images and voice that will make his name.The meshed power of words and art thins the boundaries between the present and the past—and allows these two troubled, brilliant artists to enter each other’s worlds.

    Free love has given way to radical feminism, psychedelic ecstasy to hard-edged gloom. The Zodiac Killer stalks the streets. A disgraced professor takes an office in a downtown tower to plot his return. But the walls are thin and he's distracted by voices from next door—his neighbor is a psychologist, and one of her patients dislikes the hum of the white-noise machine. And so he begins to hear about the patient's troubles with her female lover, her conflicts with her adoptive, avowedly WASP family, and her quest to track down her birth mother. The professor is not just absorbed but enraptured. And the further he is pulled into the patient's recounting of her dramas—and the most profound questions of her own identity—the more he needs the story to move forward. The patient's questions about her birth family have led her to a Catholic charity that trafficked freshly baptized orphans out of Germany after World War II. But confronted with this new self— “I have no idea what it means to say ‘I’m a Jew’”—the patient finds her search stalled. Armed with the few details he’s gleaned, the professor takes up the quest and quickly finds the patient’s mother in records from a German displaced-persons camp. But he can’t let on that he’s been eavesdropping, so he mocks up a reply from an adoption agency the patient has contacted and drops it in the mail. Through the wall, he hears how his dear patient is energized by the news, and so is he. He unearths more clues and invests more and more in this secret, fraught, triangular relationship: himself, the patient, and her therapist, who is herself German. His research leads them deep into the history of displaced-persons camps, of postwar Zionism, and—most troubling of all—of the Nazi Lebensborn program. With ferocious intelligence and an enthralling, magnetic prose, Ellen Ullman weaves a dark and brilliant, intensely personal novel that feels as big and timeless as it is sharp and timely. It is an ambitious work that establishes her as a major writer.

    But she does just that. The urban comforts of New York quickly seem light years away when her journey is hampered by cars that won’t start, locks that won’t turn and a strange dog that has decided that Libby would be the perfect owner.Quinn Barnett is in no mood for damsels in distress. Her reasons for partaking of New England’s fall colors are deeply personal and painful. She’s promised to do one thing on this trip, and falling in love isn’t it. Once her mission is accomplished she’s moving on—if only she can start some cars, unlock some doors and get that bothersome stray to leave her alone. The golden shores of a beautiful New England lake and the glory of October’s sunsets should create the perfect stage for falling in love, unless two stubborn women decide to keep the wrong promises.Bella Books proudly presents this refreshing, new voice in lesbian romance! Marianne Garver’s charming first novel features an unforgettable Cupid in a setting readers will wish they could find on a map. Editor: Katherine V. ForrestCover Designer: Linda CallaghanGenre: RomanceWinner, Golden Crown Literary Award.

     It’s 1946 in New Zealand, and Alice Holden has fallen for the woman delivering her milk every morning. Jean has a way about her, a swagger, honey-sweet and low voice, and a wink with an easy smile that lights up Alice’s world, stirring her in ways she’s never known before, and Alice with blinders on, wants to choose this feeling over all else. Jean has been head over heels in love with the sparky and adorable single mother since the first time she saw her. She’s even drawn to Alice’s two fatherless children, and family life has never looked so good. Jean’s deep desire to have more than a life spent looking in from the outside seems more than she should hope for, and now Alice has her tossing the dice for it against all odds. But there are two people in town who believe they have the prior claim to Alice, in duty and affection, and they’ll do almost anything to get what they want. Alice and Jean have discovered that each is what the other has always longed for, each other’s missing link. Now they need to find a way to be together, despite the obstacles.

    Nath’s biggest success is the sustained atmospheric tension that he creates somewhat effortlessly."- Little Interpretations "A haunting and bittersweet novel that stays with you long after the final chapter – always the sign of a really well-written and praiseworthy story. It would also make an excellent screenplay."- Historical Novels Review - Editor's Choice, Feb 2011Nazi occupied Aquitaine, 1943: A young woman is found murdered in the shadow of the Bergerac Prefecture. Auguste Ran, Assistant Chief of Police, suspects Brunner, a German Security Police Major, of the crime. The more Auguste investigates, the more obsessed he becomes with bringing down the seemingly untouchable Brunner.Auguste begins to realise he has been conveniently ignoring the Nazi atrocities going on around him, and understands too late the human cost of his own participation in the internment of the local Jewish population.Driven by conscience and struggling with his Catholic religious beliefs, his actions start to put his own family at risk. Harbouring the daughter of his lifelong Jewish friend Pierre, they are forced into a desperate trek towards neighbouring Switzerland, pursued all the way by the German Sicherheitspolizei.The Cyclist is the first in Fredrik Nath's series of World War 2 novels. The adventures continue in Farewell Bergerac, Francesca Pascal. Find out more about The Cyclist and Fredrik Nath's other holocaust novels in his 3D author room at http://inkflash.com/FredrikNath

    Obejas has been the model of a writer for me in every way--a master in her aesthetics, an inspiration in her politics, fearless and vital in every page. The Tower of the Antilles is another brilliant collection, a story of many Cubas, intensely personal and political, erotic and cerebral. I found myself holding my breath as I devoured this book, as I navigated the various avenues of the body, the blood, and all those seemingly impossible roads that lead to a place we try to call home."--Porochista Khakpour, author of The Last Illusion"These stories are like a long dream of many parts, mixed desire, love, longing, anger—Obejas is a master of the human, able to conjure her characters’ heartbeats right under your fingertips, their breaths in your ears."--Alexander Chee, author of The Queen of the Night "Achy Obejas's new story collection begins and ends with a question: What is your name? The answer is an abounding one. Counterrevolutionaries, the witnesses to the arrival of Columbus's caravels, poets, Supermán--the characters in these stories, in all their riveting variety, name themselves as Cuban, and are bound in complex ways by the geography of their hearts, if not the geography beneath their feet. An audacious and remarkable read!"--Chantel Acevedo, author of The Distant MarvelsPraise for Achy Obejas:"Obejas writes like an angel, which is to say: gloriously...one of Cuba's most important writers."--Junot DíazThe Cubans in Achy Obejas's story collection The Tower of the Antilles are haunted by an island: the island they fled, the island they've created, the island they were taken to or forced from, the island they long for, the island they return to, and the island that can never be home again.In "Supermán," several possible story lines emerge about a 1950s Havana sex-show superstar who disappeared as soon as the revolution triumphed. "North/South" portrays a migrant family trying to cope with separation, lives on different hemispheres, and the eventual disintegration of blood ties. "The Cola of Oblivion" follows the path of a young woman who returns to Cuba, and who inadvertently uncorks a history of accommodation and betrayal among the family members who stayed behind during the revolution. In the title story, "The Tower of the Antilles," an interrogation reveals a series of fantasies about escape and a history of futility.With language that is both generous and sensual, Obejas writes about lives beset by events beyond individual control, and poignantly captures how history and fate intrude on even the most ordinary of lives.

    These days, she spends life on the road, moving from one case to another until one day when runs run right into the path of Sheriff Mel Crane. The feisty, sexy butch cop is as determined to uncover a counterfeiting ring in her county as Agent Rossi becomes to stop a stalker obsessed with Mel and hot for her company. Dana is under the added pressure of conducting an undercover investigation of her own with a tight deadline: finding and then stopping a ring of smugglers bringing high end designer knock-offs into the states.Could their cases be related? When repeated vicious attacks on Mel and on her home accelerate the danger for her and also their attraction to each other, they become desperate to find the truth and solve the two mysteries. Can they find a way to work together to resolve both cases while coming to terms with their growing feelings for one another? Can Dana move beyond her jilted lover past and find true happiness with a small town Sheriff?

    There's only one problem: her grandmother is dead. As the two young women beat their own early path toward marriage equality, Ellen's longing to plumb that voluminous silence draws her into a clandestine entanglement with a wily Holocaust survivor--a woman with more to hide than tell--and a secret search for buried history. If there is to be a wedding Ellen must decide: How much do you need to share to be true to the one you love? Set in ebullient, 1990s Dot-com era San Francisco, Paper is White is a novel about the gravitational pull of the past and the words we must find to make ourselves whole.

    Secretly in love with Cheryl for years, Elaine hopes she'll finally have a chance to win Cheryl's heart. But will she? Mickey's fling will soon be over and she'll want Cheryl back...in the worst way.