Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All the while, the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too.

    In this stunningly unusual prose debut, Doireann Ni Ghriofa sculpts essay and autofiction to explore inner life and the deep connection felt between two writers centuries apart. In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story. A devastating and timeless tale about one woman freeing her voice by reaching into the past and finding another's.

    Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.

    It is wintertime, late December: a species of "now." A narrator—Tsypkinis on a train going to Leningrad. And it is also mid-April 1867. The newly married Dostoyevskys, Fyodor, and his wife, Anna Grigor'yevna, are on their way to Germany, for a four-year trip. This is not, like J. M. Coetzee's The Master of St. Petersburg, a Dostoyevsky fantasy. Neither is it a docu-novel, although its author was obsessed with getting everything "right." Nothing is invented, everything is invented. Dostoyevsky's reckless passions for gambling, for his literary vocation, for his wife, are matched by her all-forgiving love, which in turn resonates with the love of literature's disciple, Leonid Tsypkin, for Dostoyevsky. In a remarkable introductory essay (which appeared in The New Yorker), Susan Sontag explains why it is something of a miracle that Summer in Baden-Baden has survived, and celebrates the happy event of its publication in America with an account of Tsypkin's beleaguered life and the important pleasures of his marvelous novel.

    These objects—a cigarette lighter, lollipop sticks, a beer-bottle opener, etc.—like the fictional pieces of the novel itself, are seemingly random at first, but eventually coalesce, meaningfully and poetically.Written in a variety of literary forms, The Museum of Unconditional Surrender captures the shattered world of living in exile. Some chapters re-create the daily journal of the narrator's lonely and alienated mother, who shops at the improvised flea-markets in town and longs for her children; another is a dream-like narrative in which a circle of women friends are visited by an angel. There are reflections and accounts of the Holocaust and the Yugoslav Civil War; portraits of European artists; a recipe for Caraway Soup; a moving story of a romantic encounter the narrator has in Lisbon; descriptions of family photographs; memories of the small town in which Ugresic was raised.Addressing the themes of art and history, aging and loss, The Museum is a haunting and an extremely original novel. In the words of the Times Literary Supplement, "it is vivid in its denunciation of destructive forces and in its evocation of what is at stake."

    When her mother-in-law suddenly dies of a stroke, Akiko becomes the sole caregiver for her selfish father-in-law Shegezo.The Twilight Years raises important issues about the quality of life at the end of life, caregiving for the old, and the dilemma of women who have both career and family obligations.

    A veteran of the force, he is only now coming to terms with the pervasive corruption in public and private life since the fall of the military dictatorship and the advent of democratic government.When an Albanian couple is found brutally slaughtered, it looks like an open and shut crime of passion. But when Yanna, a TV journalist investigating the same case, is murdered in a broadcasting studio just before going on air, Haritos begins to think he's missing something crucial in this seemingly simple case. Why was she so interested in whether the police had found evidence of the presence of children at the Albanians' home? When Yanna's successor at the TV station is also murdered, Haritos finds himself sucked ever deeper into the grubby world of the Greek media and the shadowy underworld of international child trafficking.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    Written by Childers—who served in the Royal Navy during World War I—as a wake-up call to the British government to attend to its North Sea defenses, The Riddle of the Sands accomplished that task and has been considered a classic of espionage literature ever since, praised as much for its nautical action as for its suspenseful spycraft.

    You're sellotaped to the inside pane of the jumble shop window. A photograph of your mangled face and underneath an appeal for a COMPASSIONATE AND TOLERANT OWNER. A PERSON WITHOUT OTHER PETS & WITHOUT CHILDREN UNDER FOUR.A misfit man finds a misfit dog. Ray, aged fifty-seven, ‘too old for starting over, too young for giving up’, and One Eye, a vicious little bugger, smaller than expected, a good ratter. Both are accustomed to being alone, unloved, outcast – but they quickly find in each other a strange companionship of sorts. As spring turns to summer, their relationship grows and intensifies, until a savage act forces them to abandon the precarious life they’d established, and take to the road.

    Love in Excess and its reception provide a lively and valuable record of the challenge that female desire posed to social decorum.

    When morning broke Nessa Crowley's lifeless body lay in the garden, her last breath silenced by the music and the thunder.The killer couldn't have escaped Inisrun, but no one was charged with the murder. The mystery that surrounded the death of Nessa remained hidden. But the islanders knew who to blame for the crime that changed them forever.Ten years later a documentary crew arrives, there to lift the lid off the Kinsellas' carefully constructed lives, determined to find evidence that will prove Henry's guilt and Keelin's complicity in the murder of beautiful Nessa.In this bold, brilliant, disturbing new novel Louise O'Neill shows that deadly secrets are devastating to those who hold them close.

    Andre Breton wrote Arcanum 17 during a trip to the Gaspe Peninsula in Quebec in the months after D-Day in 1944, when the Allied troops were liberating Occupied Europe. Using the huge Perce Rock--its impermanence, its slow-motion crumbling, its singular beauty--as his central metaphor, Breton considers issues of love and loss, aggression and war, pacifism, feminism and the occult, in a book that is part prose and part poetry, part reality and part dream.Translator Zack Rogow won the PEN-Book-of-the-Month Translation Prize for his co-translation of Breton's Earthlight.

    For Morag Gunn, growing up in a small Canadian prairie town is a toughening process – putting distance between herself and a world that wanted no part of her. But in time, the aloneness that had once been forced upon her becomes a precious right – relinquished only in her overwhelming need for love. Again and again, Morag is forced to test her strength against the world – and finally achieves the life she had determined would be hers.The Diviners has been acclaimed by many critics as the outstanding achievement of Margaret Laurence’s writing career. In Morag Gunn, Laurence has created a figure whose experience emerges as that of all dispossessed people in search of their birthright, and one who survives as an inspirational symbol of courage and endurance.The Diviners received the Governor General’s Award for Fiction for 1974.

    You don't need to give Arthur more than one chance to do the Government or trick the foreman.And when the day's work is over, Arthur is off to the pubs, raring for adventure. He is a warrior of the bottle and the bedroom - his slogan is 'If it's going, it's for me' - for his aim is to cheat the world before it can cheat him. And never is the battle more fiercely joined than on Saturday night.But Sunday morning is the time of reckoning, the time for facing up to life - the time, too, you run the risk of getting hooked!Arthur is no exception.