But they never made it--Willow lost control of the car, and both of her parents were killed.Now seventeen, Willow is living with her older brother, who can barely speak to her. She has left behind her old home, friends, and school. But Willow has found a way to survive, to numb the new reality of her life: She is secretly cutting herself.And then she meets Guy, a boy as sensitive and complicated as she is. When Guy discovers Willow's secret, he pulls her out of the solitary world she's created for herself, and into a difficult, intense, and potentially life-changing relationship.Julia Hoban has created an unflinching story about cutting, grieving, and starting anew. But above all, she has written an unforgettable tale of first love.

    Inside the bag, Rose finds an iPod, with a to-be-determined playlist; a picture of peonies, for growing; a crystal heart, for loving; a paper star, for making a wish; and a paper kite, for letting go.As Rose ponders the meaning of each item, she finds herself returning again and again to an unexpected source of comfort. Will is her family’s gardener, the school hockey star, and the only person who really understands what she’s going through. Can loss lead to love?

    Alina Keeler was destined to dance, but then a terrifying fall shatters her leg -- and her dreams of a professional ballet career along with it. After a summer healing (translation: eating vast amounts of Cool Ranch Doritos and bingeing ballet videos on YouTube), she is forced to trade her pre-professional dance classes for normal high school, where she reluctantly joins the school musical. However, rehearsals offer more than she expected -- namely Jude, her annoyingly attractive cast-mate she just might be falling for.But to move forward, Alina must make peace with her past and face the racism she experienced in the dance industry. She wonders what it means to yearn for ballet -- something so beautiful, yet so broken. And as broken as she feels, can she ever open her heart to someone else?

    . . CHARLIE DUSKIN loves music, and she knows she's good at it. But she only sings when she's alone, on the moonlit porch or in the back room at Old Gus's Secondhand Record and CD Store. Charlie's mom and grandmother have both died, and this summer she's visiting her grandpa in the country, surrounded by ghosts and grieving family, and serving burgers to the local kids at the milk bar. She's got her iPod, her guitar, and all her recording equipment, but she wants more: A friend. A dad who notices her. The chance to show Dave Robbie that she's not entirely unspectacular.ROSE BUTLER lives next door to Charlie's grandfather and spends her days watching cars pass on the freeway and hanging out with her troublemaker boyfriend. She loves Luke but can't wait to leave their small country town. And she's figured out a way: she's won a scholarship to a science school in the city, and now she has to convince her parents to let her go. This is where Charlie comes in. Charlie, who lives in the city, and whom Rose has ignored for years. Charlie, who just might be Rose's ticket out.Told in alternating voices and filled with music, friendship, and romance, Charlie and Rose's "little wanting song" is about the kind of longing that begins as a heavy ache but ultimately makes us feel hopeful and wonderfully alive.

    With a distinct lack of boobage and an arse so big that birds of prey could nest within its shadows, Jess Jordan is saddled with the Goddess Flora for a best friend, a Britney Spears look-alike so gorgeous that one grain of her divine dandruff could make the blind see again. Jess knows that her soul mate is Ben Jones, a divine mixture of Leonardo diCaprio, Prince William, and Brad Pitt who oozes mystery and charisma. But the campaign to get Ben to notice her brings on a cavalcade of mortification and disaster, including, but not limited to, a minestrone soup explosion that takes place in her bra and a schoolwide viewing of a videotape that features a topless Jess referring to her breasts as “Bonnie” and “Clyde.”Meanwhile, Jess’s death-obsessed Granny moves into her bedroom, along with her grandfather’s remains; her hypochondriac dad, who sends her daily “horrorscopes” like “You will fall asleep with your mouth open, and a family of earwigs will move in,” acts strange about Jess staying with him this summer; and her longtime friend Fred, a television violence addict and closet thumbsucker, has decided that he can’t stand being around her. Jess is determined to make things right . . . but with her offbeat sense of humor and her wildly active imagination, things get complicated along the way.

    It feels like no one here gets what I’m going through. How could they? I don’t even understand.DAVID: In the 622 days I’ve attended Mapleview High, Kit Lowell is the first person to sit at my lunch table. I mean, I’ve never once sat with someone until now. “So your dad is dead,” I say to Kit, because this is a fact I’ve recently learned about her. When an unlikely friendship is sparked between relatively popular Kit Lowell and socially isolated David Drucker, everyone is surprised, most of all Kit and David. Kit appreciates David’s blunt honesty—in fact, she finds it bizarrely refreshing. David welcomes Kit’s attention and her inquisitive nature. When she asks for his help figuring out the how and why of her dad’s tragic car accident, David is all in. But neither of them can predict what they’ll find. Can their friendship survive the truth?

    Her real ambition? Using her operatic mezzo as a ticket back to NYC, where her family lived before her dad ran off with an up and coming male movie star.Now meet Kathryn: An overachieving soprano with an underachieving savings account, she’s been a leper ever since Brooke punched her at a party junior year. For Kath, music is the key to a much-needed college scholarship.The stage is set for a high-stakes duet between the two seniors as they prepare for the prestigious Blackmore competition. Brooke and Kathryn work toward the Blackmore with eyes not just on first prize but on one another, each still stinging from a past that started with friendship and ended in betrayal. With competition day nearing, Brooke dreams of escaping the in-crowd for life as a professional singer, but her scheming BFF Chloe has other plans. And when Kathryn gets an unlikely invitation to Homecoming, she suspects Brooke of trying to sabotage her with one last public humiliation. As pressures mount, Brooke starts to sense that the person she hates most might just be the best friend she ever had. But Kathryn has a decision to make. Can she forgive? Or are some rivalries for life?

    It was just another night, just another party, just another time where Isaac drank too much and passed out on the lawn. Only this time, Isaac didn’t wake up.Convinced that his own actions led to his friend’s death, Seth is torn between turning his life around . . . or losing himself completely.Then he meets Rosetta: so beautiful and so different from everything and everyone he’s ever known. But Rosetta has secrets of her own, and Seth will soon realize he isn’t the only one who needs saving . . .

    Chris is one of the best parts of her new life, the only person who's ever made her feel safe. And now that she's found him, there's no way she can tell the truth:Her real name is Faith, not Leah. She's seventeen, not nineteen. And the baby isn't hers—Faith kidnapped her.Faith's history catches up with her when a cop starts asking questions and Chris's aunt spots her picture in the newspaper. She knows it's time to run again, but if Faith leaves, she'll lose Chris. If Chris is in love with a lie, though, did Faith ever really have him in the first place?

    . . Shakespeare . . . but no romance?Kate Sanderson inherited her good sense from her mother, a disciplined law professor, and her admiration for the Bard from her father, a passionate Shakespeare scholar. When she gets dumped, out of the blue, for the Practically Perfect Ashley Lawson, she vows never to fall in love again. From now on she will control her own destiny, and every decision she makes will be highly reasoned and rational. She thinks Shakespeare would have approved.So when she is accepted to a summer Shakespeare symposium in Verona, Italy, Kate sees it as the ideal way to get over her heartbreak once and for all. She'll lose herself in her studies, explore ancient architecture, and eat plenty of pasta and gelato. (Plus, she'll be getting college credit for it—another goal accomplished!) But can even completely logical Kate resist the romance of living in a beautiful villa in the city where those star-crossed lovers Romeo and Juliet met and died for each other? Especially when the other Shakespeare Scholars—in particular Giacomo, with his tousled brown hair, expressive dark eyes, and charming ways—try hard to break her protective shell?"In fair Verona, where we lay our scene . . . "

    But when her oldest friend, Donovan, returns home after spending four long years with his kidnapper, Theo starts reliving memories about his abduction—and his abductor.Donovan isn't talking about what happened, and even though Theo knows she didn't do anything wrong, telling the truth would put everything she's been living for at risk. But keeping quiet might be worse.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.

    It’s a form of Severe Combined Immunodeficiency, but basically, I’m allergic to the world. I don’t leave my house, have not left my house in fifteen years. The only people I ever see are my mom and my nurse, Carla.But then one day, a moving truck arrives. New next door neighbors. I look out the window, and I see him. He’s tall, lean and wearing all black—black t-shirt, black jeans, black sneakers and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly. I want to learn everything about him, and I do. I learn that he is funny and fierce. I learn that his eyes are Atlantic Ocean-blue and that his vice is stealing silverware. I learn that when I talk to him, my whole world opens up, and I feel myself starting to change—starting to want things. To want out of my bubble. To want everything, everything the world has to offer.Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.

    And there’s one more thing. It’s all about feeling comfortable in your own skin-—no matter how you add it up!

    After just one day together, that spark bursts into a flame, or so it seems to Allyson, until the following morning, when she wakes up after a whirlwind day in Paris to discover that Willem has left. Over the next year, Allyson embarks on a journey to come to terms with the narrow confines of her life, and through Shakespeare, travel, and a quest for her almost-true-love, to break free of those confines.