Lizzie, Ella, and Betsey take turns going to school, pursuing extracurriculars, and even dating.Then Lizzie meets Sean Kelly, the one person who can help her realize she's not a carbon copy of the others - she's an individual with unique dreams and desires. Digging deeper into her background and her mother's role in her life, Lizzie begins to dismantle the delicate balance of an unusual family that only science could have created.

    An accident. A secret.Lies upon lies.True love.The truth. We Were Liars is a modern, sophisticated suspense novel from New York Times bestselling author, National Book Award finalist, and Printz Award honoree E. Lockhart. Read it.And if anyone asks you how it ends, just LIE.

    In 1914 both enlisted in the British Army - Alec goaded by his beautiful, cold mother to fight for King and Country, Jerry to learn his trade for the Irish Nationalist cause.

    Then Sarah meets a mysterious man with an ambiguous accent, a suspiciously bare apartment, and a lockbox full of weapons. He's a spy, and he needs Sarah to become one, too, to pull off a mission he can't attempt on his own: infiltrate a boarding school attended by the daughters of top Nazi brass, befriend the daughter of a key scientist, and steal the blueprints to a bomb that could destroy the cities of Western Europe. With years of training from her actress mother in the art of impersonation, Sarah thinks she's ready. But nothing prepares her for her cutthroat schoolmates, and soon she finds herself in a battle for survival unlike any she'd ever imagined.

    Because it didn’t matter what Rashad said next—that it was an accident, that he wasn’t stealing—the cop just kept pounding him. Over and over, pummeling him into the pavement. So then Rashad, an ROTC kid with mad art skills, was absent again…and again…stuck in a hospital room. Why? Because it looked like he was stealing. And he was a black kid in baggy clothes. So he must have been stealing.And that’s how it started.And that’s what Quinn, a white kid, saw. He saw his best friend’s older brother beating the daylights out of a classmate. At first Quinn doesn’t tell a soul…He’s not even sure he understands it. And does it matter? The whole thing was caught on camera, anyway. But when the school—and nation—start to divide on what happens, blame spreads like wildfire fed by ugly words like “racism” and “police brutality.” Quinn realizes he’s got to understand it, because, bystander or not, he’s a part of history. He just has to figure out what side of history that will be.Rashad and Quinn—one black, one white, both American—face the unspeakable truth that racism and prejudice didn’t die after the civil rights movement. There’s a future at stake, a future where no one else will have to be absent because of police brutality. They just have to risk everything to change the world.Cuz that’s how it can end.

    Determined to finally let go of the past, she throws herself into life at Knollwood, the prestigious New Englandschool she attends. Charlie quickly becomes friends with Knollwood’s “it” crowd.Charlie has also been tapped by the A’s—the school’s elite secret society well known for terrorizing the faculty, administration, and their enemies. To become a member of the A’s, Charlie must play The Game, a semester-long, diabolical high-stakes scavenger hunt that will jeopardize her friendships, her reputation, even her place at Knollwood.As the dark events of past and present converge, Charlie begins to fear that she may not survive the terrible truth about her family, her school, and her own life.

    But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte's war on drugs, and no one in the family wants to talk about what happened, Jay travels to the Philippines to find out the real story.Hoping to uncover more about Jun and the events that led to his death, Jay is forced to reckon with the many sides of his cousin before he can face the whole horrible truth -- and the part he played in it.

    I believed them. That was my mistake.There isn’t anyone else in the world like me.I’m different. I’m an anomaly. I’m a monster. For two years, six months, fourteen days, eleven hours and sixteen minutes, Subject Six-Eight-Four — ‘Jane Doe’ — has been locked away and experimented on, without uttering a single word.As Jane’s resolve begins to crack under the influence of her new — and unexpectedly kind — evaluator, she uncovers the truth about Lengard’s mysterious ‘program’, discovering that her own secret is at the heart of a sinister plot … and one wrong move, one wrong word, could change the world.

    But when she heads west with high hopes and a barely functional car, she meets the human condition head-on. By the time Taylor arrives in Tucson, Arizona, she has acquired a completely unexpected child, a three-year-old American Indian girl named Turtle, and must somehow come to terms with both motherhood and the necessity for putting down roots. Hers is a story about love and friendship, abandonment and belonging, and the discovery of surprising resources in apparently empty places.

    Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

    Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot.Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live.With a foreward by Markus Zusak & interviews with Sherman Alexie and Ellen Forney

    From an acorn of an idea about a real-life good Samaritan of yesteryear, the author has crafted a satisfying, if occasionally painful, novel that spans the lives of several fortunate and unfortunate young people of the day.The author has researched her backdrop very well, and the atmospheric sights and sounds of the time are both vivid and captivating. Readers will smell the dirty streets and close-living of urban London, revel in the summer splendour of the finest country houses and then flinch when the harshness of life for the poorest souls is revealed in uncomfortable detail.For in the late 1700s your circumstance of birth meant everything. Toby and Aaron may both find themselves living at Captain Thomas Coram's Hospital for parentless children, but their histories are as far apart as they could possibly be. Toby has been rescued from a life of slave labour in a faraway country; Aaron is the illegitimate son of the heir to a large country estate. They are watched over by Mish--a simple soul who has been with them since their arrival. His devotion to them is absolute, but his motives are not altogether straightforward. Could this curious man really be Meshak, the son of a wicked child-killer who was hanged at the gallows for his crimes?Coram Boy is a glorious web of changing fortunes and subtle intrigues. There is tragedy and corruption, hope and evil. Sometimes brutal and sometimes unceasingly bleak, the genre of historical fiction has rarely been this good. It's undoubtedly the kind of book that wins awards. (Age 12 and over) --John McLay

    She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel. As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered.Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.From the Hardcover edition.

    If you are a newsboy like thirteen-year-old Maks Geless, you need to watch out for Bruno, leader of the Plug Ugly Gang whose shadowy, sinister boss is plotting to take control of all the newsies on the lower East Side. With Bruno’s boys in fierce pursuit, Maks discovers Willa, a strange girl who lives alone in an alley. It is she, stick in hand, who fights off the Plug Uglies--but further dangers await. Maks must find a way to free his sister Emma from The Tombs, the city jail where she has been imprisoned for stealing a watch at the glamorous new Waldorf Hotel. Maks, believing her innocent, has only four days to prove it. Fortunately, there is Bartleby Donck, the eccentric lawyer (among other employments) to guide Maks and Willa in the art of detection. Against a backdrop alive with the sights and sounds of tenement New York, Maks, as boy detective, must confront a teeming world of wealth and crime, while struggling against powerful forces threatening new immigrants and the fabric of family love.

    Three days later, her two younger brothers set out in search of her murderer. Cole, 17, is a dark-eyed devil who doesn't care if he lives or dies, while Ruben, 14, is a strange child who sometimes, inexplicably, experiences sensations above and beyond his own. This is the story of the boys' journey from their half-gypsy home on a London junk lot to the ghostly moors of Devon, where they hope and fear to find the truth about their sister's death. It's a long road, cold and hard and violent. It's THE ROAD OF THE DEAD.