In 2011 Queen Elizabeth made her first ever state visit to the Irish Republic. It was a great, moving occasion. 'In settling once and for all its relationship with Ireland,' Fintan O'Toole writes, 'Britain was also settling its relationship with the rest of the world taking its place as a normal, equal democracy.' It was not to last. Three Years in Hell is the fiercely intelligent, funny and sorrowful record of a slow-motion catastrophe. At its heart is the enigma of English nationalism. On the morning after the 2016 referendum O'Toole wrote: 'It is a question the English used to ask about their subject peoples: are they ready for self-government? But it is now one that has to be asked about the English themselves... England seems to be stumbling towards a national independence it has scarcely even discussed, let alone prepared for. It is on the brink of one of history's strangest nationalist revolutions.' The story culminates in the election of Boris Johnson, running against a weak, accidental Labour leader who promised to remain 'neutral' on the most important question of our time.

    They play out across human history. And time is the river which will flow through them.It starts with a family, a family which will mutate. For now, it is a father, mother and two sons. One with his father’s violence in his blood. One who lives his mother’s artistry. One leaves. One stays. They will be joined by others whose deeds will change their fate. It is a beginning.Their stories will intertwine and evolve over the course of two thousand years – they will meet again and again at different times and in different places. From distant Palestine at the dawn of the first millennium to a life amongst the stars in the third. While the world will change around them, their destinies will remain the same. It must play out as foretold. It is written.A Traveller at the Gates of Wisdom is the extraordinary new novel from acclaimed writer John Boyne. Ambitious, far-reaching and mythic, it introduces a group of characters whose lives we will come to know and will follow through time and space until they reach their natural conclusion.

    In Derry they both start to realise that sometimes you have to say goodbye to what you thought you always wanted, in order to find what you have needed all along. Editorial Reviews “One of the most scrumptious books i think I’ve ever read”All Things Books“Like a hug in a book! ... ideal book for those who doubts there's such a thing as having it all” – Woman’s Way“An amazing story of first love and how, even years later, the feelings can still exist. Based on a true story, this was my favourite tale of true love in recent years. Sweet, warm and endearing, it stayed with me for weeks after I had finished it. For all of us that believe there is a soulmate out there for everyone.” Bleach House LibraryQuite simply, this is one of the nicest, warmest and moving love stories I have read in years and I found myself very emotional while reading it. It had some personal meaning to me, as it was a similar tale to a relative of mine, and I had to stop reading a few times in order to pull myself together. I didn’t want it to end and the lump in my throat remains with me, even as I write this review. Writing.ieI LOVED this book. I was completely absorbed in it ...I really couldn't put it down - At Home with Mrs M“A feel-good, touching and amusing tale which readers will find hard to put down” – Irish Independent

    Broken bowls, belligerent cows, swanky aubergines, trembling moonrises and horrifying sunsets, the physical world depicted in these stories is unsettling yet intimately familiar and soon takes on a life of its own. Captivated by the stellar charms of seclusion but restless with desire, the woman’s relationship with her surroundings becomes boundless and increasingly bewildering. Claire-Louise Bennett’s startlingly original first collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    From the author of Schopenhauer's Telescope comes a beautiful and haunting novel of vengeance, literature, love, isolation, and man's tenuous grasp on reason.

    She likes to keep her life simple, and has a happy life with her two best friends, a job working with animals, and a decent home life. She's not popular, but she's fine with that. Attention is NOT her thing. Cameron Carter is quite the opposite. He loves the attention to be on him, he likes to cause chaos, and he enjoys trouble. It seems to follow him, which Farrah will soon learn. Cameron takes an interest in Farrah, when a little black cat leads them to meeting.Perhaps it was fate, but now the two paths cross, and life gets a little more interesting for both of them. Arguments, embarrassment, confusion and mischief follow these two around wherever they go. Can Farrah tame Cameron? Will she even get the chance?

    Part historical epic, part love story, it recalls The English Patient in its mix of emotional intimacy and sweeping landscape.In a run-down apartment block in Moscow, a nine-year-old piano prodigy practices silently for fear of disturbing the neighbors.In a factory on the outskirts of the city, his aunt makes car parts, trying to hide her dissident past.In the hospital, a leading surgeon buries himself deep in his work to avoid facing his failed marriage.And in a rural village in the Ukraine, a teenage boy wakes up to a sky of the deepest crimson. In the fields, the ears of the cattle are dripping blood. Ten miles away, at the Chernobyl Power Plant, something unimaginable has happened.Now their lives will change forever.All That Is Solid Melts Into Air is an astonishing end-of-empire novel by a major new talent.

    . . . Her poems offer a curative gift of merciful vision to a country blinded by its own blood and pain, as her narrators wait more or less patiently in their 'difficult knowledge' for the healing of their country's wounds" (San Francisco Examiner and Chronicle).

    Alone and untethered, feeling lost in the country he had come to regard as home, Hans stumbles upon the vibrant New York subculture of cricket, where he revisits his lost childhood and, thanks to a friendship with a charismatic and charming Trinidadian named Chuck Ramkissoon, begins to reconnect with his life and his adopted country. Ramkissoon, a Gatsby-like figure who is part idealist and part operator, introduces Hans to an “other” New York populated by immigrants and strivers of every race and nationality. Hans is alternately seduced and instructed by Chuck’s particular brand of naivete and chutzpah--by his ability to hold fast to a sense of American and human possibility in which Hans has come to lose faith. Netherland gives us both a flawlessly drawn picture of a little-known New York and a story of much larger, and brilliantly achieved ambition: the grand strangeness and fading promise of 21st century America from an outsider’s vantage point, and the complicated relationship between the American dream and the particular dreamers. Most immediately, though, it is the story of one man--of a marriage foundering and recuperating in its mystery and ordinariness, of the shallows and depths of male friendship, of mourning and memory. Joseph O’Neill’s prose, in its conscientiousness and beauty, involves us utterly in the struggle for meaning that governs any single life.

    On the run from an abusive husband, she seeks shelter on a windswept Irish island and dismisses the villagers' speculation that she is descended from a selkie—a magical creature who is bewitching the island. But when a ghostly woman appears to her with a warning, Tara realizes it was more than chance that brought her to this island. Desperate to escape a dark and dangerous past, she struggles against a passionate attraction to handsome islander, Dominic O'Sullivan. But the enchantment of the island soon overpowers her and she falls helpless under its spell. Caught between magic and reality, Tara must find a way to wield both when a dangerous stranger from her past arrives, threatening to destroy the lives of everyone on the island.

    They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    The town of Derry had always assumed that he was the bastard of a protestant — his mother never spoke of him, and Liam assumed he was dead. But when the war between the fallen and the fey began to heat up, Liam and his family are pulled into a conflict that they didn't know existed. A centuries old conflict between supernatural forces seems to mirror the political divisions in 1970s-era Ireland, and Liam is thrown headlong into both conflicts! Only the direct intervention of Liam's real father, and a secret catholic order dedicated to fighting "The Fallen" can save Liam... from the mundane and supernatural forces around him, and from the darkness that lurks within him.

    It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, queen and king of Connacht, and their allies, seeking to carry off the great Brown Bull of Cúailnge. The hero of the tale is Cúchulainn, the Hound of Ulster, who resists the invaders single-handed, while Ulster's warriors lie sick.Thomas Kinsella's presents a complete and living version of the story. His translation is based on the partial texts in two medieval manuscripts, with elements from other version, and adds a group of related stories which prepare for the action of the Táin. Illustrated with brush drawings by Louis le Brocquy, this edition provides a combination of medieval epic and modern art.