A study of Arthurian romance and legend which draws together the different strands of Arthurian myth, from sources as diverse as Geoffrey of Monmouth, Malory, Chretien de Troyes, the Mabinogion, and the English Gawain cycles.

    Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works of Malory, Shakespeare, Dryden and Tennyson.

    From the early ninth century through the middle ages, to the Arthurian romances of Victorian times, the tales of this legendary figure have blossomed and multiplied. And in more recent times, there has been a continuous stream of books claiming to unlock the secret or the truth behind the "once and future king."The truth, as Guy Halsall reveals in this fascinating investigation, is both radically different - and also a good deal more intriguing. Broadly speaking, there are two Arthurs. On the one hand is the traditional "historical" Arthur, waging a doomed struggle to save Roman civilization against the relentless Anglo-Saxon tide during the darkest years of the Dark Ages. On the other is the Arthur of myth and legend, accompanied by a host of equally legendary people, places, and stories: Lancelot, Guinevere, Galahad and Gawain, Merlin, Excalibur, the Lady in the Lake, the Sword in the Stone, Camelot, and the Round Table. The big problem with all this, notes Halsall, is that "King Arthur" might well never have existed. And if he did exist, it is next to impossible to say anything at all about him. As this challenging new look at the Arthur legend makes clear, all books claiming to reveal "the truth" behind King Arthur can safely be ignored. Not only the fanciful pseudo-historical accounts - Merlin the Magician, the Lady in the Lake--but even the "historical" Arthur is largely a figment of the imagination. The evidence that we have, whether written or archeological, is simply incapable of telling us anything detailed about the Britain in which he is supposed to have lived, fought, and died.

    In this highly successful attempt to render Malory into Modern English, Steinbeck recreated the rhythm and tone of the original Middle English.

    In this book, the distinguished scholar Geoffrey Ashe offers convincing proof that King Arthur not only existed, but was more like the Arthur of legend than historians have previously suspected. In this study, drawing upon myriad sources both literary & historical, Ashe traces the legend of Arthur to its roots in the 12th-century chronicles of Geoffrey of Monmouth. He then illustrates that a great deal of Geoffrey's history, which set out ot depict events & persons of 5th-century Britain, was based on fact. After challenging previous assumptions about where Arthur's court & other remnants can be found, Ashe identifies the "real" King Arthur & provides powerful evidence to support his theory. Riothamus, an actual 5th-century British monarch, is the figure whom Ashe painstakingly identifies. But his study also investigates the histories behind other Arthurian phenomena, such as the key concepts of knighthood & chivalry. Throughout the book, the sweep & grandeur of a tumultuous era in British & European history is vividly recounted as Ashe describes the origins & development of the Arthurian legend—a legend that seems to grow ever more enchanting.

    The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.Alternate cover for this edition.

    For over 1,500 years, the Arthurian narrative has enthralled writers, artists, and a limitless audience spanning the Western world and beyond - and its appeal continues unabated in our time. No other heroic figure in literature compares with King Arthur in terms of global popularity and longevity; now, each year sees literally thousands of new versions of the story appear across diverse media, from fiction writing and visual arts to film and popular culture. Delve into the historical mystery behind the figure of Arthur, and discover the magnificent breadth of these epic tales.These 24 spellbinding lectures reveal the full scope of the Arthurian tradition, from its beginnings in post-Roman Britain to its extraordinary trajectory across the centuries and its latest incarnations in modern times. Your pathfinder in this world of mythic adventure and romance, Professor Armstrong, is one of the world's leading Arthurian scholars and the current editor-in-chief of the academic journal Arthuriana. Demonstrating both encyclopedic knowledge and an infectious passion for the subject, she leads you in tracing how the myth developed across time, clarifying many misunderstood aspects of the narrative, such as the origins of the Round Table and the figure of Merlin, the illicit love between Lancelot and Guenevere, and the varied manifestations of the magical Holy Grail. You'll discover how the legend was appropriated and assimilated by differing cultures, and how each writer and artist in the tradition reflected and commented, through the Arthurian narrative, on the concerns of their own time and place. The result is an illuminating look at one of the most engaging, entertaining, and influential legendary traditions the world has ever known.Listening Length: 11 hours and 59 minutes

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    In the shadow of King Arthur's Britain, one woman knows the truth that could save a kingdom from the hands of a tyrant... Ancient grudges, old wounds, and the quest for power rule in the newly widowed Queen Isolde's court. Hardly a generation after the downfall of Camelot, Isolde grieves for her slain husband, King Constantine, a man she secretly knows to have been murdered by the scheming Lord Marche -- the man who has just assumed his title as High King. Though her skills as a healer are renowned throughout the kingdom, in the wake of Con's death, accusations of witchcraft and sorcery threaten her freedom and her ability to bring Marche to justice. Burdened by their suspicion and her own grief, Isolde must conquer the court's distrust and superstition to protect her throne and the future of Britain. One of her few allies is Trystan, a prisoner with a lonely and troubled past. Neither Saxon nor Briton, he is unmoved by the political scheming, rumors, and accusations swirling around the fair queen. Together they escape, and as their companionship turns from friendship to love, they must find a way to prove what they know to be true -- that Marche's deceptions threaten not only their lives but the sovereignty of the British kingdom. In Twilight of Avalon, Anna Elliott returns to the roots of the legend of Trystan and Isolde to shape a very different story -- one based in the earliest written versions of the Arthurian tales -- a captivating epic brimming with historic authenticity, sweeping romance, and the powerful magic of legend.

    Already weakened in spirit by Guinevere’s infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred’s rebels and foreign mercenaries. Powerful, passionate, and filled with vivid imagery, this unfinished poem reveals Tolkien’s gift for storytelling at its brilliant best. Christopher Tolkien, editor, contributes three illuminating essays that explore the literary world of King Arthur, reveal the deeper meaning of the verses and the painstaking work his father applied to bring the poem to a finished form, and investigate the intriguing links between The Fall of Arthur and Tolkien’s Middle-earth.

    The book chronicles the adventures of Arthur as he draws the sword Excalibur from the anvil, proving his right to the throne, and as he courts and wins the heart of Guinevere. Later he suffers the treachery of the wicked Morgana le Fay and witnesses the tragic fate of the Enchanter Merlin. In Pyle’s classic retelling, the legends come alive in unsurpassed vividness. More powerful than any of Merlin’s spells, The Story of King Arthur and His Knights has enthralled and delighted generations of readers fascinated by chivalry, magic, and the unforgettable drama of medieval times.

    The many readers who are enthralled with the enduring legend of Camelot will be drawn to this fascinating book, which "may become the definitive work in the effort to prove the historical authenticity of King Arthur."--UPI

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    Their narratives, themes, and characters address and provide answers to eternal questions: where do we come from, how do we live, what do we believe in? This fascinating book explores the major myths and legends across the world, from Classical mythology to Eastern beliefs, and from American legends to African folk tales. The stories are retold in compelling detail, while key aspects of each myth are considered: their meaning, purpose, and power; the main characters; and their importance to modern culture.Special illustrations and photographs combine with informative text, family trees, and a focus on themes such as creation, death, and the afterlife. From Gilgamesh to Quetzalcoatl, Heracles to Pan Gu, Myths and Legends provides a full and captivating reference guide to the worlds of mythical beings, mortal heroes, and immortal gods.