By one of America's most talented playwrights, this play won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983. 'night, Mother had its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    Darcy is in need of a wife. Business keeps him in London, but Georgiana must go to Pemberley for the sake of her health. He cannot trust her care to the servants. He knows his duty - he must seek a wife. A ball at Almack’s is the place to seek a wife of good breeding and wealth. So Mr. Darcy must force himself to attend. Miss Elizabeth Bennet is pleasing to look at. Miss Elizabeth Bennet is lively, playful and intelligent. Miss Elizabeth Bennet is wearing exquisite, costly gowns. Miss Elizabeth Bennet has a voucher to Almack’s, so she must be from a highly suitable family. Mr. Darcy knows his position in life is such that no lady will refuse his offer of marriage, even when he makes it clear that the arrangement does not include affection. Nothing can possibly go wrong. Artifice and Attraction is a sweet and clean Regency Romance novel of over 89,000 words

    The play was suppressed for over a decade, but interest in it renewed when Howard and Carr were released from imprisonment from the Tower of London in 1622.The play's scribal manuscript survives, and it was first published by Isaac Reed in 1778.This edition features an introduction, notes, and historical background by Elizabeth Schafer, a biographical sketch of Middleton by William C. Carroll, and Ian Spink's piano/vocal arrangements of the original settings two of the play's songs, "In a Maiden Time Profess'd" composed by John Wilson, and "Come Away, Hecate!" composed by Robert Johnson.

    "Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation"—Time Out "There are few stage authors writing more interestingly than Mark Ravenhill … He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism."—Financial Times Shopping and Fucking: "is a darkly humorous play for today's twenty-somethings … a real coup de theatre"—Nicholas de Jongh, Evening Standard Faust: "…an intelligent and witty reappropriation of the legend … alive, pertinent and disturbing"—Michael Coveney, Observer Handbag: "…combines urban grit with sly wit, and reveals Mark Ravenhill as a writer of real daring" —Daily Telegraph Some Explicit Polaroids: "laudably ambitious, pulsates with energy … very funny"—Financial Times

    This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death. Tamburlaine Part One and Part Two deal with the rise to world prominence of the great Scythian shepherd-robber; The Jew of Malta is a drama of villainy and revenge; Edward II was to influence Shakespeare's Richard II. Doctor Faustus, perhaps the first drama taken from the medieval legend of a man who sells his soul to the devil, is here in both its A- and its B- text, showing the enormous and fascinating differences between the two. Under the General Editorship of Dr. Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation.

    Ghosts is a scathing indictment of Victorian society in which Ibsen refutes the notion that if one simply fulfills one's duty rather than following one's desires then a good and noble life will be achieved. Scandalous in its day for its frank discussion of venereal disease and marriage infidelity, Ghosts remains to this day an intense psychological drama and sharp social criticism.Ghosts was written during the autumn of 1881 and was published in December of the same year. It was not performed in the theatre until May 1882, when a Danish touring company produced it in the Aurora Turner Hall in Chicago. Ibsen disliked the translator William Archer's use of the word 'Ghosts' as the play's title, whereas the Norwegian Gengangere would be more accurately translated as The Revenants, which literally means The Ones who Return.

    The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Darcy's first proposal. The lady is astonished by the gentleman's words but cannot be prevailed upon to accept him. Mr. Darcy reveals his defeat to his cousin, Colonel Fitzwilliam, in the library at Rosings and is overheard by one Miss Anne de Bourgh. When the young mistress of Rosings instructs the groom to ready her gig and drives with abandon to the parsonage to intervene on Mr. Darcy's behalf, an accident brings the opportunity for several beloved characters to become properly humbled. In this sweet, completely romantic tale, three couples find their happily ever after in spite of Lady Catherine's interference.

     Mr. Fitzwilliam Darcy finds himself in the unusual position of chasing a woman rather than being chased. Miss Elizabeth Bennet is exasperated as Mr. Darcy, the rudest man of her acquaintance, is being nice—to her! How can she continue to despise a man who apologizes so well? Based on Jane Austen’s classic novel, Pride & Prejudice, Mr. Darcy’s arrogance and pride are equally matched by Miss Elizabeth’s prejudice. While Mr. Darcy hesitates to speak, his cousin, Colonel Fitzwilliam, quite against his canon character, blurts his thought in the most inconvenient manner, adding to Darcy's distress. In this fast-paced novella set in Regency England, can they both overcome strongly entrenched personalities and the attempts to matchmake by the colonel to discover peace and happiness? Of course, they can. This is Mr. Darcy and his Elizabeth, he hopes. Elizabeth is appropriate for all readers. This story can be read in about an hour and is around 100 pages.

    A moving and hilarious account of a spring day in a small Welsh coastal town, Under Milk Wood is "lyrical, impassioned and funny, an Our Town given universality" (The New Statesman and Nation).

    At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”