He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Thus begins the story of Poonachi, the little orphan goat. As you follow her story from forest to habitation, independence to motherhood, you recognise in its significant moments the depth and magnitude of your own fears and longings, fuelled by the instinct for survival that animates all life. Masterly and nuanced, Perumal Murugan’s tale forces us reflect on our own responses to hierarchy and ownership, selflessness and appetite, love and desire, living and dying. Poonachi is the story of a goat who carries the burden of being different all her life, of a she-goat who survives against the odds. It is equally an expression of solidarity with the animal world and the female condition. The tale is also a commentary on our times, on the choices we make as a society and a nation, and the increasing vulnerability of individuals, particularly writers and artists, who resist when they are pressed to submit. Reviews for Poonachi “Murugan’s sarcasm speaks of the robustness of his spirit … As in all his novels, (his) story is rich in detail … (He) sustains the narrative tension right from the start.”- Elizabeth Kuruvilla, The Hindu Literary Review

    . . It was life-making.Tomura is startled by the hypnotic sound of a piano being tuned in his school. It seeps into his soul and transports him to the forests, dark and gleaming, that surround his beloved mountain village. From that moment, he is determined to discover more.Under the tutelage of three master piano-tuners – one humble, one cheery, one ill-tempered – Tomura embarks on his training, never straying too far from a single, unfathomable question: do I have what it takes?Set in small-town Japan, this warm and mystical story is for the lucky few who have found their calling – and for the rest of us who are still searching. It shows that the road to finding one’s purpose is a winding path, often filled with treacherous doubts and, for those who persevere, astonishing moments of revelation.

    McBride explores the ways we learn from the world and the people around us. An antiques dealer discovers that a legendary toy commissioned by Civil War General Robert E. Lee now sits in the home of a black minister in Queens. Five strangers find themselves thrown together and face unexpected judgment. An American president draws inspiration from a conversation he overhears in a stable. And members of The Five-Carat Soul Bottom Bone Band recount stories from their own messy and hilarious lives.

    An actor, phased out of Hollywood for his Communist ties during McCarthyism, tries to share a meaningful moment with his son. An Israeli soldier comes of age when his brother is maimed on their communal farm. A gallerist, swept up by the 1970s dissident art movement, begins smuggling paintings out of Moscow and curating underground shows in her Jerusalem home. This is a rare collection as accomplished at capturing our soaring triumphs as it is our crippling defeats--a hopeful reminder that we are all closer and more capable than we sometimes feel.

    New Directions is excited to reissue the Gardner classics, beginning with October Light, a complex relationship rendered in a down-to-earth narrative.October Light is one of John Gardner's masterworks. The penniless widow of a once-wealthy dentist, Sally Abbot now lives in the Vermont farmhouse of her older brother, 72-year-old James Page. Polar opposites in nearly every way, their clash of values turns a bitter corner when the exacting and resolute James takes a shotgun to his sister's color television set. After he locks Sally up in her room with the trashy "blockbuster" novel that has consumed her (and only apples to eat), the novel-within-the-novel becomes an echo chamber providing glimpses into the history of the family that spawned these bizarre, sad, and stubborn people. Gardner uses the turbulent siblings as a stepping-off point from which he expands upon the lives of their extended families, and the rural community that surrounds them. He also engages larger issues of how liberals and conservatives define themselves, and considers those moments when life transcends all their arguments.

    Maryna, who has renounced her career, is accompanied by her small son and husband; in her entourage is a rising young writer who is in love with her. The novel portrays a West that is still largely empty, where white settlers confront native Californians and Asian coolies. The image of America, and of California-as fantasy, as escape, as radical simplification-constantly meets a more complex reality. The commune fails and most of the migrants go home, but Maryna stays and triumphs on the American stage.In America is a big, juicy, surprising book-about a woman's search for self-transformation, about the fate of idealism, about the world of the theater-that will captivate its readers from the first page. It is Sontag's most delicious, most brilliant achievement.

    A bookseller's unspoken love for his employee rises to the surface, a neglected teenage boy finds much-needed nurturing from an unlikely pair of college students hired to housesit, a girl's loss of innocence at the hands of her employer's son becomes a catalyst for strength and confidence, and a proud nonagenarian rages helplessly in his granddaughter's hospital room. Romantic, hopeful, brutally raw, and unsparingly honest, some even slipping into the surreal, these stories are, above all, about King's enduring subject of love.

    Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war.

    Impressive in both range and emotional acuity, God Lives in St. Petersburg is a stunning fictional debut by a “wildly talented” (Outside) young writer.

    From dark fantasy and pure suspense to classic horror tales of vampires and zombies, 999 showcases the extraordinary scope of fantastical fright fiction. The stories in this anthology are a relentless tour de force of fear, which will haunt you, terrify you, and keep the adrenaline rushing all through the night.Amerikanski dead at the Moscow morgue / Kim Newman --The ruins of contracoeur / Joyce Carol Oates --The owl and the pussycat / Thomas M. Disch --The road virus heads north / Stephen King --Keepsakes and treasures: a love story / Neil Gaiman --Growing things / T.E.D. Klein --Good Friday / F. Paul Wilson --Excerpts from the records of the New Zodiac and the diaries of Henry Watson Fairfax / Chet Williamson --An exaltation of termagants / Eric Von Lustbader --Itinerary / Tim Powers --Catfish gal blues / Nancy A. Collins --The entertainment / Ramsey Campell --ICU / Edward Lee --The shadow, the darkness / Thomas Ligotti --Rio Grande Gothic / David Morrell --Des Saucisses, Sans doute / Peter Schneider --Angie / Ed Gorman --The ropy thing / Al Sarrantonio --The tree is my hat / Gene Wolfe --Styx and bones / Edward Bryant --Hemophage / Steven Spurill --The book of irrational numbers / Michael Marshall Smith --Mad dog summer / Joe R. Lansdale --The Theater / Bentley Little --Rehearsals / Thomas F. Monteleone --Darkness / Dennis L. McKiernan --Elsewhere / William Peter Blatty

    Sera, a prostitute, and Ben, an alcoholic, stumble together and discover in each other a respite from their unforgiving lives. A testimony to the raw talent of its young author, Leaving Las Vegas is a compelling story of unconditional love between two disenfranchised and lost souls—an overlooked American classic.

    Passengers include a Spanish noblewoman, a drunken German lawyer, an American divorcee, a pair of Mexican Catholic priests. This ship of fools is a crucible of intense experience, out of which everyone emerges forever changed. Rich in incident, passion, and treachery, the novel explores themes of nationalism, cultural and ethnic pride, and basic human frailty that are as relevant today as they were when the book was first published in 1962.

    She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.