Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    Despite a law banning him from performing surgery, Ravic – a German doctor and refugee living in Paris – has been treating some of the city’s most elite citizens for two years on the behalf of two less-than-skillful French physicians.Forbidden to return to his own country, and dodging the everyday dangers of jail and deportation, Ravic manages to hang on – all the while searching for the Nazi who tortured him back in Germany. And though he’s given up on the possibility of love, life has a curious way of taking a turn for the romantic, even during the worst of times…

    Even grownups can enjoy the beauty of Oru Kudayum Kunjupengalum. One of the best known works of the author. This edition has illustrations by K R Raji.

    Will you still call this a love marriage? And what if on the engagement day while you pull the ring out from your pocket, you realize what you planned was just a dream which never comes true…? How would you react when a beautiful person comes into your life, becomes your most precious possession and then one day goes away from you…forever? Not all love stories are meant to have a perfect ending. Some stay incomplete. Yet they are beautiful in their own way. Ravin’s love story is one such innocent and beautiful story. He believes love stories seldom die. They are meant to stay for the generations yet to come and read them. And given that one chance to narrate his love story, this is how he began…

    The descendants of Ittykkora is believed to be active even now, living a secret life, controlling large number of business and power, following the gospel of Ittykkora with their own set of customs and rituals. Using medieval history as the base for his theme, Ramakrishnan does a good job in keeping the central theme intact, while exploring the other aspects of modern life across continents and culture.

    This novel won him many recognitions including Kerala Sahithya Akademi Award and Vayalar Award.

    It was followed in 1932 by a sequel Aparajito, which was later also adapted into a film of the same name by Satyajit Ray.

    wrote on the royal family of the erstwhile state of Travancore. The other two are Dharmaraja (1913) and Ramaraja Bahadur in two parts (1918-1920). Marthanda Varma on the surface, is a historical romance, but its subtext is a political one of contemporary significance. In the novel there is a subplot with Subhadra at the centre. Through what she does or what happens to her, C.V. is projecting a futuristic vision of the New Woman in the Indian context. The conventional image of the woman is replaced by an imagined figure that was to emerge on the Indian scene. Another unique feature of this novel is the introduction, for the first time, of untouchables, the channans of south Travancore, Hence is fiction asserting humanistic values over and above the taboos and superstitions of yester-years.

    In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.

    In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?

    This magnificent novel juxtaposes geographically distant places, brilliant and playful reflections, and a variety of styles, to take its place as perhaps the major achievement of one of the world’s truly great writers.

    1680) against all odds later passed into the hands of the Peshwas (prime minister) who became the supreme lords. The Maratha Empire which stretched across a sizeable portion of Western, Central and Northern India suffered a severe setback when the Marathas lost the (Third) Battle of Panipat in 1761. It was an immense loss of men, money, and material. The then Peshwa Nanasaheb could not bear the brunt of the casualties which included his eldest son and younger brother, and soon passed away.For the sixteen year old Madhavrao who succeeded Nanasaheb, it was not a piece of cake. The coffers were empty, the royal court was fraught with internal dissensions. Madhavrao could not go along with his uncle, Raghunathrao, who wanted to be the Peshwa, and went to any extent including looting his own subjects. The Nizam, Hyder, and the British had set their eyes on the Maratha empire.Swami is based on the life and character of Madhavrao who resurrected the Maratha empire. He revived the lost glory and pride. The extent of the empire was now wider than before. He contained the enemy. Swami sketches the personal life of the Peshwa and specially poignant are the parts covering the discomfort he feels when Raghunathrao is a thorn in his flesh, and his untimely death. The novel throws light on the political, social and cultural history of the mid Peshwa era. The portrayal of the bond between Madhavrao and his wife, Ramabai, is a special feature.Ranjit Desai (1928-1992) tackled the genre of novels with such ease that his collection includes all types of novels: historical, social, mythological, and biographical. He was also a playwright and has to his credit short stories.

    The immaculately dressed Chowringhee, radiant in her youth, had just stepped on to the floor at the nightclub.’ Set in 1950s Calcutta, Chowringhee is a sprawling saga of the intimate lives of managers, employees and guests at one of Calcutta’s largest hotels, the Shahjahan. Shankar, the newest recruit, recounts the stories of several people whose lives come together in the suites, restaurants, bar and backrooms of the hotel. As both observer and participant in the events, he inadvertently peels off the layers of everyday existence to expose the seamy underbelly of unfulfilled desires, broken dreams, callous manipulation and unbidden tragedy. What unfolds is not just the story of individual lives but also the incredible chronicle of a metropolis. Written by best-selling Bengali author Sankar, Chowringhee was published as a novel in 1962. Predating Arthur Hailey’s Hotel by three years, it became an instant hit, spawning translations in major Indian languages, a film and a play. Its larger-than-life characters—the enigmatic manager Marco Polo, the debonair receptionist Sata Bose, the tragic hostess Karabi Guha, among others—soon attained cult status. With its thinly veiled accounts of the private lives of real-life celebrities, and its sympathetic narrative seamlessly weaving the past and the present, it immediately established itself as a popular classic. Available for the first time in English, Chowringhee is as much a dirge as it is a homage to a city and its people.An excerpt (Chapter 1) from the book :http://arunavasinha.in/2011/05/27/cho...

    The middle-aged hero, Wokulski, successful in business, is being destroyed by his obsessive love for a frigid society doll, Izabela. Embattled aristocrats, the new men of finance, Dickensian tradesmen, and the urban poor all come vividly to life on the vast, superbly detailed canvas against which Wokulski’s personal tragedy is played out.Unlike his Western European counterparts, Prus had to work under official censorship. In this edition, most of the smaller cuts made by the Tsarist censor have been restored, and one longer fragment is included as an appendix.

    Kate Blackwell is one of the richest and most powerful women in the world. She is an enigma, a woman surrounded by a thousand unanswered questions. Her father was a diamond prospector who struck it rich beyond his wildest dreams. Her mother was the daughter of a crooked Afrikaaner merchant. Her conception was itself an act of hate-filled vengeance. At the extravagent celebrations of her ninetieth birthday, there are toasts from a Supreme Court Judge and a telegram from the White House. And for Kate there are ghosts, ghosts of absent friends and of enemies. Ghosts from a life of blackmail and murder. Ghosts from an empire spawned by naked ambition! Sidney Sheldon is one of the most popular storytellers in the world. This is one of his best-loved novels, a compulsively readable thriller, packed with suspense, intrigue and passion. It will recruit a new generation of fans to his writing.