In Napoleonic France, Edmond Dantes seeks revenge on those who wrongly imprisoned him.

    Montgomery allows listeners to personally experience the world and characters presented in "Anne of Green Gables" in a whole new way! Anne of Green Gables is the story of a little girl's feisty spirit and strong determination that win over the hearts of the people of Avonlea, the love and commitment of family, and a poor orphan growing up into a distinguished young woman.

    Two of Hardy's best works are included in this volume.

    Follow the tale of Icarus. And that of the father who tried to save him ... but brought his life to an end.You will come to love him. Then you will watch him fall. Live the tragic story as you never imagined possible.

    Narayan has few rivals when it comes to bringing alive people and places. Most of his timeless novels are set in the fictional town of Malgudi, located somewhere in South India, a town as real to his readers as any they will find on the map. This volume contains three quintessential Malgudi novels — Swami and Friends, The Bachelor of Arts and The Vendor of Sweets. Swami and Friends, published in 1935, was the first novel Narayan wrote. Described by Graham Greene as a novel in ten thousand, it recounts the adventures of ten-year-old Swaminathan and his friends Rajam and Mani. The Bachelor of Arts, the second novel in the collection, is a brilliantly realized account of the workings of a young man’s mind. It is the story of Chandran, in his final year at college, who falls hopelessly in love and is forced to exile himself from the familiar surroundings of Malgudi until he is able to arrive at a satisfactory resolution to his problems. The Vendor of Sweets showcases a classic cross-generational battle, between Jagan, a widower of firm Ghandian principles, and his ‘modern’ son Mali, who returns to Malgudi with a half-American wife and a grand plan for selling story-writing machines.The third in the series of Penguin India’s collectors’ editions of the Malgudi novels, The Magic of Malgudi, with an introduction by S. Krishnan, will delight first-time readers as well as devoted Narayan fans.

    Having been trained in typewriting and shorthand, she obtains employment at a law office, only to find that she cannot bear to work with her unpleasant colleagues and employer. Juliet possesses some of the characteristics of the infamous "New Woman": she has attended Girton College, she smokes cigarettes, and she travels the countryside on her bicycle. After various adventures, Juliet finds a new opportunity as a type-writer girl for a publishing company. She falls in love with her employer, and he with her, but complications inevitably ensue. At the end of the nineteenth century, the Canadian-born Grant Allen was a prolific professional author of popular science texts on evolution as well as a fiction writer. The Type-Writer Girl (1897) is one of only two novels he wrote under a female pseudonym, possibly to lend credibility to his first-person female narrator. The Type-Writer Girl invokes tensions typical of the fin de siècle concerning evolution, technology, and the role of women. This Broadview edition provides a reliable text at a very reasonable price. It contains textual notes but no appendices.Excerpt: ... THE TYPEWRITER .GIRL, Chapter' i: INTRODUCES A LATTER-DAY HEROINE. I Was twenty-two, and without employment. I would not say by this that I was without occupation. In the world in which we live, set with daisies and kingfishers and undeciphered faces of men and women, I doubt I could be at a loss for something to occupy me. A swallow's back, as he turns in the sunshine, is so full of meaning. If you dwell in the country, you need but pin on a hat and slip out into a meadow, and there, in some bight of the hedgerow, you shall see spring buds untwisting, sulphur butterflies coquetting; hear nightingales sing as they sang to Keats, and streamlets make madrigal as they wimpled for Marlowe. Nay, even Lhere m London, where life is rarer, how can I cruise down the Strand without encountering strange barks--mysterious argosies that attract and intrigue me? That living stream is so marvelous! Whence come they, these shadows, and whither do they go?--innumerable, silent, each wrapped in his own thought, yet each real to himself as I to my heart. To me, they are shooting stars, phantoms that flash athwart .the, bribit of my life one second, and .then.vanish.-. But io themselves they are the: ceirCre of *a Wdrld--of the world; and I am but one of the meteors that dart across their horizon. I cannot choose but wonder who each is, and why he is here. For one after another I invent a story. It may not be the true story, but at least it amuses me. Every morning I see them stream in from the Unknown, by the early 1 rains, and disperse like sparks that twinkle on the thin soot of the chimney-back--men with small black bags, bound for mysterious offices. What happens in those offices I have no idea: they may lend money, or buy shares, or...

    A romantic thriller set against the background of the French Revolution.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    On programmes such as My Word! and My Music his distinctive voice became familiar to millions as he displayed an astonishingly well-stocked mind and a genius for ad libbing and outrageous puns. Later, working at the BBC and then at London Weekend Television, he produced some of the best television comedy of the 1960s and 70s. He has written highly successful books for children, and two bestselling anthologies of humour.Frank Muir recalls, in glorious detail, a happy 1920s childhood in the seaside town of Ramsgate, where he was born in his grandmother's pub in Broadstairs, and in London, where he attended an inexpensive but excellent school of a kind no longer to be found. He remembers his very first joke at the age of six, when he knew that his destiny was to make people laugh. He also knew from an early age that he wanted to write, but it took a childhood illness for him to discover that humour and writing could be combined. The death of his father forced him to leave school at the age of fourteen and work in a factory making carbon paper. Then, at the outbreak of the Second World War, he joined the RAF as an air photographer and his memories of the war years, as might be imagined, are engagingly different from the usual kind. It was during those years, with their rich fund of comic material, that he began his career as scriptwriter and performer. At his demob in 1945 he moved naturally to London and the Windmill Theatre, that remarkable breeding ground of talent where new comedians like Jimmy Edwards and Alfred Marks vied with nude girls for the attention of the audience. In story after story he recalls the lost world of London in the 1940s and early 50s, when the laughter and creative ideas seemed to explode out of post-war shabbiness and austerity. Then came the BBC, the legendary partnership with Denis Norden, and half a century of fulfilling the boyhood ambition of that Kentish lad. 'All I ever wanted to do was to write and amuse people.'

    Not that it has wanted for spirited advocates; but, despite all efforts, it has remained firmly on the periphery. The one signal exception is Goethe's novel Die Leiden des jungen Werthers usually rendered as 'The Sorrows of Young Werther'. Werther was an extraordinary and immediate bestseller both in Germany and abroad.

    This collection features dozens of newly translated poems interspersed with legends and stories of their lives, presenting an intimate portrait of their communion and allowing readers to eavesdrop on their unique spiritual dialogue.

    If he lost, not even his wife would understand.places: New York, NY: Lexington Avenue, Wholesale Groceries, Public Library. Fifth Avenue, Loew's (theater), Fiftieth StreetOriginally published Collier's, October 26 1956

    Will Anderson, a flinty old rancher, has a huge herd of cattle ripe for market when his regular hands, inflamed by gold fever, desert him. In desperation, he hires the only "men" available for the perilous 400 mile drive - a pack of scraggly schoolboys. Through skill and harsh discipline, Wil Anderson whips them from greenhorns into seasoned cowhands. But before the long drive is over, the boys discover that the price they must pay for manhood is a terrible one- murder and revenge! the stunning, heartbreaking climax of this extraordinary story will surprise you - and perhaps even sock you.

    Out of the Box brings together the very best of Harsha’s writings, in a book that will be a veritable delight for any cricket fan.Knowledgeable, frank and witty, and with a sense of drama comparable to that of cricket itself, Harsha brings the nation’s cricketing ethos inimitably to life. And he is at his best when paying tribute to some cricketing greats—Lara, Inzamam, Jayasuriya, Ganguly, Sehwag, and the incomparable Tendulkar.As he follows India’s fortunes on the cricket field at home and overseas, Harsha asks the question: can India really be no.1 in all three forms of the game? The answer lies in our history, and in the pages of Out of the Box.

    . . Even when, brutally overriding her refined sensibility, he imprisoned her in a mansion of overwhelming opulence, an accursed house that brought all who lived there grief. . . Even when, before her eyes, she saw him destroying their children with his misguided indulgence. . . For here was a man more powerful, more truly gigantic than any she had ever known, a man she knew she would love until death. . .