Published for the first time in the United States, this gritty novel tells the story of a bar bouncer who needs to pony up $10,000 to buy into a horse racing syndicate and will stop at nothing to get it--not robbery, not even murder.

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    He’s got a beautiful wife, but he can’t get enough of other women. And instead of bedtime stories, he regales his daughters with bloody crime stories. He’s a thinking man’s cop with a dark past and an obsessive drive to hunt down monsters who prey on the innocent. Now, there’s something haunting him. He sees a connection in a series of increasingly gruesome murders of women committed over a period of twenty years. To solve the case, Hopkins will dump all the rules and risk his career to make the final link and get the killer.

    Five Americans a bounty hunter, a murderer on the run, a vengeful college kid, a professional thug, and a bank clerk dying of cancerwill split $100,000 if they can sneak into Cuba and assassinate Fidel Castro.

    But Kyle refuses to talk to Jenny about it.What did she see? What did she hear?It’s up to Jenny to find the answers she needs. But the closer she comes to the truth, the deeper she falls into the same dark hole as her daughter.Can she save them both before it’s too late?***Welcome to Liar’s Island, a stand-alone series of interconnected, novella-length domestic thrillers set in the picture-perfect community of Liars Island. Here, nothing is quite as it seems.On this island, families and friendships are more than meets the eye...secrets, deceptions, and jealousies threaten to ruin everything these influential people have built. But it isn’t only the rich that live here...and power comes in all shapes and sizes. Everyone here is a liar...just how far would you go to get what you want?

    And much more.As Dashiell Hammett closes his final case as a private eye, the details of which will later inspire his most famous book, he acquires at a police auction the bogus object of that case, an obsidian falcon statuette.  He casually sets the memento on his desk, where for a decade it bears witness to his literary rise. Until he gives it away. Now, suffering writer’s block, the famous author begins to wonder about rumors of the falcon’s “metaphysical qualities,” which link it to a powerful, wish-fulfilling black stone cited in legends from around the world. He can’t deny that when he possessed the statuette he wrote one acclaimed book after another, and that without it his fortunes have changed. As his block stretches from months to years, he becomes entangled again with the scam artists from the old case, each still fascinated by the “real” black bird and its alleged talismanic power. A dangerous maze of events takes Hammett from 1930s San Francisco to the glamorous Hollywood of the 1940s, a federal penitentiary at the time of the McCarthy hearings, and finally to a fateful meeting on New Year’s Eve, 1959, at a Long Island estate. There the dying Hammett confronts a woman from his past who proves to be his most formidable rival. And his last hope.

    So we're reissuing the first of five Mitchell Tobin mysteries that went largely unnoticed when originally published by Westlake, under the pseudonym Tucker Coe in the 1960s. With a new introduction by Westlake detailing how Tucker Coe and Mitchell Tobin came to be, this novel is classic Westlake. Mitch Tobin is a cop who betrayed those people closest to him. Losing the only job he knew how to do, he's a loner. Then mobster Arnie Rembek offers Tobin a task tailor-made for his talents and keen cop mind -- find out who killed his girlfriend. The alliance between these two men creates a gripping tale.

    She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

    His conventional life knocked off the rails, Gerfaut turns the tables and sets out to track down his pursuers. Along the way, he learns a thing or two about himself. . . . Manchette—masterful stylist, ironist, and social critic—limns the cramped lives of professionals in a neoconservative world."Manchette has appropriated and subverted the classic thriller [with] descriptions of undiluted action, violence and suspense [and] a perspective on evil, a disenchanted world of manipulation and fury . . . ." —Times Literary Supplement"The petty exigencies of the classic thriller find themselves summarily reduced to cremains by the fiery blue jets of Jean-Patrick Manchette's concision, intelligence, tension, and style." —Jim Nisbet, author of Lethal Injection and Prelude to a Scream"Manchette is a must for the reading lists of all noir fans. . . . Manchette deserves a higher profile among noir fans." —Publishers Weekly"Manchette . . . performs miracles within this simple story. His style is very matter of fact, stark and almost cool like the jazz his hero or anti-hero Gerfaut devours at every opportunity. Yet in this short novel there is no lack of atmosphere, excitement, characters or descriptive writing, it is just the total lack of unnecessary material that makes the story seem so lean and mean." —Norman Price, EuroCrime"A social satire cum suspense equally interested in dissecting everyday banalities and manufacturing thrills. Writing with economy, deadpan irony, and an eye for the devastating detail, Manchette spins pulp fiction into literature." —Kirkus Reviews"While there isn’t much that’s obviously moral—in the good-versus-evil sense—[this novel] demonstrate[s] why Manchette is hailed as the man who kicked the French crime novel or “polar” out of the apolitical torpor into which it had fallen by the time he started publishing his “neo-polars” in the 1970s. . . . Grim and cerebral as they feel, it’s remarkable how comic—in an absurdist, laugh-or-you’ll-cry way—these books are, as if Manchette had decided that poking fun at the products of the capitalist system were the fittest way to attack the system itself." —Jennifer Howard, Boston Review"The pace is fast, the action sequences are superb, and the effect is just as striking as it must have been when the book was first published in 1976." —Laura Wilson, The Guardian"[T]he novel is brilliantly written, replete with allusions to art, literature, and music, papered with the very texture and furniture of our lives. Manchette is Camus on overdrive, at one and the same time white-hot, ice-cold. He deserves much the same attention." —James Sallis, Review of Contemporary FictionJean-Patrick Manchette (1942—1995) rescued the French crime novel from the grip of stodgy police procedurals — restoring the noir edge by virtue of his post-1968 leftism. Today, Manchette is a totem to the generation of French mystery writers who came in his wake. Jazz saxophonist, political activist, and screen writer, Manchette was influenced as much by Guy Debord as by Gustave Flaubert. City Lights has published more of work, including The Gunman.