Their routine, isolated existence is interrupted when a lumberjack arrives at their lakeside cottage and falls in love with Hege, leaving Mattis fearful that he will lose his sister. The careful translation from the Norwegian underscores Vesaas's rare sensitivity in recording Mattis's often insightful view of his world. With a limited understanding of the unpredictable power of nature, Mattis nonetheless turns to the elements to discover the answers—with unsettling results.

    But gradually, as Sebald's precise, almost dreamlike prose begins to draw their stories, the four narrations merge into one overwhelming evocation of exile and loss.Written with a bone-dry sense of humour and a fascination with the oddness of existence The Emigrants is highly original in its heady mix of fact, memory and fiction and photographs.

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Virtually unknown during his lifetime, Franz Kafka is now one of the world’s most widely read and discussed authors. His nightmarish novels and short stories have come to symbolize modern man’s anxiety and alienation in a bizarre, hostile, and dehumanized world. This vision is most fully realized in Kafka’s masterpiece, “The Metamorphosis,” a story that is both harrowing and amusing, and a landmark of modern literature. Bringing together some of Kafka’s finest work, this collection demonstrates the richness and variety of the author’s artistry. “The Judgment,” which Kafka considered to be his decisive breakthrough, and “The Stoker,” which became the first chapter of his novel Amerika, are here included. These two, along with “The Metamorphosis,” form a suite of stories Kafka referred to as “The Sons,” and they collectively present a devastating portrait of the modern family.Also included are “In the Penal Colony,” a story of a torture machine and its operators and victims, and “A Hunger Artist,” about the absurdity of an artist trying to communicate with a misunderstanding public. Kafka’s lucid, succinct writing chronicles the labyrinthine complexities, the futility-laden horror, and the stifling oppressiveness that permeate his vision of modern life.Jason Baker is a writer of short stories living in Brooklyn, New York.

    After being drawn into the Second World War to command retreating German forces despite his anti-Nazi feelings, Faehmel struggles to re-establish a normal life at the end of the war. He adheres to a rigorous schedule, including a daily game of billiards. When his routine is breached by an old friend from his past, now a power in German reconstruction, Faehmel is forced to confront both public and private memories.

    A legend in China, where it won major literary awards and inspired an Oscar-nominated film, Red Sorghum is a book in which fable and history collide to produce fiction that is entirely new and unforgettable.

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    Their powers of speech are magically taken from them and instead they have only tarot cards with which to tell their tales. What follows is an exquisite interlinking of narratives, and a fantastic, surreal, and chaotic history of all human consciousness.

    Dave travels to India because he wants to get Liz into bed.Liz loves India, hugs the beggars, and is well on her way to finding her tantric center. Dave, however, realizes he hates Liz, and has bad karma toward his fellow travelers: Jeremy, whose spiritual journey is aided by checks from Dad; Jonah, who hasn’t worn shoes for a decade; and Fee and Caz, fresh from leper-washing in Udaipur…With refreshing honesty and a healthy dose of cynicism, William Sutcliffe offers a transatlantic, nineties version of On the Road that all readers will enjoy.

    In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.

    And when she was lying in her bed again, recalling the taste with all her senses, she was sure that this secret recipe could heal wounds, avert catastrophes, and bring people happiness. But she was wrong.'At the start of the twentieth century, on the edge of the Russian Empire, a family prospers. It owes its success to a delicious chocolate recipe, passed down the generations with great solemnity and caution. A caution which is justified: this is a recipe for ecstasy that carries a very bitter aftertaste ...Stasia learns it from her Georgian father and takes it north, following her new husband, Simon, to his posting at the centre of the Russian Revolution in St Petersburg. Stasia's is only the first in a symphony of grand but all too often doomed romances that swirl from sweet to sour in this epic tale of the red century.Tumbling down the years, and across vast expanses of longing and loss, generation after generation of this compelling family hears echoes and sees reflections. Great characters and greater relationships come and go and come again; the world shakes, and shakes some more, and the reader rejoices to have found at last one of those glorious old books in which you can live and learn, be lost and found, and make indelible new friends.

    The story begins on a tropical Antilles night. A man drinks and awaits the coming dawn with his dogs, thinking he might well commit suicide in “the roar of morning.” While contemplating his possible end, the events of his life on Curaçao and on mainland Venezuela come rushing back to him. Some memories are recent, others distant; all are tormented by the politics of a colonialist “gone native.” He recalls sickness and sexual awakening as well as personal encounters with the extraordinary and unexplained. As the day breaks, he has an apocalyptic vision of a great fire engulfing the entire South American continent. The countdown to Armageddon has begun, in a brilliantly dissolute narrative akin to Malcolm Lowry’s Under the Volcano and the writings of Charles Bukowski.

    The boys know they will very soon be sent to join their elders, and in their final weeks of freedom they begin acting out their frustrations and fears in a series of subversive games and petty thefts. But when they attract the attention of a stranger in town—an actor with a traveling theater company—their games, and their lives, begin to move in a direction they could not have predicted and cannot control, and one that reveals them to be strangers to one another. Resisting and defying adulthood, they find themselves still subject to its baffling power even in their attempted rebellion.From the Trade Paperback edition.

    Winner of top literary prizes in Sweden and France, Enquist's epic of power, love, and madness in 1760s Denmark is an extraordinarily elegant and gorgeous novel.

    In the Netherlands, the novel has been described as "a cross between Jorge Luis Borges's mystical labyrinth and William Gibson's futuristic sprawl" ("The Rights Report"). As the novel opens, Prometheus abandons a mythical, primeval world ruled by violence for a cold, earthly city that is perpetually in renewal--a caricature of the city in which we live. Once descended, Ulrike, an orphaned girl whose body produces music, guides Prometheus though the slums of the city. Prometheus finds himself in a counterculture of squatters, junkies, and storytelling whores--called tonguecats. The fire of resistance is smoldering all through the city; although the court continues to function, opposition to the monarchy mounts, and the king leaves his palace in search of human warmth. Peter Verhelst's story, together with the city, bursts apart at the seams. Tonguecat is a visionary novel--and a tour de force of imaginative and surreal writing.

    Tropical fish swimming in the canals. The magic of Mrs. Van Amersfoort, the Beethoven-loving witch next door. The fierce beauty of Eliza with her artificial leg. And the Lord Jesus, who tells him, "Just call me Jesus." Thomas records these visions in his "Book of Everything." They comfort him when his father beats him, when the angels weep for his mother's black eyes. And they give him the strength to finally confront his father and become what he wants to be when he grows up: "Happy."