The students at the Slade School of Art gather in Henry Tonks's studio for his life-drawing class. But for Paul Tarrant the class is troubling, underscoring his own uncertainty about making a mark on the world. When war breaks out and the army won't take Paul, he enlists in the Belgian Red Cross just as he and fellow student Elinor Brooke admit their feelings for one another. Amidst the devastation in Ypres, Paul comes to see the world anew - but have his experiences changed him completely? 'Triumphant, shattering, inspiring' The Times 'Barker writes as brilliantly as ever . . . with great tenderness and insight she conveys a wartime world turned upside down'Independent on Sunday 'Vigorous, masterly, gripping' Penelope Lively, Independent 'Extraordinarily powerful' Sunday Telegraph

    In the haute-bohemian circles of Austria, Germany, and Paris, Hitler is circulating a most-wanted list of “cultural degenerates”—artists, writers, and thinkers whose work is deemed antithetical to the new regime.  To prevent the destruction of her favorite art (and artists), the impetuous American heiress and modern art collector, Leonora Calaway, begins chartering boats and planes for an elite group of surrealists to Costalegre, a mysterious resort in the Mexican jungle, where she has a home. The story of what happens to these artists when they reach their destination is told from the point of view of Lara, Leonora’s neglected 15-year-old daughter, who has been pulled out of school to follow her mother to Mexico. Forced from a young age to cohabit with her mother’s eccentric whims, tortured lovers, and entourage of gold-diggers, Lara suffers from emotional, educational, and geographical instability that a Mexican sojourn with surrealists isn’t going to help. But when she meets the outcast Dadaist sculptor Jack Klinger, a much older man who has already been living in Costalegre for some time, Lara thinks she might have found the love and understanding she so badly craves. Sinuous and striking, heartbreaking and strange, Costalegre is heavily inspired by the real-life relationship between the heiress Peggy Guggenheim and her daughter, Pegeen. Acclaimed author Courtney Maum triumphs with this wildly imaginative and curiously touching story of a privileged teenager who has everything a girl could wish for—except for a mother who loves her back.

    --Delia Owens, author of Where the Crawdads SingSpanning World War II and the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.A woman. A war. The child who changed everything.December 1940. As German bombs fall on Southampton, England during World War II, the city's residents flee to the surrounding villages. In Upton village, amid the chaos, newly married Ellen Parr finds a girl asleep, unclaimed at the back of an empty bus. Little Pamela, it seems, is entirely alone.Ellen has always believed she does not want children, but when she takes Pamela into her home, the child cracks open the past Ellen thought she had escaped and the future she and her husband Selwyn had dreamed for themselves. As the war rages on, love grows where it was least expected, surprising them all. But with the end of the fighting comes the realization that Pamela was never theirs to keep. Spanning the sweep of the twentieth century, We Must Be Brave explores the fierce love that we feel for our children and the power of that love to endure. Beyond distance, beyond time, beyond life itself.

    They were charged with 221 acts of sabotage designed to “ferment violent revolution.” Rusty was one of two individuals acquitted, and the rest received life sentences. In The World that was Ours, his wife, Hilda Bernstein, offers an astonishing personal account of the events leading up to the “Rivonia Trial” and describes how, as a white family with four children, they managed to fight a hostile and unjust regime.There was a long night ahead. We are unable to read. We listen all the time, listen for the sound of a car in anticipation that the police will come. If he is in the hands of the police, surely they will bring him to the house to search; they always raid after an arrest.Hilda Bernstein (1915–2006) lived in London, but in 1933 moved to South Africa where she married Lionel Bernstein. She was elected as a Communist to the Johannesburg City Council; helped found the multiracial Federation of South African Women; and worked closely with the African National Congress’ Women’s League in opposition to apartheid.

    John Howard, a 70-year-old Englishman vacationing in France, cuts shorts his tour and heads for home. He agrees to take two children with him.But war closes in. Trains fail, roads clog with refugees. And if things were not difficult enough, other children join in Howard's little band. At last they reach the coast and find not deliverance but desperation. The old Englishman's greatest test lies ahead of him.

    Two centuries later, the Benedictine community is well established there and, as befits a convent whose origin had such ironic beginnings, the inhabitants are prey to the ambitions, squabbles, jealousies, and pleasures of less spiritual environments. An outbreak of the Black Death, the collapse of the convent spire, the Bishop's visitation, and a nun's disappearance are interwoven with the everyday life of the nuns, novices, and prioresses in this imagined history of a 14th-century nunnery.

    An Englishman plans to assassinate the dictator of a European country. But he is foiled at the last moment and falls into the hands of ruthless and inventive torturers. They devise for him an ingenious and diplomatic death but, for once, they bungle the job and he escapes. But England provides no safety from his pursuers - and the Rogue Male must strip away all the trappings of status and civilization as the hunter becomes a hunted animal.

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    Kay Connolly, once an actress, now a young English Intelligence officer, ships out for Belgium to locate the launch sites and neutralize the threat. But when rumors of a defector circulate through the German ranks, Graf becomes a suspect. Unknown to each other, Graf and Connolly find themselves on opposite sides of the hunt for the saboteur. Their twin stories play out against the background of the German missile campaign, one of the most epic and modern but least explored episodes of the Second World War. Their destinies are on a collision course.

    It is 1906 and Cadenabbia's visitors are ending the summer, their many nationalities, titles, money, idle chatter making a new world for Bernard, while Count Kavonski's pursuit of Madame Solario gives him a chance to protect the woman who has infatuated him. The antagonism between the two is dissolved when Eugene appears, and envelops Madame in his plans for an opportunist alliance with wealth.

    The only thing that can be guaranteed is that it will be his next earth-movingly funny bestseller. And we are still pretty confidently saying it will not be about earthworm migration patterns in East Devon.This is the story of Ned Maddenstone, a nice young man who is about to find out just what hell it is to be one of the stars' tennis balls.  For Ned, 1978 seems a blissful year: handsome, popular, responsible and a fine cricketer, life is progressing smoothly for him, if not effortlessly. When he meets Portia Fendeman his personal jigsaw appears complete. What if her left-wing parents despise his Tory MP father? Doesn't that just make them star-crossed lovers? And surely, in the end, won't the Fendemans be won over by their happiness?  But, of course, one person's happiness is another's jealous spite. And spite is about to change Ned's life forever.  A promise made to a dying teacher and a vile trick played by fellow pupils rocket Ned from cricket captain to solitary confinement, from head boy to political prisoner. Twenty years later, Ned returns to London a very different man from the boy seized outside a Knightsbridge language college.  A man implacably focused on revenge. Revenge is a dish he plans to savour and serve to those who conspired against him, and to those who forgot him.

    He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo.When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape — as his mentor suspected he could — to spread word about the atrocities? Jim Shepard has masterfully made this child's-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron's voice will remember it forever.

    Idolising her parents, she learns from childhood to equate love with self-sacrifice, so that when she falls in love with the fiance of her closest friend, there is only one way to confront such an unworthy passion. Or so it seems...Ironic, brief and intensely realised, The Life and Death of Harriett Frean (1922) is a brilliant study of female virtue seen as vice, and stands with the work of Virgina Woolf and Dorothy Richardson as one of the great innovative novels of the century.

    Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges--the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda. Setting in motion the novel's chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents--including a German U-boat's sinking of the Nova Scotia-Newfoundland ferry Caribou, on which Aunt Constance Hillyer might or might not be traveling--lend intense narrative power to Norman's uncannily layered story. Wyatt's account of the astonishing--not least to him-- events leading up to his fathering of a beloved daughter spills out twenty-one years later. It's a confession that speaks profoundly of the mysteries of human character in wartime and is directed, with both despair and hope, to an audience of one. An utterly stirring novel. This is Howard Norman at his celebrated best.

    I saw the first glimmers of daylight over the roofs from the window before I heard it. We were used to air raids by then and I recognised German engines, but something felt different this time. They were closer than I’d ever heard them before…Devon, 1940: When fifteen-year-old Daisy is evacuated from her home in London, she knows she must look after her younger sister Peggy. She is the only one who can reassure Peggy that life will go back to normal, reading to her from their one battered children’s book, ensuring she takes the cough medicine their mother tucked in the pocket of her gas mask bag.But when the sisters’ new home is suddenly bombed, they are taken into the countryside, and Daisy quickly realises that not everyone at home is on the right side of the war. Forced to work in fields alongside orphan children, she finds herself drawn to a young boy called John, who has tried and failed to escape many times before.Then Peggy gets sick and Daisy knows that, to save her life, they must run away. But now Peggy is not the only one Daisy is desperate to protect. As war rages all around, Daisy learns that sometimes you have to sacrifice everything if you want to save the people you love. And that the choices you make in your darkest days will affect your family for generations to come…Perfect for fans of Lisa Wingate, Diney Costeloe and Shirley Dickson, The Runaway Sisters is a tale of heartwrenching loss and uplifting courage. It’s a story about family, and the light that can be found in the dark clouds of war.