Together they break headlines on the food bowl, new plants, mysterious red dots, strange cats in the yard, and all the daily happenings in their home.

    Ivy, her Korgi cub, Sprout, and their amazing adventures in Korgi Hollow. In this first volume in the series, Ivy and Sprout discover some interesting things about themselves as they stray from their village and face danger for the first time. Perfect for fans of J.R.R. Tolkien's The Hobbit, Jeff Smith's Bone, or Andy Runton's Owly, Korgi is a charming all-ages epic that is sure to capture your heart.

    Now, Oddly must travel to Fignation to uncover the mystery of her parents’ disappearance.

    But her village is so safe and quiet! What’s a future giant slayer to do?With her best friend Marie (an aspiring princess), and her brother Gaston (a pastry-chef-to-be), Claudette embarks on a super-secret quest to find a giant—without parental permission. Can they find and defeat the giant before their parents find them and drag them back home? Giants Beware! offers up a wondrous, self-contained world in the tradition of the very best of Pixar. Claudette and her friends will have you laughing out loud from page one.  Giants Beware! Author Q&A What was your inspiration for the book?Rafael:  I’m not entirely sure.  I recently went through some old sketchbooks of mine and realized that I’d been drawing a character that looked kind of like our main character, Claudette, years before we even began the book.  I guess I’ve had this character of this girl with a lot of spunk in my subconscious for a while.  I’m also really into French comics and that influenced the look quite bit. Which character do you identify with and why?Rafael:  I’m not impulsive like Claudette.  I’m probably most like Gaston.  He thinks before taking the leap.  He worries a lot.  That’s probably more like me.Jorge:  I wish I could say I was like Marie.  Marie doesn’t care what other people think of her.  In this book, she aspires to be a princess and other kids make fun of her, but she doesn’t pay them any attention.  She’s very confident and smart.   I wish I were more like her.  I also wish I were like Claudette.  She’s brave, reckless, and impulsive.  But I’m not like her either.  Like Rafael, I’m probably most like Gaston.  I’m a little nervous and I love sweets.How did your partnership begin?Jorge:  We’ve known each other since we were both in film school at the Ohio State University in Columbus. I was in a writing class at OSU, and of all the bad scripts in class, mine was one of the least bad scripts, and so it was chosen to be produced with Rafael as the director.  We spent a good month or so filming a very bad film together.  That is how we became friends. Rafael:  Fast forward years later to Columbus, Ohio circa 2007.  We were at John Novak’s house (our colorist and a mutual friend).  I told Jorge about these characters I had bouncing around in my head and a story about a giant.  I went off and wrote and drew up the ideas I had so far.  I gave them to Jorge, and told him to run with it.  And he ran.  How did you draw the book?  How did you write the book?Rafael:  I drew the whole thing in Photoshop, on a Wacon Cintiq (a tablet-monitor). I like drawing digitally because it gives me a lot of flexibly down the line for edits and moving things around. John Novak and Matthew Schenk colored the book.  We used a DropBox to move files around between John Novak and Matthew Schenk (color), Jorge, and me.  Jorge and I would meet every once in awhile either in person in Columbus or via video chatting to go over pages and notes. Jorge:  I used Scrivener to collect all my notes, and Final Draft to write the script.  I lettered the book in Illustrator, which gave me the chance to do one last rewrite.  I’m always rewriting, and I always tried not to send any script pages to Rafael until they were fully baked or else he’d start drawing right away.What’s up with Claudette’s dad?Do you mean like why is he missing his legs and an arm?  Well, he fought a battle against a terrible dragon and lost.  You always hear about these great warriors who slay dragons.  Well, Augustine is a great warrior who had a very bad day.  And now his favorite sword is sitting in the belly of Azra the dragon.  But that’s a story for another day.

    Her school life is full of whispers and lies — Hélène weighs 216; she smells like BO. Her loving mother is too tired to be any help. Fortunately, Hélène has one consolation, Charlotte Bronte’s Jane Eyre. Hélène identifies strongly with Jane’s tribulations, and when she is lost in the pages of this wonderful book, she is able to ignore her tormentors. But when Hélène is humiliated on a class trip in front of her entire grade, she needs more than a fictional character to allow her to see herself as a person deserving of laughter and friendship.Leaving the outcasts’ tent one night, Hélène encounters a fox, a beautiful creature with whom she shares a moment of connection. But when Suzanne Lipsky frightens the fox away, insisting that it must be rabid, Hélène’s despair becomes even more pronounced: now she believes that only a diseased and dangerous creature would ever voluntarily approach her. But then a new girl joins the outcasts’ circle, Géraldine, who does not even appear to notice that she is in danger of becoming an outcast herself. And before long Hélène realizes that the less time she spends worrying about what the other girls say is wrong with her, the more able she is to believe that there is nothing wrong at all.This emotionally honest and visually stunning graphic novel reveals the casual brutality of which children are capable, but also assures readers that redemption can be found through connecting with another, whether the other is a friend, a fictional character or even, amazingly, a fox.

    As a young woman, Laurie unconsciously mirrors her dad, trying on several outsized personalities (Tokyo stripper, lesbian seductress, Ambien addict). Later, she lucks into the perfect job--interviewing celebrities for a top women's magazine. Growing up with her extraordinary father has given Laurie a knack for relating to the stars. But while researching an article on her dad's life, she makes an astonishing discovery: he's not the man he says he is--not even close. Now, Laurie begins to puzzle together three decades of lies and the splintered person that resulted from them--herself.

    But when she trips into a quiet boy in the hall, Jaime Thompson, she's already broken the first rule, and the mean kids start calling her the "nerder girlfriend." How does she handle this crisis? By shoving poor Jaime and running away!Falling back on rule two and surrounding herself with new friends in the art club, Peppi still can't help feeling ashamed about the way she treated Jaime. Things are already awkward enough between the two, but to make matters worse, he's a member of her own club's archrivals--the science club! And when the two clubs go to war, Peppi realizes that sometimes you have to break the rules to survive middle school!

    . . in which Sydney Padua transforms one of the most compelling scientific collaborations into a hilarious series of adventures. Meet Victorian London’s most dynamic duo: Charles Babbage, the unrealized inventor of the computer, and his accomplice, Ada, Countess of Lovelace, the peculiar protoprogrammer and daughter of Lord Byron. When Lovelace translated a description of Babbage’s plans for an enormous mechanical calculating machine in 1842, she added annotations three times longer than the original work. Her footnotes contained the first appearance of the general computing theory, a hundred years before an actual computer was built. Sadly, Lovelace died of cancer a decade after publishing the paper, and Babbage never built any of his machines. But do not despair! The Thrilling Adventures of Lovelace and Babbage presents a rollicking alternate reality in which Lovelace and Babbage do build the Difference Engine and then use it to build runaway economic models, battle the scourge of spelling errors, explore the wilder realms of mathematics, and, of course, fight crime—for the sake of both London and science. Complete with extensive footnotes that rival those penned by Lovelace herself, historical curiosities, and never-before-seen diagrams of Babbage’s mechanical, steam-powered computer, The Thrilling Adventures of Lovelace and Babbage is wonderfully whimsical, utterly unusual, and, above all, entirely irresistible.(With black-and-white illustrations throughout.)

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea

    Now, the amazingly talented folks at SLG Publishing, through a licensing deal with Disney, have finally answered this age-old question. In their beautifully executed comic book series, WONDERLAND, readers experience Alice's fantastic world as they've never seen it before. Writer Tommy Kovac's Wonderland is missing Alice herself, but it's still populated by the other characters that make the world such a curiously exciting place. The Queen of Hearts is present, barking orders to lop off people's heads, as is the Cheshire Cat, the White Rabbit, the Mad Hatter and the rest of Wonderland's beloved cast. And there are some new faces, too, including the book's main protagonist, the mysterious Maryann herself. All are beautifully illustrated by Wonderland's artist, Sonny Liew.The graphic novel will collect the six issues that comprised the Wonderland comic series in a beautiful, collectible, jacketed hardcover edition.

    After acing her exams and sort-of convincing her traditional mother that it was a good idea for a woman to go to college, she looked forward to soaking up the ideas of Western Literature far from the drudgery she was promised at her family’s restaurant. But literature class would prove to be just the start of a massive turning point, still focused on reading but with life-or-death stakes she never could have imagined.This was during South Korea's Fifth Republic, a military regime that entrenched its power through censorship, torture, and the murder of protestors. In this charged political climate, with Molotov cocktails flying and fellow students disappearing for hours and returning with bruises, Hyun Sook sought refuge in the comfort of books. When the handsome young editor of the school newspaper invited her to his reading group, she expected to pop into the cafeteria to talk about Moby Dick, Hamlet, and The Scarlet Letter. Instead she found herself hiding in a basement as the youngest member of an underground banned book club. And as Hyun Sook soon discovered, in a totalitarian regime, the delights of discovering great works of illicit literature are quickly overshadowed by fear and violence as the walls close in.In BANNED BOOK CLUB, Hyun Sook shares a dramatic true story of political division, fear-mongering, anti-intellectualism, the death of democratic institutions, and the relentless rebellion of reading.

    Adjusting to life without a father is hard enough, but school is boring and her classmates are standoffish -- and even Portia's mom is strangely distant. But things start looking up when Portia mounts a late-night excursion into the woods behind her house and discovers a shy, sweet-natured purple monster. Life with Jellaby is a lot more exciting, but Portia's purple friend has secrets of his own; secrets that may even lead to the mystery of Portia's father's disappearance!

    Brown coolly documents with dramatic subtlety the violent rebellion on the Canadian prairie led by Riel, who some regard a martyr who died in the name of freedom, while others consider him a treacherous murderer.

    With stunning, expressive illustrations and ample direct quotation from the diary, this edition will expand the readership for this important and lasting work of history and literature.

    Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted cities in the American Midwest, an Icelandic town buried in volcanic ash, islands in the Philippines, New York City, and the delicate passageways of the human heart. Along the way, we learn about her family and a rare genetic heart disease that has been passed down through generations, and revisit tragic events in America's past.A narrative that is at once narrative and factual, historical and personal, Radtke's stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind?(With black-and-white illustrations throughout; part of the Pantheon Graphic Novel series)