Even if he could escape, the Church Knights and their witchfinder would be hot on his heels while his burgeoning power threatens to tear him apart from within.There is no hope . . . none, but a secretive order, themselves persecuted almost to destruction. If Gair can escape, if he can master his own growing, dangerous abilities, if he can find the Guardians of the Veil, then maybe he will be safe. Or maybe he'll discover that his fight has only just begun.

    In later legends, he was to become a figure of mystery, known as both the defender of humanity and the patron saint of dark magic. But now he sought only retirement on his family estates.His dream of justice and amicable relations between the races had turned to ashes in his mind. The medieval kingdom of Gwynedd groaned under the tyranny of Imre and his sister and mistress, Ariella. Normal humans were savagely persecuted by the king, whose Deryni ancestors had seized the throne from the rightful human Haldane line a century before. Camber could not even save his own son from the murderous treachery of Imre.When Camber learned that Cinhil Haldane, a descendant of the previous kings, still lived, he realized that the only hope for the kingdom lay in overthrowing Imre and restoring Cinhil to the throne. But Cinhil was a cloistered monk, hidden under his religious name in one of many monasteries, unaware of his heritage, untrained in politics. Could he be persuaded to leave the only life he knew and take on the leadership of a rebellion? And lacking the Deryni powers, could he hope to overcome the magic of the king? Grimly, Camber set out to locate Cinhil and spirit him from the cloister into a struggle that seemed doomed from the start.And behind came the minions of the king—for Imre was already aware of the plot and bent on destroying all involved in it.

    The city was captured by a rebellious lord, Palicrovol, who overthrew the cruel king, Nasilee, hated by his people.Palicrovol, too, was cruel, as befitted a king. He took the true mantle of kinghood by forcing Asineth, now Queen by her father's death, to marry him, raping her to consummate the marriage. [But he was not cruel enough to rule.] He let her live after her humiliation; live to bear a daughter; live to return from exile and retake the throne of Hart's Hope.But she, in turn, sent Palicrovol into exile to breed a son who would, in the name of the God, take back the kingdom from its cruel Queen.

    The heartbreaking story of a marriage between a mortal man and an elf princess is a masterful tapestry of the fairy tale following the "happily ever after."

    Though she is now part of the establishment, she comes to find that the past is not so easily left behind... Lorkin, Sonea's rebellious son, has volunteered to join the formidable Lord Dannyl in his new post as Guild Ambassador to Sachaka - a land ruled by cruel, slave-owning black magicians. There is suspicion that some of the Sachakans still harbor dreams of conquest, so when word comes that Lorkin has gone missing, Sonea is desperate to find him. However, Guild law states that if a Black Magician leaves the city he or she will be exiled forever. As she fears for her missing son, Sonea dedicates herself to helping her old friend Cery. For some time, there has been fear and paranoia on the streets of Imardin. Leading thieves have been dying under irregular circumstances. The need to discover who has been picking off the leading thieves of the city is now a very personal crusade - one that Sonea must aid, for the killer appears to be using magic. Either a member of the Guild is leading a double life as a hired killer, or there is - once again - a rogue magician on the streets of Imardin . . .

    In the thirty years since Elizabeth ascended her throne, fae and mortal politics have become inextricably entwined, in secret alliances and ruthless betrayals whose existence is suspected only by a few.Two courtiers, both struggling for royal favor, are about to uncover the secrets that lie behind these two thrones. When the faerie lady Lune is sent to monitor and manipulate Elizabeth's spymaster, Walsingham, her path crosses that of Michael Deven, a mortal gentleman and agent of Walsingham's. His discovery of the "hidden player" in English politics will test Lune's loyalty and Deven's courage alike. Will she betray her Queen for the sake of a world that is not hers? And can he survive in the alien and Machiavellian world of the fae? For only together will they be able to find the source of Invidiana's power—find it, and break it…A breathtaking novel of intrigue and betrayal set in Elizabethan England; Midnight Never Come seamlessly weaves together history and the fantastic to dazzling effect.

    But times have changed, the uneasy peace is over, and now the races are fighting once again. The only good elf, it seems, is a dead elf.Geralt of Rivia, the cunning assassin known as The Witcher, has been waiting for the birth of a prophesied child. This child has the power to change the world - for good, or for evil.As the threat of war hangs over the land and the child is hunted for her extraordinary powers, it will become Geralt's responsibility to protect them all - and the Witcher never accepts defeat.The Witcher returns in this sequel to The Last Wish, as the inhabitants of his world become embroiled in a state of total war.

    He's in high demand as a guide for the caravans that carry legitimate goods from the city of Ninavel into the country of Alathia. The route through the Whitefire Mountains is treacherous, and Dev is one of the few climbers who knows how to cross them safely. With his skill and connections, it's easy enough to slip contraband charms from Ninavel - where any magic is fair game, no matter how dark - into Alathia, where most magic is outlawed.But smuggling a few charms is one thing; smuggling a person through the warded Alathian border is near suicidal. Having made a promise to a dying friend, Dev is forced to take on a singularly dangerous cargo: Kiran. A young apprentice on the run from one of the most powerful mages in Ninavel, Kiran is desperate enough to pay a fortune to sneak into a country where discovery means certain execution - and he'll do whatever it takes to prevent Dev from finding out the terrible truth behind his getaway.Yet Kiran isn't the only one harboring a deadly secret. Caught up in a web of subterfuge and dark magic, Dev and Kiran must find a way to trust each other - or face not only their own destruction, but that of the entire city of Ninavel.

    In eleven chapters, "Kalpa Imperial"'s multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories. But this is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and translator Ursula K. Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. "Kalpa Imperial" is a powerful introduction to the writing of Angelica Gorodischer, a novel which will enthrall readers already familiar with the worlds of Le Guin.Selected for the "New York Times" Summer Reading list.* "The dreamy, ancient voice is not unlike Le Guin's, and this collection should appeal to her fans as well as to those of literary fantasy and Latin American fiction."--"Library Journal" (Starred Review)"There's a very modern undercurrent to the Kalpa empire, with tales focusing on power (in a political sense) rather than generic moral lessons. Her mythology is consistent--wide in scope, yet not overwhelming. The myriad names of places and people can be confusing, almost Tolkeinesque in their linguistic originality. But the stories constantly move and keep the book from becoming overwhelming. Gorodischer has a sizeable body of work to be discovered, with eighteen books yet to reach English readers, and this is an impressive introduction."--"Review of Contemporary Fiction""Borges and Cortazar are alive and well."--"Bridge Magazine""Those looking for offbeat literary fantasy will welcome "Kalpa Imperial: The Greatest Empire That Never Was, " by Argentinean writer Angelica Gorodischer. Translated from the Spanish by Ursula Le Guin, this is the first appearance in English of this prize-winning South American fantasist."--"Publishers Weekly""It's always difficult to wrap up a rave review without babbling redundant praises. This time I'll simply say "Buy this Book!""--"Locus""The elaborate history of an imaginary country...is Nabokovian in its accretion of strange and rich detail, making the story seem at once scientific and dreamlike."--"Time Out New York""Kalpa Imperial" has been awarded the Prize "Mas Alla" (1984), the Prize "Sigfrido Radaelli" (1985) and also the Prize Poblet (1986). It has had four editions in Spanish: Minotauro (Buenos Aires), Alcor (Barcelona), Gigamesh (Barcelona), and Planeta Emece Editions (Buenos Aires).Praise for the Spanish-language editions of "Kalpa Imperial" "Angelica Gorodischer, both from without and within the novel, accomplishes the indispensable function Salman Rushdie says the storyteller must have: not to let the old tales die out; to constantly renew them. And she well knows, as does that one who met the Great Empress, that storytellers are nothing more and nothing less than free men and women. And even though their freedom might be dangerous, they have to get the total attention of their listeners and, therefore, put the proper value on the art of storytelling, an art that usually gets in the way of those who foster a forceful oblivion and prevent the winds of change."--Carmen Perilli, "La Gaceta," Tucuman"At a time when books are conceived and published to be read quickly, with divided attention in the din of the subway or the car, this novel is to be tasted with relish, in peace, in moderation, chewing slowly each and every one of the stories that make it up, and digesting it equally slowly so as to properly assimilate it all."--Rodolfo Martinez"A vast, cyclical filigree . . . Gorodischer reaches much farther than the common run of stories about huge empires, maybe because she wasn't interested in them to begin with, and enters the realm of fable, legend, and allegory."--Luis G. Prado, "Gigamesh," Barcelona

    . . . Not that anyone would admit it was goblins. In Maddy Smith’s world, order rules. Chaos, old gods, fairies, goblins, magic, glamours – all of these were supposedly vanquished centuries ago. But Maddy knows that a small bit of magic has survived. The “ruinmark” she was born with on her palm proves it – and makes the other villagers fearful that she is a witch (though helpful in dealing with the goblins-in-the-cellar problem). But the mysterious traveler One-Eye sees Maddy’s mark not as a defect, but as a destiny. And Maddy will need every scrap of forbidden magic One-Eye can teach her if she is to survive that destiny.

    A gang of courageous kids confronts both a plague-destroyed world and an afterlife infested with clowns but robbed of laughter. In an island city, the murder of a child unites two lovers, but vengeance will part them. Only human sacrifice will save a city trapped in ice and darkness. Gold spun out of straw has a price, but not the one you expect.World Fantasy Award winner Ellen Kushner has called Cooney's writing "stunningly delicious! Cruel, beautiful and irresistible." BONE SWANS, the infernally whimsical debut collection from C. S. E. Cooney, gathers five novellas that in the words of Andre Norton Award winner Delia Sherman are "bawdy, horrific, comic, and moving-frequently all at the same time." Cooney's mentor, Science Fiction and Fantasy Writers of America Grand Master Gene Wolfe, proclaims in his introduction that her style is so original it can only be described as "pure Cooney," and he offers readers a challenge: "Try to define that when you've finished the stories in this book."Introducing C.S.E. Cooney / by Gene Wolfe --Life on the sun --The bone swans of Amandale --Martyr's gem --How the milkmaid struck a bargain with the crooked one --The big bah-ha

    And it is on its most vital mission yet: to deliver a young woman whose marriage will seal the peace between Arqual and its mortal enemy, the Mzithrin Empire. But Thasha, the young noblewoman in question, may be bringing her swords to the altar.For the ship’s true mission is not peace but war—a war that threatens to rekindle an ancient power long thought lost. As the Chathrand navigates treacherous waters, Thasha must seek unlikely allies—including a magic-cursed deckhand, a stowaway tribe of foot-high warriors, and a singularly heroic rat—and enter a treacherous web of intrigue to uncover the secret of the legendary Red Wolf.The Chathrand is the last of her kind. Now, having survived countless battles and centuries of typhoons, it has gone missing. This is her story.

    But the end is coming, and only the Lady who has served the Bright Heart for the whole of her immortal life has seen it, in a vision that spans time and demands the highest of prices.Erin is a healer, and against the nature of her birthright she has learned to wield a sword and use it to bring death to the enemies of her people. Scarred by the losses that war always demands, she is the chosen champion of Light and the enemy of darkness.But no magical sword or simple quest awaits Erin. Her journey and her doom lie in the Dark Heart’s stronghold, and in the hands of her people’s greatest enemy.

    They have been dispatched to the isolated village of Ulrich to aide the Priory with a surge of violent geist activity. With them is Raed Rossin, Pretender to the throne that Sorcha is sworn to protect, and bearer of a terrible curse.But what greets them in the strange settlement is something far more predatory and more horrifying than any mere haunting. And as she uncovers a tradition of twisted rituals passed down through the dark reaches of history, Sorcha will be forced to reconsider everything she thinks she knows.And if she makes it out of Ulrich alive, what in Hell is she returning to?

    Outside any city still standing, the Mechanical Circus Tresaulti sets up its tents. Crowds pack the benches to gawk at the brass-and-copper troupe and their impossible feats: Ayar the Strong Man, the acrobatic Grimaldi Brothers, fearless Elena and her aerialists who perform on living trapezes. War is everywhere, but while the Circus is performing, the world is magic.That magic is no accident: Boss builds her circus from the bones out, molding a mechanical company that will survive the unforgiving landscape.But even a careful ringmaster can make mistakes.Two of Tresaulti's performers are entangled in a secret standoff that threatens to tear the circus apart just as the war lands on their doorstep. Now the Circus must fight a war on two fronts: one from the outside, and a more dangerous one from within.