Jekyll and Mr. Hyde from the monster's perspective, Hyde makes a hero of a villain. As a bonus, Stevenson's original novel is included at the back. Mr. Hyde is hiding, trapped in Dr. Jekyll's surgical cabinet, counting the hours until capture. As four days pass, he has the chance, finally, to tell the story of his brief, marvelous life.We join Hyde, awakened after years of dormancy, in the mind he hesitantly shares with Jekyll. We spin with dizzy confusion as the potions take effect. We tromp through the dark streets of Victorian London. We watch Jekyll's high-class life at a remove, blurred by a membrane of consciousness. We feel the horror of lost time, the helplessness of knowing we are responsible for the actions of a body not entirely our own.Girls have gone missing. Someone has been killed. The evidence points to Mr. Hyde. Someone is framing him, terrorizing him with cryptic notes and whisper campaigns. Who can it be? Even if these crimes weren't of his choosing, can they have been by his hand?Though this classic has been often reinvented, no one ever imagined Hyde's perspective, or that he could be heroic. Daniel Levine changes that. A mesmerizing gothic, Hyde tells the fascinating story of an underexamined villain.

    Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

    The first playwright to depict suffering without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter’s sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, while in Heracles the hero seeks vengeance against the evil king who has caused bloodshed in his family. Philip Vellacott’s lucid translation is accompanied by an introduction, which discusses the literary background of Classical Athens and examines the distinction between instinctive and civilized behaviour.

    . . a woman whose story has never been told -- until now.Raised in the tranquil beauty of the Summer Country, Princess Guenevere has led a charmed and contented life -- until the sudden, violent death of her mother, Queen Maire, leaves the Summer Country teetering on the brink of anarchy. Only the miraculous arrival of Arthur, heir to the Pendragon dynasty, allows Guenevere to claim her mother's throne. Smitten by the bold, sensuous princess, Arthur offers to marry her and unite their territories, allowing her to continue to reign in her own right. Their love match creates the largest and most powerful kingdom in the Isles. Yet even the glories of Camelot are not safe from the shadows of evil and revenge. Arthur is reunited with his long-lost half-sisters, Morgause and Morgan, princesses torn from their mother and their ancestral right by Arthur's father, the brutal and unscrupulous King Uther. Both daughters will avenge their suffering, but it is Morgan who strikes the deadliest blows, using her enchantments to destroy all Guenevere holds dear and to force Arthur to betray his Queen.In the chaos that follows, Arthur dispatches a new knight to Guenevere, the young French prince Lancelot, never knowing that Lancelot's passion for the Queen, and hers for him, may be the love that spells ruin for Camelot.

    Her royal family’s entertainment empire is beloved by the tabloids, all over social media, and the hottest thing on television. The biggest moneymaker? The Labyrinth Contest, a TV extravaganza in which Ariadne leads fourteen teens into a maze to kill a monster. To win means endless glory; to lose means death. In ten seasons, no one has ever won.When the gorgeous, mysterious Theseus arrives at the competition and asks Ariadne to help him to victory, she doesn’t expect to fall for him. He might be acting interested in her just to boost ratings. Their chemistry is undeniable, though, and she can help him survive. If he wins, the contest would end for good. But if she helps him, she doesn’t just endanger her family’s empire―the monster would have to die. And for Ariadne, his life might be the only one worth saving.Ariadne’s every move is watched by the public and predestined by the gods, so how can she find a way to forge her own destiny and save the people she loves?

    Failed entrepreneur Stanton Finch moves his family from Adelaide to the remote Coorong area of Southern Australia, in pursuit of his dream to become a farmer.Housed in a driftwood cabin, they try to make the best of their situation. The children roam the beautiful landscape of Salt Creek; visitors are rare but warmly welcomed; a local Indigenous boy becomes almost part of the family. Yet there are daily hardships, and tensions with the Ngarrindjeri people they have displaced; disaster never seems far away.With Mrs Finch struggling to cope, Hester, their perceptive eldest daughter, willingly takes on more responsibility. But as Hester’s sense of duty grows, so does a yearning to escape Salt Creek and make a new life of her own …Lucy Treloar was born in Malaysia and educated in Melbourne, England, and Sweden. Awards for her writing include the 2014 Commonwealth Short Story Prize. Salt Creek is her first novel.

    Caught between these superpowers, the independent city-state of Plataea became the arena where their battle for control of all of Greece would begin.In Plataea, the young Greek warrior Nikias dreams of glory in the Olympic games as he trains for the pankration—the no-holds-barred ultimate fighting of the era—until an act of violence in defense of his beloved threatens to send him into exile. But before his trial can take place, a traitor opens the city gates to a surprise attack force.Suddenly trapped inside their own fortress, the Plataeans are fighting for their lives. As Nikias seeks to discover the identity of the man who betrayed the city, he makes a daring escape, gathers an army, and leads this ragtag band into a suicidal battle at the gates of the citadel—a battle that will decide the fates of his family, his friends, and the woman he loves.In the vein of Bernard Cornwell, Conn Iggulden, and Steven Pressfield, Sons of Zeus marks the beginning of a richly detailed new action-adventure series.

    But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the twentieth century.Deathless, however, is no dry, historical tome: it lights up like fire as the young Marya Morevna transforms from a clever child of the revolution, to Koschei’s beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power. All told, Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    When Grace Harrington lands a job at Hearst’s newspaper in 1896, she’s caught in a cutthroat world where one scoop can make or break your career, but it’s a story emerging from Cuba that changes her life.Unjustly imprisoned in a notorious Havana women’s jail, eighteen-year-old Evangelina Cisneros dreams of a Cuba free from Spanish oppression. When Hearst learns of her plight and splashes her image on the front page of his paper, proclaiming her, “The Most Beautiful Girl in Cuba,” she becomes a rallying cry for American intervention in the battle for Cuban independence. With the help of Marina Perez, a courier secretly working for the Cuban revolutionaries in Havana, Grace and Hearst’s staff attempt to free Evangelina. But when Cuban civilians are forced into reconcentration camps and the explosion of the USS Maine propels the United States and Spain toward war, the three women must risk everything in their fight for freedom.

    His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.

    Those glorious tales of heroism, honour and... petty squabbles, soap-opera drama and more weird sex than Fifty Shades of Grey could shake a stick at!It's about time we stopped respecting myths and started laughing at them - because they're really very weird. Did you know Aphrodite, goddess of love and beauty, was born of some discarded genitals? Or that Hera threw her own son off a mountain because he was ugly? Or that Apollo once kidnapped a boat full of people while pretending to be a dolphin?And let's not even get started on Zeus - king of the gods, ruler of the skies and a man who's never heard of self-control. In fact, if there's one thing most Greek myths have in common, it's that all the drama could have been avoided if SOMEONE could keep it in their toga...Horrible Histories writer Susie Donkin takes us on a hilarious romp through mythology and the many times the gods (literally) screwed everything up! Stephen Fry's Mythos by way of Drunk History, Zeus is a Dick is perfect for those who like their myths with a heavy dollop of satire."It's about time someone called him out on all this." - Hera, Goddess of Marriage, wife of Zeus"Worst. Father. Ever." - Artemis, Goddess of the Hunt, daughter of Zeus"Oh yeah, focus on him. I never did anything wrong. Nothing to see here." - Poseidon, God of the Seas, brother of Zeus"Just a real dick, honestly." - Many, many people

    Rhiann is a courageous and beautiful Scottish princess and priestess scarred by her violent past. Of noble blood, she faces what for her is the ultimate sacrifice - a forced marriage - to protect the freedom of her people. Eremon is an enigmatic Irish prince in exile, who must seek an alliance elsewhere to regain his throne. Will he prove himself to be the man who can unite the squabbling Celtic tribes against the more ominous threat of Rome? With war and chaos looming for her people, Rhiann finds herself drawn into an unexpected journey of the spirit and heart, which will reveal the true purpose of her life.

    A nameless orphan with no past and an uncertain future becomes his unlikely ally. The young orphan soon discovers that it is her destiny to protect the aging dragon and his mysterious purple stone. Chased by an evil dragon hunter and a powerful sorcerer, their adventure is not easy. Each must learn to help and understand the other if they are to survive. To succeed in her task, the young orphan must reach deep within herself to find courage she never knew existed. No longer can she be the timid, shy orphan she once was. She is now the one, true Dragon Keeper.

      The people of Fall River, Massachusetts, fear me. Perhaps rightfully so. I remain a suspect in the brutal deaths of my father and his second wife despite the verdict of innocence at my trial. With our inheritance, my sister, Emma, and I have taken up residence in Maplecroft, a mansion near the sea and far from gossip and scrutiny.   But it is not far enough from the affliction that possessed my parents. Their characters, their very souls, were consumed from within by something that left malevolent entities in their place. It originates from the ocean’s depths, plaguing the populace with tides of nightmares and madness.   This evil cannot hide from me. No matter what guise it assumes, I will be waiting for it. With an axe.