Sometimes we tell these stories to make people laugh. Sometimes we tell them to make people think. Sometimes we tell them so we can increase the chances we'll see the other person naked.Paul Shirley's stories are about an adulthood spent all over the world: living in Spain, playing in the NBA, and having his heart (and spleen) broken. But they're also stories about growing up in small-town Kansas: triumphant spelling bees, catastrophic middle school dances, and a Sex Ed. class taught by his mother.They're funny stories. They're vulnerable stories. Most of all, they're universal stories, just as the stories we tell on dates should be.

    As a young married couple, Andrew and Anne work together to make the very best of their property, High Peaks, but at what cost to their happiness? In time, the property will pass to their son, David. Handsome and hardworking, David is determined to become the best sheepdog handler in the land. Nothing is going to stand in his way-not even the beautiful Catriona Campbell, daughter of the wealthy graziers next door. The Call Of The High Country is an inspiring and heartwarming saga of a family battling through hard times, of a love that defies all odds, and of dreams that won't be broken.

    “Pastan . . . expresses a full range of the possibilities and potencies of the human, feminine voice” (Boston Globe).from "In the Forest" The trees are lit from within like Sabbath candlesbefore they are snuffed out.Autumn is such a Jewish season,the whole minor key of it.Hear how the wind trembles through the branches, vibratoas notes of cello music.

    But Emerson’s world already ended when she ran away from home. Since then, she has lived on the streets, relying on her wits and on her friend Vince to help her find places to sleep and food to eat.The city’s quieter now that most people are gone, and no one seems to know what to do as the end approaches. But then Emerson and Vince meet Carl, who tells them he has been granting people’s wishes—and gives them his wallet full of money. Suddenly, this last day seems full of possibility. Emerson and Vince can grant a lot of wishes in one last day—maybe even their own.

    Life made us colder. Harder. Isolated.Caged.Even though we were different, the broken pieces of me recognized the sadness in her.Now she was back, and I wouldn’t make the mistake of letting her go again.When I first met Jasmine Greene, she came in as raindrops.When we met again, I became her darkest storm.

    Husband not required.Mandy Hale, also known by her many blog readers and Twitter fans as The Single WomanTM, shares her stories, advice, and enthusiasm for living life as an empowered, confident, God-centered woman who doesn't just resign herself to being single--she enjoys it! Being single has had its stigmas, but Mandy proves it has its advantages too, and she uses wisdom and wit to inspire her fellow single ladies to celebrate and live fully in the life God has given them.Mandy encourages her readers on subjects such as taking chances, building friendships, letting go, and finding a greater purpose. With her help, readers can stop worrying about happily ever after and discover a happy life instead.

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    He created us to live a life of passion, freedom and adventure. To be dangerous men living in a really big story.God designed men to be powerful. Simply look at the dreams and desires written in the heart of every boy: to be a hero, a warrior, to love a beauty, to live a life of adventure.But sometime between boyhood and the struggles of yesterday, most men lose heart. All those passions, dreams, and desires get buried under deadlines, pressures, and disappointments. Christianity feels irrelevant to the recovery of their heart. No wonder most men leads lives of quiet resignation, meanwhile looking for a little “life” on the side. In this provocative book, Eldredge invites men to wholeheartedness byrecovering their true masculine hearts;healing the wounds and trauma in their stories; anddelighting in the strength and wildness they were created to offer the world.In this updated and expanded edition of the timeless, bestselling classic, John Eldredge calls men—and the women who love them—to discover the true secret of a man’s soul and embrace the danger, passion, and freedom God intended for every man.

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    She currently lives independently as a 19 year old in New York City. This debut collection chronicles her experiences with love, travel, and self-discovery in a shifting physical and emotional geography.

     I'm so sorry, Luna. Are you alright, Luna? Everything will be okay, Luna. Now Luna is taking back control by starting again in the most remote place she could find: Ondingside, a magical little town with barely a hundred and fifty people in the middle of nowhere important. She'll finally finish her latest novel, get herself back to normal, maybe even find love (and continue being a hopeless romantic). But on her first night in Ondingside a freak July snow fall freezes the town. Snowed in, the town stands still. Can Luna break out of the monotony and do what she came to do? ***** Available to PRE-ORDER now in hardback and ebook!

    About dating the enemy that is. They were true to their hearts.Kaitlin Malone know what it's like to date the enemy. She was raised to hate the Crutchfields, and absolutely does - until she meets Bram Crutchfield. It turns out he's a great guy - one she could talk to, share things with...even love. But when Kaitlin gives her heart to Bram, her world spins out of control. Soon the Crutchfields are her friends and she's a traitor to her own family.To make things worse ,Bram was raised to hate the Malones,especially Kaitlin's father - who murdered Bram's dad. Bram doesn't know Kaitlin is a Malone. If he did he would hate her, too.What's a star-crossed lover to do?

    Be it a blessing or a curse, Daphne (a hopeless romantic and perpetual single girl) catches the bouquet at every single wedding she attends. Daphne’s love life is a mess. Her first love, Mayson, haunts her heart and keeps her from pursuing happiness with any man who comes along. As she struggles to move on from the one who got away, Daphne wonders if she will ever break her curse and find her happily ever after.

    But I wrote a lot of good poems.”So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita’s career–Will falling in love finish it? Who’s more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won’t stop calling and Anita can’t figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path.“He said that my work was amazing and hilarious and smart and that he can’t wait to see me perform.So I had sex with him.”“My boyfriend asked me to change my look.To something other than contemptuous.”{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life.“It’s easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.”“Boyfriend thinks I’d rather be right than happy.Boyfriend’s right.But I’m not telling him that.”Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.

    A jury eventually found the rapist guilty on all counts–a remarkable verdict that Em felt more than a little responsible for, since she was her sister’s strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em’s family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family’s world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence “makes me want to use a fucking sword” goes viral.From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a 15th-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims.We Are the Ashes, We Are the Fire is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope.