It’s 1900 in Oregon, and Olivia’s father, concerned that she’s headed for trouble, convinces a stage mesmerist to try to hypnotize the rebellion out of her. But the hypnotist, an intriguing young man named Henri Reverie, gives her a terrible gift instead: she’s able to see people’s true natures, manifesting as visions of darkness and goodness, while also unable to speak her true thoughts out loud. These supernatural challenges only make Olivia more determined to speak her mind, and so she’s drawn into a dangerous relationship with the hypnotist and his mysterious motives, all while secretly fighting for the rights of women. Winters breathes new life into history once again with an atmospheric, vividly real story, including archival photos and art from the period throughout.

    Sure, it means a lot of sitting around, which isn’t easy for a guy with ADHD, but he can’t complain, since he gets to spend the period texting all his friends. Then the doctor asks him to track down the troubled freshman who keeps dodging her, and Adam discovers that the boy is Julian—the foster brother he hasn’t seen in five years.Adam is ecstatic to be reunited. At first, Julian seems like the boy he once knew. He’s still kindhearted. He still writes stories and loves picture books meant for little kids. But as they spend more time together, Adam realizes that Julian is keeping secrets, like where he hides during the middle of the day, and what’s really going on inside his house. Adam is determined to help him, but his involvement could cost both boys their lives…

    Pearl deals with death, life, and family in this haunting, humorous, and poignant debut.The world can tip at any moment… a fact that fifteen-year-old Pearl is all too aware of when her mum dies after giving birth to her baby sister, Rose.Rose, who looks exactly like a baby rat, all pink, wrinkled, and writhing. This little Rat has destroyed everything, even ruined the wonderful relationship that Pearl had with her stepfather, the Rat’s biological father.Mum, though… Mum’s dead but she can’t seem to leave. She keeps visiting Pearl. Smoking, cursing, guiding.Told across the year following her mother’s death, Pearl’s story is full of bittersweet humour and heartbreaking honesty about how you deal with grief that cuts you to the bone, as she tries not only to come to terms with losing her mother, but also the fact that her sister — The Rat — is a constant reminder of why her mum is no longer around.

    He can’t tell his lifelong best friend, Tabby, how he really feels about her; his promising basketball skills are being overshadowed by his attitude on the court, and the only place he feels normal is in English class, where he can express his inner thoughts in quirky poems and essays. Matt is desperately hoping that Tabby will reciprocate his feelings; but then Tabby starts dating Liam Branson, senior basketball star and all-around great guy. Losing Tabby to Branson is bad enough; but, as Matt soon discovers, he’s close to losing everything that matters most to him.

    Sal used to know his place with his adoptive gay father, their loving Mexican American family, and his best friend, Samantha. But it’s senior year, and suddenly Sal is throwing punches, questioning everything, and realizing he no longer knows himself. If Sal’s not who he thought he was, who is he?

    Actually, she meant to do something right. But her kind act inadvertently played a role in a deadly tragedy. In order to move on, Morgan must learn to forgive—first someone who did something that might be unforgivable, and then herself. But Morgan can’t move on. She can’t even move beyond the front door of the apartment she shares with her mother and little brother. Morgan feels like she’s underwater, unable to surface. Unable to see her friends. Unable to go to school. When it seems Morgan can’t hold her breath any longer, a new boy moves in next door. Evan reminds her of the salty ocean air and the rush she used to get from swimming. He might be just what she needs to help her reconnect with the world outside.

    But when a dreamy stranger shows up on their private beach claiming it's his own—and that the year is 1925—she is swept into a mystery a hundred years in the making.As she searches for answers in the present, Cassandra discovers a truth that puts their growing love—and Lawrence's life—into jeopardy. Desperate to save him, Cassandra must find a way to change history…or risk losing Lawrence forever.

    She’s the top-ranked senior at her ultra-competitive Silicon Valley high school, with a spotless academic record and a long roster of extracurriculars. But there are plenty of perfect students in the country, and if Reshma wants to get into Stanford, and into med school after that, she needs the hook to beat them all.What's a habitual over-achiever to do? Land herself a literary agent, of course. Which is exactly what Reshma does after agent Linda Montrose spots an article she wrote for Huffington Post. Linda wants to represent Reshma, and, with her new agent's help scoring a book deal, Reshma knows she’ll finally have the key to Stanford.But she’s convinced no one would want to read a novel about a study machine like her. To make herself a more relatable protagonist, she must start doing all the regular American girl stuff she normally ignores. For starters, she has to make a friend, then get a boyfriend. And she's already planned the perfect ending: after struggling for three hundred pages with her own perfectionism, Reshma will learn that meaningful relationships can be more important than success—a character arc librarians and critics alike will enjoy.Of course, even with a mastermind like Reshma in charge, things can’t always go as planned. And when the valedictorian spot begins to slip from her grasp, she’ll have to decide just how far she’ll go for that satisfying ending. (Note: It’s pretty far.)

    Layla started it. She announced it super casually to the rest of the girls between bites of frozen yogurt, as if it was just simply another addition to her massive, ever-evolving To Do List. She is determined to have sex for the first time before the end of high school. Initially, the rest of the crew is scandalized, but, once they all admit to wanting to lose their v-cards too, they embark on a quest to do the deed together... separately.Layla’s got it in the bag. Her serious boyfriend, Logan, has been asking for months.Alex has already done it. Or so she says.Emma doesn’t know what the fuss is all about, but sure, she’ll give it a shot.And Zoe, well, Zoe can’t even say the o word without bursting into giggles.Will everything go according to plan? Probably not. But at least the girls have each other every hilarious, heart-warming, cringe-inducing step of the way.From debut author Lindsey Rosin, Cherry is a coming-of-age, laugh-out-loud tale of first times, last chances, and the enduring friendships that make it all worthwhile.

    The daughters of the infamous Bonesaw Killer, Kit and Fancy are used to feeling like outsiders, and that's just the way they like it. But in Portero, where the weird and wild run rampant, the Cordelle sisters are hardly the oddest or most dangerous creatures around.It's no surprise when Kit and Fancy start to give in to their deepest desire - the desire to kill. What starts as a fascination with slicing open and stitching up quickly spirals into a gratifying murder spree. Of course, the sisters aren't killing just anyone, only the people who truly deserve it. But the girls have learned from the mistakes of their father, and know that a shred of evidence could get them caught. So when Fancy stumbles upon a mysterious and invisible doorway to another world, she opens a door to endless possibilities.

    . . .Anna is everything her identical twin is not. Outgoing and athletic, she is the opposite of quiet introvert Jess. The same on the outside, yet so completely different inside--it's hard to believe the girls are sisters, let alone twins. But they are. And they tell each other everything.Or so Jess thought.After Anna falls to her death while sneaking out her bedroom window, Jess's life begins to unravel. Everyone says it was an accident, but to Jess, that doesn't add up. Where was Anna going? Who was she meeting? And how long had Anna been lying to her?Jess is compelled to learn everything she can about the sister she thought she knew. At first it's a way to stay busy and find closure . . . but Jess soon discovers that her twin kept a lot of secrets. And as she digs deeper, she learns that the answers she's looking for may be truths that no one wants her to uncover.Because Anna wasn't the only one with secrets.

    Her parents are numb, her friends are moving on, and the awkward start to her freshman year proves she'll never live up to her sister's memory. Until Zoë's former boyfriend Marc shows up with Zoë's diary.At first Echo's not interested, doubting there's anything in there she doesn't already know. But when curiosity prevails, she starts reading, becoming so immersed in her sister's secret world, their lives begin to blur, forcing Echo to uncover the truth behind Zoë's life so that she can start to rebuild her own.Prepare to laugh your heart out and cry your eyes out in this highly addictive tale as Alyson Noël tackles the complicated relationship between two sisters and shows how the bond can endure long after one of them is gone.

    Since the show’s cancellation and the scandal surrounding it, Bonnie™ has tried to live a normal life, under the radar and out of the spotlight. But it’s about to fall apart…because Baker’s Dozen is going back on the air. Bonnie™’s mom and the show’s producers won’t let her quit and soon the life she has so carefully built for herself, with real friends (and maybe even a real boyfriend), is in danger of being destroyed by the show. Bonnie™ needs to do something drastic if her life is ever going to be her own—even if it means being more exposed than ever before.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    She is about to kill herself. Just before she can swallow a lethal dose of pills, the plane hits turbulence and everything goes black. Jane wakes up amidst piles of wreckage and charred bodies on a snowy mountaintop. There is only one other survivor: a boy named Paul, who inspires Jane to want to fight for her life for the first time.Jane and Paul scale icy slopes and huddle together for warmth at night, forging an intense emotional bond. But the wilderness is a vast and lethal force, and only one of them will survive.