This astounding volume showcases alluring paintings of sensuous women and strong men, set against mythical, otherworldly backgrounds, and contains over 40 color and black and white illustrations, as well as 8 full pages of new, never before seen or published art work.

    . . Anya Ulinich is the David Sedaris of Russian-American cartoonists.”—Gary ShteyngartAnya Ulinich turns her sharp eye toward the strange, often unmooring world of “grown-up” dating in this darkly comic graphic novel. After her fifteen-year marriage ends, Lena Finkle gets an eye-opening education in love, sex, and loss when she embarks on a string of online dates, all while raising her two teenage daughters. The Vampire of Bensonhurst, the Orphan, Disaster Man, and the Diamond Psychiatrist are just a few of the unforgettable characters she meets along the way. Evoking Louis C. K.’s humor and Amy Winehouse’s longing and anguish, and paying homage to Malamud and Chekhov, Lena Finkle’s Magic Barrel is a funny and moving story, beautifully told.

    For Dr. Ashtar Ahmad, it has been more than a dream; it's been a lifelong obsession. And while he has not conquered death's rule over the body, he has found a way to keep the soul alive - a complex suit that houses the inner being of the deceased and allows them to go on living. When a group of unknown assailants come of Ahmad's research, the doctor is caught in the crossfire, and his only chance at survival is an untested prototype of his most prized invention. But when the megalomaniacal tycoon responsible for the break-in kidnaps Ashar's daughter to use as a bargaining chip in acquiring the groundbreaking discovery, the good doctor must discover how to stop his enemy and keep his soul intact. Can he make up in death for his misdeeds from life? A mix of classic science fiction and superhero comic books, The Coffin points in the direction of the bold new future of the genre-driven graphic novel.

    John and Korey refused- they had children to raise, and a town to protect from beasts outside its gates. And so the zealots stole the machine that protected them all, leading to the slaughter of dozens. Now John and Korey hunt them across the barren highways and crumbling skyscrapers of the future. Joined by ex-soldier Seth and cyborg Jen, they are drawn towards either death or salvation... for the truth of their dream will lead them to the secrets of Eden. Written by John Cooper lead singer of Skillet Eden is a tale of redemption and finding light in the darkness.

    Included are stories about litter gangs, meat-filled snowmen, righteous cops, beagle/human hybrids, and forest-bound drag queens.

    Grab some popcorn and take a seat...The curtain is about to rise on a film like no other! But first, the real-life backstory: Giraffes on Horseback Salad was a Marx Brothers film written by modern art icon Salvador Dali, who'd befriended Harpo. Rejected by MGM, the script was thought lost forever. Author and lost-film buff Josh Frank unearthed the original script, and Dali's notes and sketches for the project, tucked away in museum archives. With comedian Tim Heidecker and Spanish comics creator Manuela Pertega, he's re-created the film as a graphic novel in all its gorgeous full-color, cinematic, surreal glory. In the story, a businessman named Jimmy (played by Harpo) is drawn to the mysterious Surrealist Woman, whose very presence changes humdrum reality into Dali-esque fantasy. With the help of Groucho and Chico, Jimmy seeks to join her fantastical world--but forces of normalcy threaten to end their romance. Includes new Marx Brothers songs and antics, plus the real-world story behind the historic collaboration.

    It spent over 63 weeks on The New York Times Bestseller list and reached the #1 spot in the Advice, How-To and Miscellaneous section of the list. In 1992, it was Publishers Weekly's longest running hardcover bestseller, with 35 weeks on the list.

    Until now. From deleted scenes and altered panels for the epic Kingdom Come saga to proposals for revamping such classic properties as Batgirl, Captain Marvel, and an imagined son of Batman named Batboy, to unused alternate comic book cover ideas for the monthly Superman and Batman comics of 2008-2009, there is much to surprise and delight anyone who thought they already know all of Alex’s DC Comics work. Illuminating everything is Alex’s own commentary, written expressly for this book, explaining his though processes and stylistic approaches for the various riffs and reimaginings of characters we thought we knew everything about but whose possibilities we didn’t fully understand. As a record of a pivotal era in comics history, Rough Justice is a must for Alex’s legion of fans, as well as anyone interested in masterly comic book imagination and illustration.

    Deeply researched and fully illustrated, this book demystifies an intensely personal—yet universal—facet of humanity. Illustrating a different concept on each spread, queer author and artist Iris Gottlieb touches on history, science, sociology, and her own experience. This book is an essential tool for understanding and contributing to a necessary cultural conversation, bringing clarity and reassurance to the sometimes confusing process of navigating ones' identity. Whether LGBTQ+, cisgender, or nonbinary, Seeing Gender is a must-read for intelligent, curious, want-to-be woke people who care about how we see and talk about gender and sexuality in the 21st century.

    Worse, she's been saddled with the brutish Carlo Castellan as her bodyguard for the last night of Bacchanal. There's only one thing to do: escape to the fabled House of the Severille...The imperious Lady Lucrezia expects to sate herself by dominating some poor house slave. What she gets instead is the harsh touch of a Severille Master who will stop at nothing to make the Lady submit.Excerpt below......Lucrezia had never been one to hide. She'd never felt the need. Hidingwas what one did when one wasn't sure of one's place in the world, andshe had always been quite sure of her place at the top. Suddenly she wasn't sure of anything. After a moment of stunned hesitation, Lucrezia had immediately fled toan unoccupied bench in a relatively secluded corner of the courtyard,partially obscured by the greenery of several tall, foreign lookingplants. She had thought to collect herself, and find a way to explainher mistake -- she was not a slave, and didn't know the first thing aboutsubmission to anything -- but there was no escape from the sights andsounds of the Severille: on the other side of the mottled green curtainwas a woman having sex with two men at once on a bench much like the oneLucrezia occupied. One of the men kept slapping the woman's reddenedbuttocks as he drove into her asshole from behind, while the other tookher pussy from below. She was crying unintelligibly with near constantpleasure.Once more, Lucrezia could not look away."How amusing," a deep voice rumbled behind her. She tried to turn toface the intruder, but a heavy hand grabbed her shoulder and kept herstill while a rougher hand clasped between her legs from behind. She gasped in shock, but did not move. She did not even speak. The sudden, bright fire from the hand between her legsseemed to blot out all words."Don't you know that those who hide in plain sight only wish to befound?" the voice continued, and she realized it was muffled by a mask.Still, it was resonant and rich, and with the calm authority of someonewho is rarely disobeyed. She opened her mouth to speak, but whoever hadtrapped her began to rub his fingers along the length of her slitthrough the thin fabric of her undergarment, and Lucrezia lost her wordsonce more. She felt herself begin to melt into him, and heard himchuckle softly."Do not move. Do you understand?""Yes," she heard herself say, and nearly choked on it.The man moved his hand from her shoulder to her breast, first over thesoft, expensive leather, then with impatience reaching under the topspiece to seize her naked flesh. He kneaded her breast until she leanedinto him, rolling her nipple between his fingers, massaging her pussywith his other hand. He pinched her nipple, hard, and laughed as shesquealed."Yes," the voice said, "you will do." He spun her around to face him. He was wearing a full black mask ofsmooth lacquer, his full mouth and stubbled chin all that was visible,and he was smiling. His dark eyes shown through the holes in his maskwith a kind of amused certainty, as Lucrezia imagined a cat might lookat a struggling mouse. What's more, he was powerfully built, with abroad frame wrapped in thick muscle, and shirtless to the waist. Hischest was dusted with fine dark hair, trailing all the way down to hisbelt. Just the sight of him was arousing. He reached out and tipped herchin up to him, taking a look at her blushing cheeks and wet lips. Thenhe grabbed her between the legs again, and drew her close. "This is now mine," he said....The Lady Submits is a 12,000 word erotic historical fantasy novelette featuring strongBDSM themes. If you don't like bondage, leashes, public display andhumiliation, or alpha male doms who brook no dissent, then this probablyisn't for you. Otherwise...enjoy. ;)

    Featuring the breathtaking design of Chip Kidd and Mike Essl, WATCHING THE WATCHMEN is both a major art book in its own right, and the definitive companion to the graphic novel that changed an industry.Voted among Time magazine's 100 Best Novels from 1923 to the present, a perennial bestseller over the past twenty years and widely considered the greatest graphic novel of all time, WATCHMEN is a gripping, labyrinthine piece of comic art, which has earned an acclaimed place in modern literary history."I've had a great time, re-visiting the very beginnings of Watchmen and unearthing material I haven't set eyes on for many years. As a fan myself, this is the kind of stuff I eat up and I'm sure the many devotees of the graphic novel will do the same!" says Gibbons.© DC Comics 2008. All Rights Reserved.

    A celebration of the imagery and creative enthusiasm Moebius held for his Edena universe and his characters Stel and Atan, the short stories "Seeing Naples," "Another Planet," "The Repairmen," and "Dying to See Naples" are collected here, as Moebius explores his imagination with two of his favorite characters. Working closely with Moebius Production in France, Dark Horse presents the second volume in the Moebius Library seriesOut-of-print stories and hard to find images--collected in an affordable hardcover!Timeless science fiction stories and illustrations from a celebrated master!The second volume in Dark Horse's Moebius Library series!The perfect companion volume to Moebius's World of Edena graphic novel."I consider [Moebius] more important than Dore."--Federico Fellini

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

    Journalist William Buehler Seabrook was emblematic of this trend―participating in voodoo ceremonies, riding camels cross the Sahara desert, communing with cannibals and most notably, popularizing the term “zombie” in the West. A string of his bestselling books show an engaged, sympathetic gentleman hoping to share these strange, hidden delights with the rest of the world. He was willing to go deeper than any outsider had before. But, of course, there was a dark side. Seabrook was a barely functioning alcoholic who was deeply obsessed with bondage and the so-called mystical properties of pain and degradation. His life was a series of traveling highs and drunken lows; climbing on and falling off the wagon again and again. What led the popular and vivid writer to such a sad state?Cartoonist Joe Ollmann spent seven years researching Seabrook’s life, interviewing surviving family and accessing long neglected archives, in order to piece together the peripatetic life of a forgotten American writer. Often weaving in Seabrook’s own words and those of his biographers, Ollmann’s The Abominable Mr. Seabrook posits Seabrook the believer versus Seabrook the exploiter, and leaves the reader to consider where one ends and the other begins.

    What do they all have in common? Nothing! Except for the fact that they all come from the sketchbooks of Shaun Tan, acclaimed creator of The Lost Thing, the Arrival and Tales from Outer Suburbia.Also selected by the artist are preliminary drawings for book, film and theatre projects, portrait and landscape studies, along with pages from travelling notebooks. All off a special insight into the daydreams of a celebrated author and illustrator.