Fearing he won't survive, the Confederate soldier's last wish is that Abigail look after his sickly sister at home. Marry him, return to his horse farm, and it'll be hers. Left with few choices, Abigail takes him up on his offer and moves to Missouri after his death, but just as the family learns to accept her, the real Jeremiah Calhoun appears--puzzled to find a confounding woman posing as his wife. Jeremiah is determined to have his life back to how it was before the war, but his own wounds limit what he can do on his own. Still not fully convinced Abigail isn't duping him, he's left with no choice but to let the woman stay and help--not admitting to himself she may provide the healing his entire family needs.

    Entering her fourth Season and approaching spinsterhood in the eyes of society, she pours her innermost feelings out not in a diary but in letters to her brother's old school friend, a duke--with no intention of ever sending these private thoughts to a man she's heard stories about but never met. Meanwhile, she also finds herself intrigued by Marlow, her brother's new valet, and although she may wish to break free of the strictures that bind her, falling in love with a servant is more of a rebellion than she planned.When Marlow accidentally discovers and mails one of the letters to her unwitting confidant, Miranda is beyond mortified. And even more shocked when the duke returns her note with one of his own that initiates a courtship-by-mail. Insecurity about her lack of suitors shifts into confusion at her growing feelings for two men--one she's never met but whose words deeply resonate with her heart, and one she has come to depend on but whose behavior is more and more suspicious. When it becomes apparent state secrets are at risk and Marlow is right in the thick of the conflict, one thing is certain: Miranda's heart is far from all that's at risk for the Hawthornes and those they love.

    It survived a sacking in the French Revolution, was brought back to life and fashioned into a storybook chateau in the Gilded Age, and was eventually felled and deserted after a disastrous fire in the 1930s.As Ellie Carver sits by her grandmother's bedside, she hears stories of a castle . . . of lost love and a hidden chapel that played host to a secret fight in the World War II French resistance. But her grandmother is quickly slipping into the locked-down world of Alzheimer's, and Ellie must act fast if she wants to uncover the truth of her family's history.Sparked by the discovery of a long forgotten family heirloom, Ellie embarks on a journey to French wine country to uncover the mystery surrounding The Sleeping Beauty--the castle so named for Charles Perrault's beloved fairy tale--and unearth its secrets before they're finally silenced by time.Set in three different time periods--the French Revolution, World War II, and present day--The Lost Castle is a story of loves won and lost, of battles waged, and an enchanted castle that inspired the epic fairy tales time left behind.

    All they've ever done is work her to the bone. She prayed for a chance to get away, and then came the raging flood. Alive but disoriented, she's rescued by Luke Stone... so unfortunately, there are more chances to die in her immediate future.Luke is heading home to reclaim the ranch stolen from his family. But the men who killed his father are working hard to ensure Luke doesn't make it alive. He has no choice but to keep moving. Still, he can't just abandon Ruthy, so she'll have to come along.His friends—a ragtag group of former Civil War soldiers—take a fast interest in the pretty gal. Luke thinks that's rather rude—he's the one who found her. And the more time he spends around the hard-working young woman who is a mighty good cook, the more he finds himself thinking beyond revenge and toward a different future. For the first time in a long time, Luke is tempted to turn from his destructive path and be swept away by love.

    Orphaned and unmarried in a time when women are legal property of their fathers, husbands, and guardians, she finds herself at the mercy of an anonymous guardian who plans to establish her as a servant in far-off Scotland.With two months to devise a better plan, Julia’s first choice to marry her childhood sweetheart is denied. But when a titled dowager offers to introduce Julia into society, a realm of possibilities opens. However, treachery and deception are as much a part of Victorian society as titles and decorum, and Julia quickly discovers her present is deeply entangled with her mother’s mysterious past. Before she knows what’s happening, Julia finds herself a pawn in a deadly game between two of the country’s most powerful men. With no laws to protect her, she must unravel the secrets on her own. But sometimes truth is elusive and knowledge is deadly.

    And he certainly didn't think saving the life of a peer would mean being made the Earl of Whitelock. But when the life you save is dear to the Prince Regent, things can change in a hurry.Now Evan has a noble title, a manor house in shambles, and a stranger for a bride, all thrust upon him by a grateful ruler. What he doesn't have are all his memories. Traumatized from wounds incurred on the battlefield, Evan knows there's something he can't quite remember. It's important, dangerous—and if he doesn't recall it in time—will jeopardize not only his new marriage but someone's very life.Readers who enjoy Julie Klassen, Carolyn Miller, and Kristi Ann Hunter will love diving into this brand-new Regency series filled with suspense, aristocratic struggles, and a firm foundation of faith.

    It's the summer of 1913 and Cora Kensington's life on the family farm has taken a dark turn. After burying the only father she's ever known, she lost her beau in a tragic accident. Then a stranger comes to call. In one fateful afternoon, Cora discovers that her birth father is a copper king---a man who invites her to tour Europe with her new family. As she travels from England to France, Cora faces the hardships as well as the privileges of assuming the family name. And though now she knows more of her true identity, she soon discovers the journey is only beginning.

    Her search lands her in America, amidst a houseful of strangers and one man who claims to be a friend--Rourke Walsh.Despite her brother's warning, Cara decides to trust Rourke and reveals the truth about her purpose in America. But he is not who he claims to be, and as rumors begin to circulate about an underground group of dangerous revolutionaries, Cara's desperation grows. Her questions lead her ever closer to her brother, but they also bring her closer to destruction as Rourke's true intentions come to light.

    To protect herself and her young brother from her violent and unstable husband, she flees north, finding anonymity and sanctuary as the cook in a Northwoods lumber camp. The camp owner, Robert Foster, wonders if the lovely woman he's hired has the grit to survive the never-ending work and harsh conditions of a remote pine forest in winter. Katie wonders if she can keep her past a secret from a man she is slowly growing to love.With grace and skill, Serena Miller brings to life a bygone era. From the ethereal, snowy forest and the warm cook-stove to the rowdy shanty boys and the jagged edges of the saw, every detail is perfectly rendered, transporting the reader back to the time when pine was king, men were made of iron, and rivers were choked with logs on the way to the sawmills. Readers will have a hard time leaving the Northwoods when they turn the last page.

    Stranded in America and penniless, Sydney contacts a relative in Texas who, mistaking her male-sounding name, invites his "nephew" to join him on his ranch. "Big Tim" Creighton, however, is appalled when this mincing fop arrives at Forsaken. He determines he'll turn Fancy Pants Hathwell into a man before the boss returns home. From the get-go, he has "the kid" mucking stalls, clearing and plowing a field, and assisting with a difficult calving. But when Sydney's true identity is uncovered, Tim resents being deceived. Yet in time, he also finds that he doesn't like all the attention Sydney garners now that she's wearing pretty gowns...Together Sydney and Tim will discover the importance of family and what it means to be a man--and a woman--of God.

    But instead of granting her security, it only causes strife as her adult stepchildren battle to regain the inheritance for themselves. Lydia, longing to put the memories of her painful marriage behind her, determines to travel to Alaska to join her aunt. Lydia's arrival in Sitka, however, brings two things she didn't expect. One is the acquaintance of Kjell Lindquist, the handsome owner of the sawmill. Second is the discovery that she is pregnant with her dead husband's child. What will this mean for her budding relationship with Kjell? And what lengths will her stepchildren go to reclaim their father's fortune? Lydia soon finds her life and that of her child's on the line.

    Will Julia be able to find her place when a governess is neither upstairs family nor downstairs help? Missionary Julia Foster loves working alongside her parents, ministering and caring for young girls in India. But when the family must return to England due to illness, she readily accepts the burden for her parents’ financial support. Taking on a job at Highland Hall as governess, she quickly finds that teaching her four privileged, ill-mannered charges at a grand estate is more challenging than expected, and she isn’t sure what to make of the estate’s preoccupied master, Sir William Ramsey.Widowed and left to care for his two young children and his deceased cousin’s two teenage girls, William is consumed with saving the estate from financial ruin. The last thing he needs is the distraction coming of a kindhearted-yet-determined governess who seems to be quietly transforming his household with her persuasive personality, vibrant prayer life, and strong faith.While both are tending past wounds and guarding fragile secrets, Julia and William are determined to do what it takes to save their families--common ground that proves fertile for unexpected feelings. But will William choose Julia’s steadfast heart and faith over the wealth and power he needs to secure Highland Hall’s future?

    She soon decides that an arranged marriage is not for her and persuades her maid, Dora, to take her place. What begins as the whim of a spoiled rich girl wanting adventure becomes a test of survival amid poverty beyond Charlotte's blackest nightmares. As for Dora, she lives a fairy tale complete with gowns, jewels, and lavish mansions--yet is tormented by guilt and the presence of another love that will not die. Will their masquerade be discovered? Will one of them have second thoughts? There is no guarantee the switch will work. It's a risk. It's the chance of a lifetime.

    Both have promised to marry one of the rough men toiling in this strange new world in order to escape suffering in the old. Geneviève knows life won’t be easy, but at least here she can establish a home and family without fear of persecution for her outlawed religious beliefs. When she falls in love with Tristan Lanier, an expatriate cartographer-turned-farmer whose checkered past is shrouded in mystery, Geneviève realizes that even in this land of liberty one is not guaranteed peace. Trouble is brewing outside the fort between the French colonists and the native people surrounding them. And an even more sinister enemy may lurk within. Could the secret Geneviève harbors mean the undoing of the colony itself?

    No longer safe at Twin Oaks, she embarks on a perilous journey, taking on the momentous responsibility for the lives and welfare of all who go with her. They ride at night and hide during the day, dodging both Confederate and Union troops along the way. Encountering hunger, sickness, and the devastation of war, they finally arrive in Missouri only to discover that the situation there puts them in even greater danger. Discouraged, disillusioned, and facing a severe testing of her faith, Jesselynn will stop at nothing to save her family, the horses, and whatever remains of Twin Oaks.