She was hailed and reviled as the first Indian woman to write an autobiographical cult classic about love and desire. Admirers dubbed her, "The First Feminist Emotional Revolutionary of Our Time." The tabloid press called her "The Love Queen of Malabar." Merrily Weisbord found Das's work so compelling that she flew to South India to meet her. The Love Queen of Malabar is the story of their decade-long friendship, an experiment in mutual revelation. Recounting the development of their relationship, Weisbord relates the dramatic events of Das's life, including her transition from celibacy to sexual awakening at age sixty-seven when, provoking the greatest scandal of her notorious life, she converted to Islam for love and renewal. Both observer and direct participant, Weisbord elegantly presents new biographical insights and cultural details about Kerala and India without exoticisation or stereotyping. The Love Queen of Malabar is an evocative and beautifully crafted work, as seamless as the finest novel, and will captivate readers across the globe.

    Sure to mesmerize fans of Deborah Harkness, Laurell K. Hamilton, and Karen Marie Moning, these novels introduce a trio of kickass heroines who perfectly showcase Armstrong’s thrilling imagination.  DIME STORE MAGIC   Paige Winterbourne was always either too young or too rebellious to succeed her mother as leader of the elite American Coven of Witches. Now that she’s twenty-three, the Elders can no longer deny her. But even Paige’s wildest antics can’t hold a candle to those of her new charge, Savannah, who is all too willing to use her budding powers for evil, and evil is all too willing to claim her. For this girl is being pursued by a dark faction of the supernatural underworld. It’s an initiation into adulthood, womanhood, and the brutal side of magic—and Paige will have to do everything within her power to make sure they both survive.  INDUSTRIAL MAGIC  Someone is murdering the teenage offspring of the underworld’s most influential Cabals—a circle of families that makes the mob look like amateurs. And none is more powerful than the Cortez Cabal, a faction with which Paige is intimately acquainted. Her boyfriend is none other than Lucas Cortez, the rebel son and unwilling heir. But love isn’t blind, and Paige has her eyes wide open as she is drawn into a hunt for an unnatural-born killer. Pitted against shamans, demons, and goons, it’s a battle chilling enough to make a wild young woman grow up in a hurry. If Paige gets the chance.  HAUNTED   Eve Levine—half-demon, black witch, and devoted mother—has been dead for three years. She has a great house and an interesting love life, and she can’t be killed again, which comes in handy when you’ve made as many enemies as Eve has. All she needs to do is find a way to communicate with her daughter, Savannah, and she’ll be happy. But the Fates have other plans. They want Eve to hunt down an evil spirit called the Nix, who has escaped from hell, before she does any more damage. But the Nix is a dangerous enemy: The only way to stop her is with an angel’s sword—and Eve is no angel.  Praise for Kelley Armstrong and the Otherworld series  “Gripping . . . [a] sexy supernatural romance [whose] special strength lies in its seamless incorporation of the supernatural into the real world.”—Publishers Weekly, on Dime Store Magic   “One of my favorite writers.”—New York Times bestselling author Karin Slaughter   “Up there with the big girls of the genre like Laurell K. Hamilton.”—The Kansas City Star   “Armstrong writes page-turning prose.”—Booklist   “One of the masters of urban fantasy.”—Fresh Fiction

    They've been having some serious problems with the white stuff—not snow, but cocaine—and their highly-paid, isolated, somewhat stir-crazy employees have been overdosing at an alarming rate. Kate's job is to identify the dealer and staunch the flow before more people die. It's never that simple, of course.In Play with Fire, Kate and friends stumble across a naked, decaying corpse in the woods. Judged death by misadventure by the Troopers, Kate's sense of justice demands that she launch her own investigation, leading her to ask some very uncomfortable questions of a frontier faith community. Questions that might drive someone to kill…again.In Blood Will Tell, Kate is forced to involve herself in Native politics, attending the annual Federation convention in Anchorage and investigating the deaths of several board members. Opposition to a new development project seems to have been the link tying the victims together, but when Kate poses the question that all detective work begins with—cui bono?—she finds there are more suspects on the list than not.Also included: the two Kate Shugak short stories, "Wreck Rights" and "Cherchez la Femme."

    Here together are the complete Clifton Chronicles, including all seven novels:Only Time Will TellThe Sins of the FatherBest Kept SecretBe Careful What You Wish ForMightier Than the SwordCometh the HourThis Was a Man

    On that afternoon, her husband of ten years crash-landed his malfunctioning single-engine plane in Murfreesboro, Tennessee. Dr. Darrell Swank suffered multiple fractures, and third degree burns over sixty percent of his body when the gas tank exploded as he crawled away from the wreckage. Over the next five weeks, she struggled to be a mother to their children while she kept a near round-the-clock vigil at the hospital. Darrell’s survival was questionable from one day to the next, and even if he survived, would he be the same man he was before the crash? Did his fate depend on this test of her faith?The Death of Me is the true story of a wife and mother living day to day through a fog of shock and unimaginable agony. And, alone in the aftermath, fumbling for some way to not only survive, but to thrive. It is a story of pain, of release, of forgiveness. And of healing, resilience, and rebirth. It is a story of a writer finding her voice.

    Marine, Andrew Biggio, who returned home from combat in Afghanistan and Iraq, full of questions about the price of war. He found answers from those who survived the costliest war of all -- WWII veterans. It began when Biggio bought a 1945 M1 Garand Rifle, the most common rifle used in WWII, to honor his great uncle, a U.S. Army soldier who died on the hills of the Italian countryside. When Biggio showed the gun to his neighbor, WWII veteran Corporal Joseph Drago, it unlocked memories Drago had kept unspoken for 50 years.  On the spur of the moment, Biggio asked Drago to sign the rifle. Thus began this Marine’s mission to find as many WWII veterans as he could, get their signatures on the rifle, and document their stories. For two years, Biggio traveled across the country to interview America’s last-living WWII veterans.  Each time he put the M1 Garand Rifle in their hands, their eyes lit up with memories triggered by holding the weapon that had been with them every step of the war. With each visit and every story told to Biggio, the veterans signed their names to the rifle. 96 signatures now cover that rifle, each a reminder of the price of war and the courage of our soldiers.

    From Argus the Committee keep an oppressive control: citizens are watched by cams systems and political officers, it's a world inhabited by shepherds, reader guns, razor birds and the brutal Inspectorate with its white tiled cells and pain inducers. Soon the Committee will have the power to edit human minds, but not yet, twelve billion human being need to die before Earth can be stabilized, but by turning large portions of Earth into concentration camps this is achievable, especially when the Argus satellite laser network comes fully online . . . This is the world Alan Saul wakes to in his crate on the conveyor to the Calais incinerator. How he got there he does not know, but he does remember the pain and the face of his interrogator. Informed by Janus, through the hardware implanted in his skull, about the world as it is now Saul is determined to destroy it, just as soon as he has found out who he was, and killed his interrogator . . .Zero Point: Earth’s Zero Asset citizens no longer face extermination from orbit. Thanks to Alan Saul, the Committee’s network of control is a smoking ruin and its robotic enforcers lie dormant. But power abhors a vacuum and, scrambling from the wreckage, comes the ruthless Serene Galahad. She must act while the last vestiges of Committee infrastructure remain intact – and she has the means to ensure command is hers. On Mars, Var Delex fights for the survival of Antares Base, while the Argus Space Station hurls towards the red planet. And she knows whomever, or whatever, trashed Earth is still aboard. Var must save the base, while also dealing with the first signs of rebellion. And aboard Argus Station, Alan Saul’s mind has expanded into the local computer network. In the process, he uncovers the ghastly experiments of the Humanoid Unit Development, the possibility of eternal life, and a madman who may hold the keys to interstellar flight. But Earth’s agents are closer than Saul thinks, and the killing will soon begin.Jupiter War: Alan Saul is now part-human and part-machine, and our solar system isn't big enough to hold him. He craves the stars, but can't leave yet. His sister Var is trapped on Mars, on the wrong side of a rebellion, and Saul's human side won't let her die. He must leave Argus Station to stage a dangerous rescue -- but mutiny is brewing onboard, as Saul's robots make his crew feel increasingly redundant. Serene Galahad will do anything to prevent Saul's escape. Earth’s ruthless dictator hides her crimes from a cowed populace as she readies new warships for pursuit. She aims to crush her enemy in a terrifying display of interstellar violence. Meanwhile, The Scourge limps back to earth, its crew slaughtered, its mission to annihilate Saul a disaster. There are survivors, but while one seeks Galahad's death, Clay Ruger will negotiate for his life. Events build to a climax as Ruger holds humanity’s greatest prize -- seeds to rebuild a dying Earth. This stolen gene-bank data will come at a price, but what will Galahad pay for humanity’s future?

    Dear, simple mother, in her terrible clothes, and the twins, got up with more thought for economy than for beauty! I shopped extravagantly with them. The youngsters wanted to see everything in New York; but mother, despite all of those hard, lonely years in our rough country and the many interesting things for her to do and see in New York-- mother wanted nothing better than to stay with the baby.

    Rarely, if ever, has a writer exposed his inner life so completely and with such vigour, humour and linguistic verve.

    It centers on three editors, Harry Bates, F. Orlin Tremaine, and John W. Campbell, who created the magazine now known as Analog (until 1960 it was called Astounding Science Fiction). Clarke gives his reaction to the writers and illustrators who first aroused his interest in science fiction. The scientific ferment of the 1930s and the 1940s is related to the ideas of the period and to the author's work in rocketry and radar. A sweeping view of popular science and popular fiction.- Katherine Thorp, St. Louis Univ. Lib.Copyright 1990 Reed Business Information, Inc.

    This volume contains writing from 1995 to 1998 on a variety of subjects, including the eating of sheep faces, Sin City, the ugliness of comics, the parallel world where comics legend Stan Lee dies in a horrific plumbing accident, how to write for comics, and why Michael Moorcock scares the hell out of him!

    From #1 New York Times bestselling author Daniel Silva come books 11-13 in his beloved Gabriel Allon series: Portrait of a Spy, The Fallen Angel, and The English Girl.

    The author of Down and Out in Paris and London, Nineteen Eighty-four, and Animal Farm, he published ten books and two collections of essays during his lifetime -- but in terms of actual words, produced much more than seems possible for someone who died at the age of forty-six and was often struggling against poverty and ill health. His essays, letters, and journalism are among the most memorable, lucid, and intelligent ever written, the work of a master craftsman and a brilliant mind. Taken as a whole they form an essential collection, and read in toto and sequentially, they provide a remarkably literary self-portrait of an engaged, and consistently engaging, writer. Here, in four volumes, is the best selection of his nonfiction writing now available, a trove of letters, essays, reviews, and journalism that is breathtaking in its scope and eclectic passions. An Age Like This collects Orwell's essential early writings, including material that would later emerge in Down and Out in Paris and London, as well as observations on marriage, reviews of Henry Miller and J. B. Priestley, reports from the Spanish Civil War, an examination of the meaning and value of Charles Dickens, and notes on the early years of the Second World War.

    

    The Allies are wildly out maneuvered and sent home in disgrace. Back in the States things are looking rather grim as the ultra-secret Manhattan Project runs into snafus that greatly delay the final production of the atomic bomb. President Roosevelt's approval ratings drop dramatically. Congress is desperate and the country cries out for a hero. That hero might just be Douglas MacArthur, who vowed that he would return to his beloved Philippines. He plans to do so with the backing of the entire US Armed Forces.MacArthur's plan of action is simple: take the war back to the Japanese, island by bloody island, until standing on the shores of Japan, he can proclaim victory. And possibly gain the leadership of the United States as well.