I have no interest in one person killing another. I only want to draw out morbid desires, imprisoned deep in the unconscious. This lust, once freed, starts growing. Their imaginations run free, and they soon discover their potential... They are waiting for someone like me.A spectral, nameless narrator haunts the lost and wounded of big-city Seoul, suggesting solace in suicide. Wandering through the bright lights of their high-urban existence, C and K are brothers who fall in love with the same woman - Se-yeon. As their lives intersect, they tear at each other in a struggle to find connection in their fast-paced, atomized world.Dreamlike and cinematic, I Have the Right to Destroy Myself brilliantly affirms Young-ha Kim as Korea's leading young literary master.

    Together they build a fulfilling life around the most menial of jobs—Benfu’s work collecting trash. As he sorts through the discards of others, he regularly discovers abandoned children. With unwavering determination, he and Calli spend decades creating a family of hand-picked daughters that help heal the sorrow and brighten their modest home. But all is not perfect and when crisis threatens to separate their family, Benfu—or possibly his band of headstrong daughters—must find a way to overcome the biggest hardship yet. Inspired by a true story, and set against the backdrop of a country in transition, The Scavenger’s Daughters is a sweeping present day saga of triumph in the face of hardship, and the unbreakable bonds of family against all odds.

    Inside the Forbidden City, she witnessed seductions, plots, murders, and brazen acts of treason. Propelled by a shrewd intelligence, an extraordinary persistence, and a friendship with the imperial heir, she rose through the ranks to become the first Empress of China. On the one hand, she was a political mastermind who quelled insurrections, eased famine, and opened wide the routes of international trade. On the other, she was a passionate patron of the arts who brought Chinese civilization to unsurpassed heights of knowledge, beauty, and sophistication.And yet, from the moment of her death to the present day, her name has been sullied, her story distorted, and her memoirs obliterated by men taking vengeance on a women who dared become Emperor. For the first time in thirteen centuries, Empress Wu flings open the gates of her Forbidden City and tells her own astonishing tale–revealing a fascinating, complex figure who in many ways remains modern to this day.

    Desperate to escape his anguish, he takes a job halfway across the world and leaves everything behind: his home, his career, and his beautiful, bewildered wifeCIA agent Rhiana Daniels.When an undercover operative is kidnapped by a fanatical Arab faction in Yemen, Kams knowledge of the language and culture prove to be invaluable, and he is recruited to help rescue the agent. However, the mission becomes even more complicated when he learns that one of theteam members is his estranged wife.Traveling with a research group sponsored by Brigham Young University, Kam and Rhiana attempt to navigate the obstacles that distance and time have placed between them, even as they confront dangerous militants determined to prevent the agents rescue by any means necessary.From the lethal deserts of the Middle East to the battlefield of a troubled soul, best-selling author Willard Boyd Gardner delivers an unforgettable story of action and conspiracy, of heartbreak and betrayal, and of faith and forgiveness.

    After falling for a telephone scam, she loses everything and is forced to abandon her trailer. With only two-thirds of a tank in her old van, she heads toward the Pacific Ocean with her cat—on a mission to reclaim what’s rightfully hers, even if it means making others pay for what she lost.When fifteen-year-old Allie’s parents are jailed for tax fraud, she’s sent to a group home. But when her life is threatened by another resident, she knows she has to get out. She escapes only to find she has nowhere to go—until fate throws Allie in Bea’s path.Reluctant to trust each other, much less become friends, the two warily make their way up the Pacific Coast. Yet as their hearts open to friendship and love from the strangers they meet on their journey, they find the courage to forge their own unique family—and begin to see an imperfect world with new eyes.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    . . .A concubine at the palace learns quickly that there are many ways to capture the Emperor’s attention. Many paint their faces white and style their hair attractively, hoping to lure in the One Above All with their beauty. Some present him with fantastic gifts, such as jade pendants and scrolls of calligraphy, while others rely on their knowledge of seduction to draw his interest. But young Mei knows nothing of these womanly arts, yet she will give the Emperor a gift he can never forget.Mei’s intelligence and curiosity, the same traits that make her an outcast among the other concubines, impress the Emperor. But just as she is in a position to seduce the most powerful man in China, divided loyalties split the palace in two, culminating in a perilous battle that Mei can only hope to survive.The first volume of the Empress of Bright Moon duology paints a vibrant portrait of ancient China—where love, ambition, and loyalty can spell life or death—and the woman who came to rule it all.

    h?kik?'mo?ri; literally pulling inward; refers to those who withdraw from society.Inspired by the real-life Japanese social phenomenon called hikikomori and the professional “rental sisters” hired to help, Hikikomori and the Rental Sister is about an erotic relationship between Thomas, an American hikikomori, and Megumi, a young Japanese immigrant hiding from her own past. The strange, insular world they create together in a New York City bedroom and with the tacit acknowledgment of Thomas’s wife reveals three human hearts in crisis, but leaves us with a profound faith in the human capacity to find beauty and meaning in life, even after great sorrow. Mirroring both East and West in its search for healing, Hikikomori and the Rental Sister pierces the emotional walls of grief and delves into the power of human connection to break through to the world waiting outside. Named an Indie Next pick, an Amazon Best Book of the Month, one of Book Riot’s 5 to Watch, and an iBooks Store Editor’s Choice in hardcover.

    The Guide selects the most useful and insightful of these and puts them in context, making available the range of critical debate on this important novel to both specialist and general readers.

    Emi, a gifted koto player, cherishes Taku's doting love. But the couple can't conceive, and Taku's work takes him away more and more often. When she finally gives birth to a healthy son, Emi dares hope that the preternaturally intelligent Jun will help mend the rift in her marriage. That is, until she meets Hana, an extraordinarily beautiful and wicked geisha, and discovers a betrayal so devastating it would take the aid of eight million gods and demons-the number of deities in the Japanese pantheon-to overcome.

    Bleak and oozing existential dread, The Thief is simply unforgettable. The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections...But he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the Thief is caught in a tangle even he might not be able to escape.

    She takes the time to enjoy it. It will be over soon. For all those who loved The Alchemist, Siddhartha, and Jonathan Livingston Seagull, This Flawless Place Between is a mesmerising and uplifting story about death and dying. Interweaving the key themes of The Tibetan Book of the Dead, one of the world’s most influential and treasured spiritual texts, Portier gently explores our deepest questions about life, love, and death with a refreshing openness and delicacy. Anne and Evan are vacationing in the Tibetan mountains when on an isolated stretch of road they lose control of their motorbike. Bike and riders spin over the edge, plunging into a ravine. Evan’s leg is broken; Anne isn’t moving. A Tibetan peasant hurries to help them, but while Evan tries in vain to save Anne’s life, the stranger focuses on guiding her spirit along the new path it must take to the next one. So begins a cathartic voyage that carries Anne away from her broken body and back through the traumas and ecstasies of her life. Once again, she is a child mourning a dead pet, a young woman embracing her lover, the radiant hostess of an art exhibition, a distraught mother hearing that her young daughter has been critically injured. As she revisits her past, and the futures of those she will leave behind, Anne begins to accept not only her death but also her life – and that what happens next will be up to her. A gifted successor to the inspirational Paulo Coelho, BRUNO PORTIER is a writer, photographer, and documentary maker. He travelled around Asia for 12 years before undertaking a PhD in social anthropology and writing this, his first novel.

    Women have been fighting for equality and seeking justice in various aspects like equal wages, reproductive rights, domestic violence, maternal leave, sexual harassment, domestic violence, the right to education, etc. Not all rebellions spillover on the streets. Every woman who acts according to her free will for the greater good in her daily routine is a rebel, leading her own revolution. She may be a little girl. She could be a woman in love, a wife, a mom or an expectant mother, a career woman or a loving grandmother. Here are fourteen powerful stories where these rebels take various challenges head-on and live their life on their own terms. The women in the stories make their mark in their own way, symbolizing a revolution against a cause, no matter how big or small.This book is dedicated to every woman who stands up for herself.She refuses to fit in and blend with the crowd.She dares to be different and break the rules. She is courageous, wise, kind and compassionate.She is a fighter and doesn't give up on herself easily.She leads a rebellion against ignorance. She has a burning desire to live an extraordinary life.

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.

    Together, they have ten children. At last, she can pass on the stories she has heard—magical tales of men from the sea—and her warrior’s courage, along with her wonderful kueh (cakes).But the cultural shift towards the West has begun. Chye Hoon finds herself afraid of losing the heritage she so prizes as her children move more and more into the modernising Western world.