He draws inspiration from censored histories, subsumed myths and invokes imagined voices from the exiled, demanding of the reader to witness the ubiquitous ideological fictions that surround us.This is one of the most dissonant and penetrating voices in Singapore poetry.A History of Amnesia is listed in the notable books list by the Kiriyama Pacific Rim Book Award (administered by University of San Francisco).

    He is, through no fault of his own, loathed by everyone in the town where he lives. His father, Early Winter, feeds him roadkill for breakfast. The crossing guard steers cars toward him as he crosses the road. Parents encourage their children to plot cruelly against him. One morning Idaho finds it too much to bear and hides down by the river where he meets Madison. Madison, astonishingly, is as hurt by how he’s treated as he is. For the first time in his life Idaho experiences someone’s empathy and it opens a terrible world of pain in him. He dotes on Madison, in awe of her, and he cleans her muddy feet in the river, drying them with his shirt. Suddenly, hunting dogs descend on the scene and, trained to attack the smell of Idaho, set their jaws on Madison’s feet. Then Idaho does something that changes everything. He gets up and runs home. Not so strange until the author realizes that this part was never written. Idaho becomes enraged upon learning that his suffering has been cruelly designed by a clumsy writer who confesses that he made his book meaner than all the others so it would stand out. Idaho locks the author in a closet and runs off, armed with the knowledge that the entire world is invented and that he has the power now to imagine it differently. When the author emerges from the closet he finds that his novel is now unrecognizable. Phantoms and monsters, beasts from the boy’s angry thoughts now dominate the streets. Beneath the earth there is a resistance movement of secondary characters, including the poor Madison who is now bedridden and what’s more: anyone who comes within 50 feet of her is paralyzed with sadness and cannot move or be moved. The author sets out with these characters to cure the novel, to find a way to bring its mind and heart together as they embark on a journey as perilous and paradoxical as anything HG Wells or Lewis Carroll ever imagined.

    In the empty days after her son's death, left alone in her grief by her husband, Isabelle Berendon falls in love with the unlikeliest person in the world: her sister-in-law.Self-published by one of President Ronald Reagan's daughters, who does not identify as a lesbian.

    Harley attributes her success to her unwavering resolve to maintain professional boundaries with her clients. Of course, her cool demeanor and charming smile don’t hurt. But when Harley meets her newest client, she not only loses her cool, she wavers.Tessa Pearson is one of Boston’s most acclaimed wedding photographers. And although she has a talent for capturing love on film, she has no desire to be in a relationship. She’s happily committed to her bachelorette lifestyle. Tessa’s best friend, however, has other plans for her.The last thing Tessa wants is to work with a dating coach. Harley is Tessa’s worst nightmare: prying, overly confident, and guarded. Yet somehow she’s become the star of Tessa’s fantasies.The last thing Harley wants is to waste her efforts on someone who doesn’t want to date. Tessa is jaded, stubborn, and uncooperative. So why can’t Harley stop thinking about her?All Harley has to do is her job. All Tessa has to do is play along. But the more time they spend together, the more blurry the lines between work and play become.

    The closest he ever came to working in tech was when he rode a delivery bike for a food app in Vancouver. Yet when his coder girlfriend dies, he is inexplicably headhunted by a sinister tech mogul and transplanted to Silicon Valley. There, a reluctant spy named Aoife lures him into the hands of an enigmatic war-gamer who tricks them both into joining his quest to save the world.Hunted by government agents and corporate goons, and manipulated at every turn, Aoife and Michael find themselves in an intercontinental chase that takes them from California to New York, from the forests of Uganda to Jerusalem, Gaza, Alexandria, and Paris, and to a final showdown with the truth in Dublin.Propulsive and richly entertaining, This Eden updates the classic spy novel for a world under mortal threat from cyber-warfare, feral money, runaway technology, and a cynical onslaught on truth itself.

    Annick Boudreau regularly confronts a myriad of mental health issues in her psychology practice at the West Coast Cognitive Behavioural Therapy Clinic in Vancouver, British Columbia. But even Annick is stunned when Sanjay, a young patient who suffers from Obsessive Compulsive Disorder, is arrested for the brutal murder of his roommate. While Sanjay is tortured by repeated violent thoughts, everything Annick knows about her patient and his illness has her convinced that he’s innocent. But the police and prosecution are convinced that they have caught the perpetrator and aren’t interested in looking for other suspects. Unable to talk to the authorities because of doctor-patient confidentiality, Annick feels compelled to investigate on her own, finding herself drawn into the darker side of her postcard-perfect city in the process.

    Set in Montreal, a typical metropolis where strangers meet under varying circumstances and either fall in love or break apart, Julie Maroh’s gentle hues and fanciful vignettes unearth the pleasures, surprises, and complexities of love.

    What Alex doesn’t know is that in moving, Priya is running from her past—from a fraught relationship with an old friend, Prakash, who pursued her for many years, both online and off. Time has passed, however, and Priya, confident that her ties to Prakash have been successfully severed, decides it’s once more safe to establish an online presence. In no time, Prakash discovers Priya online and contacts her. Impulsively, inexplicably, Priya invites him to visit her and Alex in the country, without ever having come clean with Alex about their relationship— or its tumultuous end. Prakash’s sudden arrival at their home reveals cracks in Priya and Alex’s relationship and brings into question Priya’s true intentions.Seductive and tension-filled, Polar Vortex is a story of secrets, deceptions, and revenge. It asks readers: Are we ever free from our pasts? Do we deserve to be?

    Paul Muldoon, the distinguished poet and international literary eminence, has selected -- from a pool of several thousand published candidates -- the top seventy-five poems of the year. With insightful comments from the poets illuminating their work, and series editor David Lehman's perspicacious foreword, The Best American Poetry 2005 is indispensable for every poetry enthusiast.

    These stories span characters and emotional states with canny details that touch the depths of your soul. Picturing the complexities of love, misery and mystery, the stories try to gnaw your heart like never before.• What does a flower teach us we often fail to see?• “The belly is an ungrateful wretch.” Is it true?• Ever wondered about the sparseness and illusions in life?• Does death put an end to true love?• Have all the ascetics won over their emotions?With the power of simple language, this book transports the readers to a world scarcely thought of in our bustling lives. The allegories maintain an intense rhythm of life prompting the readers to perceive things from a unique angle.“A whole bookful to make you think, cry, think again and move on.”

    The action hinges upon a sudden mischance in which accident and intention tragically coincide. Swept along by the inexorable logic of events, Callaghan’s protagonists are forced to re-examine the nature of individual conscience and responsibility. In their personal struggle is expressed the mood of the age, its cynicism and anger, its desperate idealism, and its agonized longing for redemption.

    Since her parents died in an accident she survived, bruises have become a way to keep her pain on the surface of her skin so she doesn’t need to deal with the ache deep in her heart.So when chance and circumstances bring her to a roller derby bout, Daya is hooked. Yes, the rules are confusing and the sport seems to require the kind of teamwork and human interaction Daya generally avoids. But the opportunities to bruise are countless, and Daya realizes that if she’s going to keep her emotional pain at bay, she’ll need all the opportunities she can get.The deeper Daya immerses herself into the world of roller derby, though, the more she realizes it’s not the simple physical pain-fest she was hoping for. Her rough-and-tumble teammates and their fans push her limits in ways she never imagined, bringing Daya to big truths about love, loss, strength, and healing.

    These 49 short stories, poems, interviews and essays—fiction and nonfiction—make up a powerful collection of original and new writing by 41 women. does your mama know? is ready to take its place in the halls of literary African-American lesbian voices.

    Joyful, daring, and authentic, these steamy stories revel in erotic adventure, from the sparks between strangers to the knowing caresses of long-time lovers. These stories are not merely erotic, but filled with strong characters and clever narratives showing a wide variety of sexual expression. Violet Blue's newest anthology is a glorious celebration of the finest and friskiest female erotic fiction today.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.