Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    Plot synopsis of this classic is made meaningful with analysis and quotes by noted literary critics, summaries of the work's main themes and characters, a sketch of the author's life and times, a bibliography, suggested test questions, and ideas for essays and term papers.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    This book is pretty much what that title conveys, a tour through all fifty-one of H.P. Lovecraft's mature works of prose fiction. We're skipping the poetry, the collaborations and ghost-writing and revisions (except for Through the Gates of the Silver Key), the travel writing, the artistic and literary criticism and all the other things Lovecraft wrote instead of horror stories. It is my contention that the tale's the thing, and al- though some of Lovecraft's other works are interesting or fun or valuable, they're not what any of us really signed up for. Like most tours, we'll stay a little longer at the good spots, and try our best to hustle past the weedy, overgrown patches. Hopefully I can point out one or two scenic overlooks along the way, letting you perhaps see some familiar landscape from an angle you hadn't noticed before. .

    Inspired by her example, Beha vows to read the entire Five-Foot Shelf, one volume a week, over the course of the next year. As he passes from St. Augustine's Confessions to Don Quixote, from Richard Henry Dana's Two Years Before the Mast to essays by Cicero, Emerson, and Thoreau, he takes solace in the realization that many of the authors are grappling with the same questions he faces: What is the purpose of life? How do we live a good life? What can the wisdom of the past teach us about our own challenges? Beha's chronicle is a smart, big-hearted, and inspirational mix of memoir and intellectual excursion—and a powerful testament to what great books can teach us about how to live our own lives.

    This edition contains all the material in the original volumes of George, Don't Do That and Stately as a Galleon, including the bloodthirsty 'Ethel' and the unforgettable nursery school monologues.

    It is a delight and a solace, a challenge and a reward, and perhaps even an obsession. For two centuries Austen has enthralled readers. Few other authors can claim as many fans or as much devotion. So why are we so fascinated with her novels? What is it about her prose that has made Jane Austen so universally beloved?In essays culled from the last one hundred years of criticism juxtaposed with new pieces by some of today’s most popular novelists and essayists, Jane Austen’s writing is examined and discussed, from her witty dialogue to the arc and sweep of her story lines. Great authors and literary critics of the past offer insights into the timelessness of her moral truths while highlighting the unique confines of the society in which she composed her novels. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed if she’d lived twenty more years, while C. S. Lewis celebrates Austen’s mirthful, ironic take on traditional values.Modern voices celebrate Austen’s amazing legacy with an equal amount of eloquence and enthusiasm. Fay Weldon reads Mansfield Park as an interpretation of Austen’s own struggle to be as “good” as Fanny Price. Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. Alain de Botton praises Mansfield Park for the way it turns Austen’s societal hierarchy on its head. Amy Bloom finds parallels between the world of Persuasion and Austen’s own life. And Amy Heckerling reveals how she transformed the characters of Emma into denizens of 1990s Beverly Hills for her comedy Clueless. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Margot Livesey, each writer here reflects on Austen’s place in both the literary canon and our cultural imagination.We read, and then reread, our favorite Austen novels to connect with both her world and our own. Because, as A Truth Universally Acknowledged so eloquently demonstrates, the only thing better than reading a Jane Austen novel is finding in our own lives her humor, emotion, and love.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    16 modern fiction superstars shine a startling light on the romance and pain of the infamous literary pair Heathcliff and Cathy.Short stories to stir the heart and awaken vital conversation about love.Sixteen stories inspired by Wuthering Heights.In Terminus a young woman hides in an empty Brighton hotel; in Thicker Than Blood a man sits in a hot tub stalking his newly-married love on social media; and in A Bird Half-Eaten an amateur boxer prepares for a match.A woman recalls the Heathcliffs I Have Known and the physical danger she has borne at their hands; in Anima a child and a fox are unified in one startling moment of violence; and in One Letter Different two teenagers walk the moors and face up to their respective buried secrets.Curated by Kate Mosse and commissioned for Emily Brontë’s bicentenary year in 2018, these fresh, modern stories pulse with the raw beauty and pain of love and are as timely as they are illuminating.The full list of contributors is:Leila Aboulela, Hanan Al-Shaykh, Joanna Cannon, Alison Case, Juno Dawson, Louise Doughty, Sophie Hannah, Anna James, Erin Kelly, Dorothy Koomson, Grace McCleen, Lisa McInerney, Laurie Penny, Nikesh Shukla, Michael Stewart and Louisa Young.

    “Miss Welty has written some of the finest short stories of modern times” (Orville Prescott, New York Times). Selected and with an Introduction by Ruth M. Vande Kieft.

    Surveying stories by British and American writers in the first half of the twentieth century, editors Robert Penn Warren and Albert Erskine selected stories that broke new ground and challenged the imagination with their style, subject matter, or tone: the unforgettable, enduring works that shaped the literature of our time.A truly exceptional collection of great stories, including:The Bride Comes to Yellow Sky by Stephen CraneThe Horse Dealer's Daughter by D. H. LawrenceBarn Burning by William FaulknerThe Sojourner by Carson McCullersThe Open Window by SakiFlowering Judas by Katherine Anne PorterThe Boarding House by James JoyceSoldier's Home by Ernest HemingwayThe Tree of Knowledge by Henry JamesWhy I Live at the P.O. by Eudora Welty. . . and twenty-five more of the century's best stories!

    The fairy tale-based works of the tortured confessional poet, whose raw honesty and wit in the face of psychological pain have touched thousands of readers.

    The author sets out not to give us the history of academic discipline but a history of choices: the choice of pasts, and the ways they have been demarcated, investigated, presented and even sometimes learned from as they have changed according to political, religious, cultural, and (often most important) partisan and patriotic circumstances. Burrow aims, as well, to change our perceptions of the crucial turning points in the history of history, allowing the ideas that historians have had about both their own times and their founding civilizations to emerge with unexpected freshness.Burrow argues that looking at the history of history is one of the most interesting ways we have to understand the past. Certainly, this volume stands alone in its ambition, scale and fascination.

    Situated on the northern boundary of the Massachusetts Bay colony, the town of Cold Marsh is a place of secrets, a village characterized by repression and guilt. Fourteen years have passed since the outbreak of King Philip's War and darkness has come to the Cold Marsh. Two of the town's young women have vanished under mysterious circumstances, and the country seethes with rumors of witchcraft and devilry. Even their God has abandoned them. When a third young woman disappears, the men of the village determine to leave the safety of the village and enter the other world of the woods in search of her. Revenants is a lyrical evocation of the colonial landscape, a poetic meditation on the hills and wilds of that vanished country. It also brings back to life, with breathing intimacy, the inner landscape of sombre repression known to the settlers of New England.

    The marriage of Robert Browning and Elizabeth Barrett has been well named "the most perfect example of wedded happiness in the history of literature - perfect in the inner life and perfect in its poetical expression."