Formally audacious, daring in its intellectual inquiry and unwaveringly humane, Will Eaves’s new novel is a rare achievement.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries.One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it.

    An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.

    As their relationship develops, Renault expertly conveys Greek culture, showing the impact of this supreme philosopher whose influence spans epochs.

    It was selected by Deb Olin Unferth as the winner of the 2010 Caketrain Chapbook Competition and is currently available from Caketrain Press.

    She's a great mountain climber who's never summited, the author of a tell-all that didn't really tell anything. For years she guided pilgrims up the foothills of the Sublime Mount, leading them as high as God would let them go. And then she partnered the apostate Southern priest Mother Disaine on the most daring, most blasphemous expedition in history—an attempt to reach the summit of the sacred mountain, the top of God's head. Disaine returned in triumph, claiming to be the first person since the prophet to have summited and lived. But Lamat went into hiding.Now, late in life and exiled from the mountain, Lamat finally tells her story to her partner, Otile. It's the story of why she really wrote her first book all those years ago, how she came to be cast out from the mountain-dwelling Holoh people, and how she fled to the anonymity of the city to hide from her fame. Most of all, it's the story of her bond with Mother Disaine—the blasphemer, charlatan, and visionary who stole Lamat's life to serve her own purposes—and what really happened on their last, greatest expedition.

    For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s.The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    The hip, noir adventurers who get by on wit, bravado, and drugs, and haunt the virtual worlds of the Shadows of cyberspace, are up against the encroachments of civilization. It's time to adapt or die.India Carless, alias Trouble, got out ahead of the feds and settled down to run a small network for an artist's co-op.Now someone has taken her name and begun to use it for criminal hacking. So Trouble returns. Once the fastest gun on the electronic frontier, she had tried to retire-but has been called out for one last fight. And it's a killer.

    . . . "Social Disease" . . . is really about the three major issues of our time: sex, hair, and the telephone" (Paul Rudnick, "New York Magazine").

    Maybe we were meant to explode.”As a closeted teenager in the Deep South with a holy-roller father and the scars to prove it, bookworm Cole Furman has resigned himself to experiencing life and love only within the pages of his favorite novels. But after Nick Flores seems to walk off a page and starts to rewrite his story, Cole finds his dreams spinning into a dazzling – and complicated – reality. If you have ever found yourself on the wild breathless thriller ride that is young love, Honesty will rip you back again in screaming color.

    

    His life in Los Angeles has come to a halt because he's unable to finish the novel he's writing, doesn't have a boyfriend, and, at the pivotal age of thirty-four, has reached the juncture where he has to decide whether he's really talented or just gay. One day he meets Roy Briggs, a part-time salmon fisherman/full-time archaeology student who's visiting from Alaska. When Nelson attempts to make small talk with the handsome Roy, he references an obscure but haunting story about bowhead whales that startles the science nerd in both men into suspecting that they might be soulmates. Unfortunately, Nelson discovers his soul is a bit of a slut when he also meets the guest host of that week's show, the surprisingly bookish movie star Dylan Fabizak, freshly paroled after a drug bust. When the three end up at Roy's home in Alaska, hilarity, love, and debauchery ensue. Wooed by both Roy and Dylan, Nelson comes to strongly identify with the salmon they are fishing for — another insanely driven species that will overcome every hurdle in its search for love.

    Suzanne Malherbe, a shy seventeen-year-old with a talent for drawing, is completely entranced by the brilliant but troubled Lucie Schwob, who comes from a family of wealthy Jewish intellectuals. They embark on a clandestine love affair, terrified they will be discovered, but then, in an astonishing twist of fate, the mother of one marries the father of the other. As “sisters” they are finally free of suspicion, and, hungry for a more stimulating milieu, they move to Paris at a moment when art, literature, and politics blend in an explosive cocktail.Having reinvented themselves as Claude Cahun and Marcel Moore, they move in the most glamorous social circles, meeting everyone from Hemingway and Dalí to André Breton, and produce provocative photographs that still seem avant-garde today. In the 1930s, with the rise of anti-Semitism and threat of fascism, they leave Paris for Jersey, and it is on this idyllic island that they confront their destiny, creating a campaign of propaganda against Hitler’s occupying forces that will put their lives in jeopardy.Brilliantly imagined, profoundly thought-provoking, and ultimately heartbreaking, Never Anyone But You infuses life into a forgotten history as only great literature can.