Called by The New York Times, 'The best Japanese novelist [since] Mishima and Kawabata...', Abe is one of the most highly regarded writers in Japan today.

    A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . . Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp. An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction.

    In the sounds of ice breaking in the river, silkworms eating mulberry leaves in the night, and Mahler played on the double bass, her characters hear the music of human suffering and redemption. . . . The Ocean in the Closet is a compelling and moving novel.”—Kyoko MoriIn sunny California, the Vietnam War may have just ended, but nine-year-old Helen Johnson’s world is beginning to crumble. Her father, a former POW and Vietnam veteran, has become increasingly distant; her mother, a Japanese adoptee, is struggling with mental illness; and her six-year-old brother is too young to understand what’s happening. Determined to find out more about her mother’s past and with a boldness that belies her timid self-image, Helen writes to her great-uncle Hideo in Japan, beginning a journey that will take her across the ocean and through the imperial legacies of both countries.As Hideo and his wife recount the stories of his family’s silk business in Hiroshima, their experiences in China and Japan during and after World War II, and the fate of his sister Ume, Helen’s grandmother, they discover that although their lives have been darkened by war, their future can be healed by tending their shared roots. In this beautiful debut novel, Yuko Taniguchi creates a moving story of hope and redemption, of tragedy and resilience, and of the secrets, burdens, and ultimate strength that lie in a young girl’s heart.Yuko Taniguchi, author of the critically acclaimed book of poetry Foreign Wife Elegy, was born in Yokohama, Japan, in 1975. At the age of fifteen, she came to the United States and attended high school in Maryland, obtaining her collegiate degrees in Minnesota, where she continues to make her home. Visit her website at www.yukotaniguchi.com.

    An entire community was destroyed. For many people affected by this tragedy, the psychological scars may never heal.Post-Traumatic Stress Disorder is a condition that affects many people who have endured traumatic events, leaving them unable to move on from life-changing tragedies. In the immediate aftermath of the fire, the focus was rightly placed on providing food, shelter and health care for those left homeless – but it is important that we don’t lose sight of the psychological impact this fire will have had on its survivors.24 Stories is an anthology of short stories, written on themes of community and hope, by a mix of the UK’s best established writers and previously unpublished authors, whose pieces were chosen by Kathy Burke from over 250 entries.Contributors include: Irvine Welsh, A. L. Kennedy, Meera Syal, John Niven, Pauline Melville, Daisy Buchanan, Christopher Brookmyre, Zoe Venditozzi, Nina Stibbe, Mike Gayle, Murray Lachlan Young, Barney Farmer.

    But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.One night, after being hit by personal tragedy, Sugihara reveals to Sakurai that he is not Japanese—as his name might indicate.Torn between a chance at self-discovery that he’s ready to seize and the prejudices of others that he can’t control, Sugihara must decide who he wants to be and where he wants to go next. Will Sakurai be able to confront her own bias and accompany him on his journey?

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    A Japanese American war hero has a secret. A secret so awful he’d rather die than tell anyone—one so entwined with the brave act that made him a hero that he’s determined never to speak of the war. Ever. Decades later his son, Daniel Tokunaga, a world-famous cardiac surgeon, is perplexed when the U.S. government comes calling, wanting to know about his father’s service with the 442nd Regimental Combat Team. Something terrible happened while his father was fighting the Germans in France, and the Department of Defense won’t stop its investigation until it’s determined exactly who did what.Wanting answers of his own, Daniel upends his life to find out what his father did on a small, obscure hilltop half a world away. As his quest for the truth unravels his family’s catastrophic past, the only thing for certain is that nothing—his life, career, and family—can ever be the same again."Suspenseful, touching and beautifully written."-Margaret George, New York Times best-selling author of Elizabeth I and Helen of Troy"A gorgeous, emotional book. An important, and timely, American story"-Karin Tanabe, author of The Diplomat's Daughter

    Jim Tomlinson’s characters each face the desire to reclaim dreams left behind, along with something of the dreamer that was also lost. Starkly rendered, these spiraling characters inhabit a specific place and class---small-town Kentucky, working-class America---but the stories, told in all their humor and tragedy, are universal.In each story the characters face conflict, sometimes within themselves, sometimes with each other. Each carries a past and with it an urge to return and repair. In “First Husband, First Wife,” ex-spouses are repeatedly drawn together by a shared history they cannot seem to escape, and they are finally forced to choose between leaving the past or leaving each other. LeAnn and Cass are grown sisters who conspire to help their prideful mother in “Things Kept.” “Prologue” is a voyeuristic journey through the surprisingly different lives of two star-crossed friends, each with its successes and pitfalls, told through their letters over thirty-five years. In “Stainless,” Annie and Warren divide their possessions on the final night of their marriage. Their realtor has advised them to “declutter” the house they are leaving, but they discover that most of the clutter cannot be so easily removed. The choices are never simple, and for every thing kept, something must be abandoned. Tomlinson’s characters struggle but eventually find their way, often unknowingly, to points of departure, to places where things just might change.

    Rusty, ornery, and down at the heels, Zadoorian's characters have made the wrong choices, been worn down by bad news, or survived traumatic events, but like the city they live in, they are determined not to let tragedy and rotten luck define them. Rich with detail and brimming with feeling, Zadoorian's deceptively simple stories lead readers into the inner lives of those making the best of their flawed surroundings and their own imperfections.Zadoorian's stories are drawn from the everyday events that come to define his characters' lives. A woman responsible for putting down animals at a veterinary clinic travels to Mexico to stage a ritual for her victims, a veteran returns a flag stolen from a Japanese soldier he killed in World War II, an elderly couple takes a final road trip to a mystery spot out west, and a man spends his life waiting to inherit his parents' kitschy 1960s furniture but instead sells it all. Characters also find their lives shaped by seemingly random occurrences, like the junk shop owner who must stop the stranger with a vendetta against him, the woman who becomes obsessed with her in-laws' talking dog, and the urban spelunker who finds love and acceptance with a reader of his blog. Their close connection to Detroit also infuses Zadoorian's stories with themes significant to the city, including issues of racial tension, political unease, and economic hardship.Zadoorian's writing throughout this collection is clear and vivid, never getting in the way of his characters or their stories. The unique but relatable characters and unexpected stories in The Lost Tiki Palaces of Detroit will appeal to all readers of fiction.

    She is observed at all times by the undetected narrator, the Woman in the Yellow Cardigan. From a distance the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. Like the Woman in the Yellow Cardigan, she is single, she lives in a small, run-down apartment, and she is short on money. The Woman in the Yellow Cardigan lures her to a job where she herself works, as a hotel housekeeper; soon the Woman in the Purple Skirt is having an affair with the boss. Unfortunately, no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt.Studiously deadpan, highly original, and unsettling, The Woman in the Purple Skirt explores the dynamics of envy, the mechanisms of power in the workplace, and the vulnerability of unmarried women in a taut, voyeuristic narrative about the sometimes desperate desire to be seen.

    Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

    And  a grouping of four stories at the end follows a divorced psychiatrist in an arc that constitutes a short novel.   Included are: “His Women,”  “Great Sex,”  “Old Love Affairs,” and  “The Drinking Club,”  “Patients, “The Wrong Mexico, “ and “Earthquake Damage.”

    Menacing and at times darkly humorous there are echoes of Roald Dahl and Daphne du Maurier in these stories, many of which have been specially commissioned for Radio 4.From the commuter who bitterly regrets falling asleep on a late-night train in Last Train to Helsingør, to the mushroom hunter prepared to kill to guard her secret in The Chanterelles of Østvig.Here, the land of ‘hygge’ becomes one of twilight and shadows, as canny antique dealers and property sharks get their comeuppance at the handsof old ladies in Conning Mrs Vinterberg, and ghosts go off-script in TheWailing Girl.Scandi noir at its finest.

    Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war.

    The longest, loneliest railroad on Earth. A North Korean nuke hitting Tokyo, a hollow asteroid full of automated rice paddies, and a specialist in breaking up “virtual” marriages. And yes, giant robots. These thirteen stories from and about the Land of the Rising Sun run the gamut from fantasy to cyberpunk, and will leave you knowing that the future is Japanese! Contributors:-Pat Cadigan-Toh EnJoe-Project Itoh-Hideyuki Kikuchi-Ken Liu-David Moles-Issui Ogawa-Felicity Savage-Ekaterina Sedia-Bruce Sterling-Rachel Swirsky-TOBI Hirotaka-Catherynne M. Valente