Hannah is a Red; her crime is murder.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    An occasional chambermaid, granddaughter to a typesetter, and daughter to a dead man, awkward and brave, wayward and willful, she is in love (unrequited) with an Iraq War veteran thirteen years her senior. She is convinced that she is a mermaid. What she does to ease the pain of growing up lands her in prison. What she does to get out is the stuff of legend. In the words of writer Michelle Tea, The Seas is "creepy and poetic, subversive and strangely funny, [and] a phenomenal piece of literature."

    Others don't see it, but I do.The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries magical visions of golden horses running beneath the prison, heat flowing like molten metal from their backs, with the devastating violence of prison life.Two outsiders venture here: a fallen priest, and the Lady, an investigator who searches for buried information from prisoners' pasts that can save those soon-to-be-executed. Digging into the background of a killer named York, she uncovers wrenching truths that challenge familiar notions of victim and criminal, innocence and guilt, honour and corruption-ultimately revealing shocking secrets of her own.

    But then Lauren finds herself trapped in a town called Lost on the edge of a desert, filled with things abandoned, broken and thrown away. And when she tries to escape, impassable dust storms and something unexplainable lead her back to Lost again and again. The residents she meets there tell her she's going to have to figure out just what she's missing--and what she's running from--before she can leave. So now Lauren's on a new search for a purpose and a destiny. And maybe, just maybe, she'll be found...Against the backdrop of this desolate and mystical town, Sarah Beth Durst writes an arresting, fantastical novel of one woman's impossible journey...and her quest to find her fate.

    She doesn't know how or why, but she must flee India and return to Ethiopia, the place of her birth. Having long heard about The Trail -- an energy-harvesting bridge that spans the Arabian Sea -- she embarks on foot on this forbidden bridge, with its own subculture and rules. What awaits her in Ethiopia is unclear; she's hoping the journey will illuminate it for her.Mariama, a girl from a different time, is on a quest of her own. After witnessing her mother's rape, she joins up with a caravan of strangers heading across Saharan Africa. She meets Yemaya, a beautiful and enigmatic woman who becomes her protector and confidante. Yemaya tells Mariama of Ethiopia, where revolution is brewing and life will be better. Mariama hopes against hope that it offers much more than Yemaya ever promised.As one heads east and the other west, Meena and Mariama's fates will entwine in ways that are profoundly moving and shocking to the core. Vividly imagined and artfully told, written with stunning clarity and deep emotion, The Girl in the Road is a true tour de force.

    But when he single-handedly stopped that tornado on a stormy Christmas day in Oklahoma, he realized just how different he actually was.That tornado was the first of many strange events that seem to follow Weylyn from town to town, although he doesn’t like to take credit. As amazing as these powers may appear, they tend to manifest themselves at inopportune times and places. From freak storms to trees that appear to grow over night, Weylyn’s unique abilities are a curiosity at best and at worst, a danger to himself and the woman he loves. But Mary doesn’t care. Since Weylyn saved her from an angry wolf on her eleventh birthday, she’s known that a relationship with him isn’t without its risks, but as anyone who’s met Weylyn will tell you, once he wanders into your life, you’ll wish he’d never leave.Beasts of Extraordinary Circumstance tells the story of Weylyn Grey’s life from the perspectives of the people who knew him, loved him, and even a few who thought he was just plain weird. Although he doesn’t stay in any of their lives for long, he leaves each of them with a story to tell. Stories about a boy who lives with wolves, great storms that evaporate into thin air, fireflies that make phosphorescent honey, and a house filled with spider webs and the strange man who inhabits it.There is one story, however, that Weylyn wishes he could change: his own. But first he has to muster enough courage to knock on Mary’s front door.In this warm debut novel, Ruth Emmie Lang teaches us about adventure and love in a beautifully written story full of nature and wonder.

    Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries.One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it.

    They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers--chosen male descendants of the original ten--are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly--they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others.Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing.Gather The Daughters is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.

    A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

    Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate never opens, and the queue in front of it grows longer. Citizens from all walks of life mix and wait in the sun: a revolutionary journalist, a sheikh, a poor woman concerned for her daughter’s health, and even the brother of a security officer killed in clashes with protestors. Among them is Yehia, a man who was shot during the Events and is waiting for permission from the Gate to remove a bullet that remains lodged in his pelvis. Yehia’s health steadily declines, yet at every turn, officials refuse to assist him, actively denying the very existence of the bullet. Ultimately it is Tarek, the principled doctor tending to Yehia’s case, who must decide whether to follow protocol as he has always done, or to disobey the law and risk his career to operate on Yehia and save his life. Written with dark, subtle humor, The Queue describes the sinister nature of authoritarianism, and illuminates the way that absolute authority manipulates information, mobilizes others in service to it, and fails to uphold the rights of even those faithful to it.From the Trade Paperback edition.

    All she knows is that somewhere out there, beyond the horizon, she has a sister named Kay, and it’s up to Cee to cross the ocean and find her.In a world apart, 16-year-old STEM prodigy Kasey Mizuhara lives in an eco-city built for people who protected the planet―and now need protecting from it. With natural disasters on the rise due to climate change, eco-cities provide clean air, water, and shelter. Their residents, in exchange, must spend at least a third of their time in stasis pods, conducting business virtually whenever possible to reduce their environmental footprint. While Kasey, an introvert and loner, doesn’t mind the lifestyle, her sister Celia hated it. Popular and lovable, Celia much preferred the outside world. But no one could have predicted that Celia would take a boat out to sea, never to return.Now it’s been three months since Celia’s disappearance, and Kasey has given up hope. Logic says that her sister must be dead. But nevertheless, she decides to retrace Celia’s last steps. Where they’ll lead her, she does not know. Her sister was full of secrets. But Kasey has a secret of her own.

    For the past century, every girl has been born with a special talent, like the ability to Fix any object, Heal any wound, or Find what is missing.Best friends Rome, Lux, and Mercy all have similar talents, but to them, their abilities often feel like a curse. Rome may be able to Fix anything she touches, but that won’t help her mom pay rent or make it any easier to confide in Lux and Mercy about what’s going on at home. And Rome isn’t the only one. Lux has been hiding bigger, more dangerous secrets.As Rome struggles to keep her friendships close, she discovers the truth about life in Cottonwood Hollow—that friends are stronger than curses, that trust is worth the risk, and sometimes, what you’ve been looking for has been under your feet the whole time.

    Friendless and fatherless, sixteen-year-old Szu lives in the shadow of her mother Amisa, once a beautiful actress and now a hack medium performing séances with her sister in a rusty house. When Szu meets the privileged, acid-tongued Circe, an unlikely encounter develops into an intense friendship and offers Szu a means of escape from her mother's alarming solitariness.Seventeen years later, Circe is struggling through a divorce in fraught and ever-changing Singapore when a project comes up at work: a remake of the cult seventies horror film series 'Ponti', the very project that defined Amisa's short-lived film career. Suddenly Circe is knocked off balance: by memories of the two women she once knew, by guilt, and by a past that threatens her conscience.Told from the perspectives of all three women, Ponti is about friendship and memory, about the things we do when we're on the cusp of adulthood that haunt us years later. Beautifully written by debut author Sharlene Teo, and enormously atmospheric, Ponti marks the launch of an exciting new literary voice in the vein of Zadie Smith.

    Helen Kane, Yoshi Tanaka, and Sergei Kuznetsov must prove they’re the crew for the job by spending seventeen months in the most realistic simulation ever created.Retired from NASA, Helen had not trained for irrelevance. It is nobody’s fault that the best of her exists in space, but her daughter can’t help placing blame. The MarsNOW mission is Helen’s last chance to return to the only place she’s ever truly felt at home. For Yoshi, it’s an opportunity to prove himself worthy of the wife he has loved absolutely, if not quite rightly. Sergei is willing to spend seventeen months in a tin can if it means travelling to Mars. He will at least be tested past the point of exhaustion, and this is the example he will set for his sons.As the days turn into months the line between what is real and unreal becomes blurred, and the astronauts learn that the complications of inner space are no less fraught than those of outer space. The Wanderers gets at the desire behind all exploration: the longing for discovery and the great search to understand the human heart.