Whether it's Ikaros flying too close to the sun, Prometheus stealing fire from the gods or the tragedy of Oedipus, their characters have inspired art, literature, plays and films, and constellations named after them fill the night sky. But how much do you really know about them?From the clash of the Titans to the fall of Troy, here are the greatest legends of all time, brilliantly retold by classical scholar Jenny March. All the heroes, monsters, villains, gods and goddesses of classical civilization are included; the epic journeys of Odysseus and Aeneas; the founding of Athens and Rome; the quests of Jason seeking the Golden Fleece and Theseus slaying the minotaur. Giving the origins, development and interpretation of each myth, this is the essential guide to the stories that have shaped our world.

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.

    Lewis reworks the classical myth of Cupid and Psyche into an enduring piece of contemporary fiction. This is the story of Orual, Psyche's embittered and ugly older sister, who posessively and harmfully loves Psyche. Much to Orual's frustration, Psyche is loved by Cupid, the god of love himself, setting the troubled Orual on a path of moral development.Set against the backdrop of Glome, a barbaric, pre-Christian world, the struggles between sacred and profane love are illuminated as Orual learns that we cannot understand the intent of the gods "till we have faces" and sincerity in our souls and selves.

    Bold, handsome Theseus, prince of Athens, appears to offer help: but does he come to save Ariadne—or destroy her?"Ariadne is a sensitive and poetic interpretation of Minoan civilization at the end of its glory... Like the best of Mary Renault, Ariadne clothes the bones of ancient mysteries in vivid flesh and blood." - Iris Cornelia Love, Classical archeologist"An awesome word-creation... Brindel's premise and method were risky ones, retelling an ancient myth from unexpected points of view. Those risks made the unparalleled intensity of feeling she has captured and conveyed all the more a triumph." - Chicago Tribune

    Need. Desire. Hades, the Lord of the Underworld, has never felt any of these in his long life until a chance encounter with the Goddess of Spring. For as long as she can remember, Persephone has always been told what to do, her life dictated by people who believe they know what is best for her without taking the time to understand or listen to her. However, the opportunity to truly be herself awaits her in the most unlikely of places, sparking one of the most famous and enduring relationships that history has ever known...

    Anaxandra has adjusted to her new life when, six years later, Siphnos is sacked by pirates, and she is the sole survivor. When a fleet of ships stops on the island to investigate, she assumes the identity of Princess Callisto to survive. The ships belong to Menelaus, king of Sparta, and he takes her back to Sparta with him. But Helen, wife ofMenelaus, does not believe that this child is Princess Callisto. Anaxandra manages to stay out of harm’s way—until Paris and Aeneas arrive. When Menelaus and his men depart to attend his grandfather’s funeral, Paris and Helen’s passionate affair plunges Sparta and Troy into war.

    late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse.Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation.Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.

    A time when cities burn, and in their ashes, empires rise.Alexander, Macedonia’s sixteen-year-old heir, is on the brink of discovering his fated role in conquering the known world but finds himself drawn to a newcomer…Katerina must navigate the dark secrets of court life while hiding her own mission: kill the Queen. But she doesn’t account for her first love…Jacob will go to unthinkable lengths to win Katerina, even if it means having to compete for her heart with Hephaestion, a murderer sheltered by the prince.And far across the sea, Zofia, a Persian princess and Alexander’s unmet betrothed, wants to alter her destiny by seeking the famed and deadly Spirit Eaters.Weaving fantasy with the shocking details of real history, New York Times bestselling author of Sex with Kings Eleanor Herman reimagines the greatest emperor the world has ever known, Alexander the Great, in the first book of the Blood of Gods and Royals series.

    After thousands of years of other people's tellings, of all these different bridges, of words gotten wrong, I'll tell it myself.Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? In voices both mythic and modern, Wake, Siren revisits each account of love, loss, rape, revenge, and change. It lays bare the violence that undergirds and lurks in the heart of Ovid's narratives, stories that helped build and perpetuate the distorted portrayal of women across centuries of art and literature.Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, Nina MacLaughlin, the acclaimed author of Hammer Head, recovers what is lost when the stories of women are told and translated by men. She breathes new life into these fraught and well-loved myths.

    Proving herself an astute confidante, she becomes her father’s chief political asset—and reluctantly enters into an advantageous marriage to a prominent military officer. Her mother tells her, “It is possible for a woman to influence public affairs,” reminding Livia that—while she possesses a keen sense for the machinations of the Roman senate—she must also remain patient and practical.But patience and practicality disappear from Livia’s mind when she meets Caesar’s heir, Octavianus. At only eighteen, he displays both power and modesty. A young wife by that point, Livia finds herself drawn to the golden-haired boy. In time, his fortunes will rise as Livia’s family faces terrible danger. But her sharp intellect—and her heart—will lead Livia to make an unbelievable choice: one that will give her greater sway over Rome than she could have ever foreseen.

    As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow of a sullen, disaffected prince.

    For her, learning to fly is freedom. When German tanks roll across the border and into Paris, this woman with an adorable dog and a generous heart joins the resistance. Known as the Postmistress because she delivers information to those in hiding, Naneé uses her charms and skill to house the hunted and deliver them to safety.Photographer Edouard Moss has escaped Germany with his young daughter only to be interned in a French labor camp. His life collides with Nanée’s in this sweeping tale of romance and danger set in a world aflame with personal and political passion.Inspired by the real life Chicago heiress Mary Jayne Gold, who worked with American journalist Varian Fry to smuggle artists and intellectuals out of France, The Postmistress of Paris is the haunting story of an indomitable woman whose strength, bravery, and love is a beacon of hope in a time of terror.

    12 tales of the ancient world, plus a bonus tale to finish.The second edition contains two new tales not told in the 1st. Laugh, cry and shudder at:Hold The Wall - Hadrian's wall in the last days of the western empireVigil - A comedic tale of firefighting in Rome*NEW* Rudis - A champion gladiator fights his last fight*NEW* The Discovery - A Roman trader makes a surprising find in distant ChinaThe man who bought an Empire - The lowest point of Imperial successionTrackside seats - A slave helps his blind master at the circusHow to run a latifundium - A cautionary tale of estate managementA Reading - What does the future hold in Judea?Exploratores - Trajan's scouts on the trail of Dacian warriorsWith a pinch of salt - A comedic tale of food in Claudius' RomeThe Palmyrene Prince - Rome's eastern border tells grim talesTemple Trouble - A tale of the early days of Fronto (of the Marius' Mules series)Bonus tale: Aftermath in the Ludus - A fun finish.

    The story’s focus is not on drama but on a bitter truth: both armies want nothing more than to stop fighting and go home. Achilles—the electrifying hero who is Homer’s brilliant creation—quarrels with his commander, Agamemnon, but eventually returns to the field to avenge a comrade’s death. Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer’s Achilles.Homer’s Iliad addresses the central questions defining the war experience of every age. Is a warrior ever justified in challenging his commander? Must he sacrifice his life for someone else’s cause? Giving his life for his country, does a man betray his family? Can death ever be compensated by glory? How is a catastrophic war ever allowed to start—and why, if all parties wish it over, can it not be ended?As she did in The Endurance and The Bounty, Caroline Alexander has taken apart a story we think we know and put it back together in a way that reveals what Homer really meant us to glean from his masterpiece. Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of our civilization.

    This comprehensive companion takes these fragments and weaves them into an accessible and enjoyable narrative, guiding the reader through the basic stories of classical myth.Philip Matyszak explains the sequences of events and introduces the major plots and characters, from the origins of the world and the labors of Hercules to the Trojan War and the voyages of Odysseus and Aeneas. He brings to life an exotic cast of heroes and monsters, wronged women and frighteningly arbitrary yet powerful gods. He also shows how the stories have survived and greatly influenced later art and culture, from Renaissance painting and sculpture to modern opera, literature, movies, and everyday products.