They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    Sally O'Malley made a promise to her daddy before he died. She swore she'd look after her sister, Troo. Keep her safe. But like her Granny always said-actions speak louder than words. Now, during the summer of 1959, the girls' mother is hospitalized, their stepfather has abandoned them for a six pack, and their big sister, Nell, is too busy making out with her boyfriend to notice that Sally and Troo are on the Loose. And so is a murderer and molester. Highly imaginative Sally is pretty sure of two things. Who the killer is. And that she's next on his list. Now she has no choice but to protect herself and Troo as best she can, relying on her own courage and the kindness of her neighbors.

    When she finally emerged from the coma, she recognized everyone in her life except her husband, Kim. Starting all over, they built a new love and dedicated their lives to each other all over again.

       Day by day, Marjorie’s skills as a stoneworker increase, and so too does her intolerance for the bitter rules of her family life.  Gradually, through exposure to the world beyond her parents’ wood cabin thanks to the kindness of her aunt and her boss, and an almost superhuman determination, she discovers what is loveable within herself.  This newfound confidence and self-esteem ultimately allows her to break free from the bleak life she has known, to find love, to start a family, and to try to heal her old, deep wounds without passing that pain on to her husband and children.   By turns darkly menacing and bright with love and resilience, The Talk-Funny Girl is the story of one young woman’s remarkable courage, a kind of road map for the healing of early abuse, and a testament to the power of kindness and love.

    As his star rises, Zack is asked to compromise and quiet his beliefs, and also something more. Something Zack could never have imagined. Just as America is falling in love with Zack, just as he’s on the verge of winning it all, his choices lead him to the brink of personal disaster.At the same time, Reese Weatherly, a therapeutic horse instructor, is no longer sure about her relationship with Zack, or the wedding they had dreamed about. While Zack advances from one round of the competition to the next, an offer comes to Reese—one that will take her to a home halfway around the world.Then Chandra Olson—reigning diva pop star and one of the Fifteen Minutes judges—intervenes. Chandra has suffered so much public pain and private agony since her days as a Fifteen Minutes contestant. Now she wants just one thing: meaning.Can Chandra's private losses help Zack find his way, or will his fifteen minutes of fame cause him to lose the life he once loved? Fifteen Minutes is a story of character, compromise, and the cost of having it all. A story that raises the question: Who are the real winners?

    He's successful, he's in love again, and he believes he's mastered his own memories. But then he is contacted by a strange woman who tells him not only that she owns his old house, but that she believes it to be haunted by Brendan's ghost. Will Mark--who does not believe in ghosts--come to accept the mounting evidence that Brendan's is real? Will his engagement to his new love Allison be threatened by the reappearance in Mark's life of Chloe--who does believe? If the ghost is real, what can these two wounded parents do to help their son? You Came Back examines the beauty and danger of belief in all its forms--not only belief in the supernatural, but in the love that binds parents and children, husbands and wives.

    She is about to remarry, her job as a pediatrician fulfills her---though it is stressful---and her daughter, Megan, is a happily over-scheduled thirteen-year-old juggling homework and the swim team.But Jill’s life is turned upside down when her ex-stepdaughter, Abby, shows up on her doorstep late one night and delivers shocking news: Jill’s ex-husband is dead. Abby insists that he was murdered and pleads with Jill to help find his killer. Jill reluctantly agrees to make a few inquiries and discovers that things don’t add up. As she digs deeper, her actions threaten to rip apart her new family, destroy their hard-earned happiness, and even endanger her own life. Yet Jill can’t turn her back on a child she loves and once called her own.

    But she doesn't know she's lost.Carmel Wakeford becomes separated from her mother at a local children's festival, and is found by a man who claims to be her estranged grandfather. He tells her that her mother has had an accident and that she is to live with him for now. As days become weeks with her new family, 8-year-old Carmel realises that this man believes she has a special gift...While her mother desperately tries to find her, Carmel embarks on an extraordinary journey, one that will make her question who she is - and who she might become.

    Tragedies are inevitable, just like the great love stories, like us.”Thirty-nine-year-old Adrienne is desperate to be a mother. And this time, nothing is going to get in her way.Sure, her husband, Gabe, is ambivalent about fatherhood. But she knows that once he holds their baby, he’ll come around. He’s just feeling a little threatened, that’s all. Because once upon a time, it was Gabe that Adrienne wanted more than anything; she was willing to do anything. . . . But that was half a lifetime ago. She’s a different person now, and so is Gabe. There are lines she wouldn’t cross, not without extreme provocation.And sure, she was bitten once before by another birth mother—clear to the bone—and for most people, it’s once bitten, twice shy. But Adrienne isn’t exactly the retiring type.At nineteen, Leah bears a remarkable resemblance to the young woman Adrienne once was. Which is why Adrienne knows the baby Leah is carrying is meant to be hers. But Leah’s got ideas of her own: Her baby’s going to get a life in California; why shouldn’t she? All she wants is to live in Adrienne’s house for a year after the baby’s born, and get a fresh start.It seems like a small price for Adrienne to pay to get their baby. And with Gabe suddenly on board, what could possibly go wrong?

    But then her work as an expert of fine china—especially of Limoges—requires her to return to the one place she swore she’d never revisit...It’s been ten years since Georgia left her family home on the coast of Florida, and nothing much has changed, except that there are fewer oysters and more tourists. She finds solace seeing her grandfather still toiling away in the apiary where she spent much of her childhood, but encountering her estranged mother and sister leaves her rattled.Seeing them after all this time makes Georgia realize that something has been missing—and unless she finds a way to heal these rifts, she will forever be living vicariously through other people’s remnants. To embrace her own life—mistakes and all—she will have to find the courage to confront the ghosts of her past and the secrets she was forced to keep...

    The story of a divorced woman, her disillusioned teenage son, and the events that change their lives in ways both simple and extraordinary, Turtle Moon follows their path, in a suspenseful, beautifully written story that confirms once again the exquisite talent of Alice Hoffman.A

    When her mother disappears during a weekend trip, Florine Gilham's idyllic childhood is turned upside down. Until then she'd been blissfully insulated by the rhythms of family life in small town Maine; watching from the granite cliffs above the sea for her father's lobster boat to come into port, making bread with her grandmother, and infiltrating the summer tourist camps with her friends. But with her mother gone, the heart falls out of Florine's life and she and her father are isolated as they struggle to manage their loss. Both sustained and challenged by the advice and expectations of her family and neighbors, Florine grows up with her spirit intact. And when her father's past comes to call, she must accept that life won't ever be the same while keeping her mother vivid in her memories. With Fannie Flagg's humor and Elizabeth Stroud's sense of place, this debut is an extraordinary snapshot of a bygone America through the eyes of an inspiring girl blazing her own path to womanhood.

     From the beloved New York Times bestselling Luanne Rice comes a heartwarming yet heart-wrenching portrait of three far-flung sisters who come home to Martha's Vineyard one last time. Their mother's beach house is the only place any of them ever found true happiness and they need to begin the difficult process of letting go. Memories of their grandmother, mother, and their Irish father, who sailed away the year Dar turned twelve, rise up and expose the fine cracks in their family myth-especially when a cache of old letters reveals enough truth to send them back to their ancestral homeland. Transplanted into the unfamiliar, each sister sees life, her heart, and her relationship to home in a new way. But how do they let go of a place that contains the complicated love of their imperfect family? Without the house, where will they be together? The novel is a season on Martha's Vineyard; a mission to Ireland; a cast of friends, including one wildly off-the-grid Zen genius; passionate love in the surf; and three very different sisters with lives filled with beauty, sorrow, and deep love they'd never been quite sure they could trust. The Silver Boat is Luanne Rice at her very best, complete with her singular talent for capturing a family in all its flawed complexity.

    Their parents are former flower-children who still don’t believe in rules. Their small, Northern California town is filled with free spirits and damaged souls seeking refuge from the real world. Without the anchor of authority, the three girls are adrift and have only each other to rely on.Rachel is wild. Asha is lost. Sarah, the good sister, is the glue that holds them together. But the forces of a mysterious fate have taken Sarah’s life in a sudden and puzzling accident, sending her already fractured family into a tailspin of grief and confusion. Asha has questions. Rachel has secrets. And Sarah, waking up in the afterlife, must piece together how she got there.

    Despite his strong moral compass, Ty has trouble seeing his greatest weakness. His hard outer shell, the one essential to his work, made him incapable of forging the emotional connection his wife Andie so desperately needed.Now retired, rasing their son Brodie on his own, and at risk of losing his ranch, Ty does not know how to rebuild from the rubble of his life. The answer comes in the form of Samantha and her daughter Hope, on the run from a seemingly inescapable situation. They are in danger, desperate, and alone. Though they are strangers, Ty knows he can help-- protecting the innocent is what he does best. As his relationship with Sam and Hope unfolds, Ty realizes he must confront his true weaknesses if he wants to become the man he needs to be.