Now she refuses to open her heart again, choosing casual sex over deeper commitments, until a not-so-chance meeting with her favorite Hollywood starlet turns her world upside down.Will Alex give love another try? Will Sam find the courage to follow her heart, Hollywood be damned? Will anyone get a baby goat in pajamas?#CassiNova is a sweet, funny, fun romp through the Hollywood Hills.Genre: RomanceEditor: Alissa McGowanCover Designer: Kayla Mancuso

    I pretended to be asleep.”Time 40:39

    It is a coming out journey, an exploration of sexuality, femininity, loving, and being loved.

    Now, away from home for the first time, all three want to reinvent themselves. But in the face of handwringing boys, “personal experimentation,” influenza, mystery-mold, nu-chauvinism, and the willful, unwanted intrusion of “academia,” they may be lucky just to make it to spring alive. Going off to university is always a time of change and growth, but for Esther, Susan, and Daisy, things are about to get a little weird.Collects issues #1-4.

    Trained in classical Greek and Latin, Phillips seems to excavate as he forms words into lines, breaking images into tiny parts of thought as he digs for meaning and accuracy. As part of this excavation, Pastoral explores what flesh, wanting, and belief are made of. A finalist for both the National Book Award and the National Book Critics Circle Award, Phillips has produced four collections of accomplished verse in the past few years. In each book, the influence of classical syntax and rhythm can be heard. And with each book, Phillips refines his poetic voice, combining the prayerlike and the erotic, and often elegantly swooping from a whisper to a scream in the space of a few stanzas.This time, the poems fall along a wide range of tones, from italicized commands like "Let me" and "Now" in the poem "Lay Me Down" to a hesitant question, or a deepening well of self-doubt. Phillips is always original, and he's always remembering, even when a poem is firmly written in present tense. He is hyperaware not only of the ancient poets, but also of history, especially the great destructions.In the ominously titled "The Kill," he remembers a familiar daily scene. The speaker analyzes his own love for another in clinical detail that suddenly veers into longing. The way these lines break adds to the sense of tragic fragment, of an ache:      The last time I gave my body up,      to you, I was minded       briefly what it is made of,       what yours is, that      I'd forgotten, the flesh      which always       I hold in plenty no       little sorrow for because -- oh, do      but think on its predicament,      and weep.In just four stanzas, Phillips moves from an image of both love and surrender to a consideration of temporality -- the bald fact that his lover is mortal. This thought of "its predicament" makes him weep, even though death is not a stated issue here.In "The Kill," the last poem in the volume, the speaker anticipates the need to remember. The second poem in the book referred to Pompeii, and the shadow of Pompeii is still resonant as the speaker describes his lover's body, still current and alive despite the title's warning.He remembers a body he has felt before, and probably will feel again -- judging by the present tense of "what yours is." And yet, the speaker here feels the need to freeze that body in time, to memorialize it. The next stanza explains this strong urge to hold on:      We cleave most entirely      to what most we fear      losing. We fear loss      because we understand       the fact of it, its largeness, its      utter indifference to whether      we do, or don't,       ignore it. The "largeness" of loss is what these poems are loath to accept, even as they seek to understand. Each poem tries to break loss down into questions, confessions, prayers, or simple expressions of doubt. While the poems fight against death and inevitable loss, they also seem to seek moral guidance to help with these losses.Nowhere is the search for answers and guidance more apparent than at the endings of these poems, which are frequently questions. Phillips is fond of abrupt, mysterious dashes as conclusions. In his quest for a moral compass, he also quotes from "Lamentations" and draws on familiar Biblical stories. The wanderings of Cain, for example, seem to appear in the backgrounds of poems where man seeks. What's more, the epigraph is from George Herbert, the great poet of faith and the war between faith and flesh. The sense of struggle between opposing ideas is something Phillips incorporates and modernizes into a contemporary parable of carnal love and constant questioning of that love. There's a frequent seesawing in the book, a back-and-forth on the big questions that permeates even the simplest narrative. For example, in "Favor," the second section of a five-part poem called "And Fitful Memories of Pan," Phillips sees a man in the distance:      Even from a distance, I can tell:       a man, clearly.       Gods cast no shadow. The struggle between man and God, between flesh and faith, is hinted at in the first stanza. Man, for Phillips, is an instrument of struggle, a tortured wanderer. The poem continues:      Also, that he tires,       stops to rest, looks like      sleeping, or could use some.       How long he has been,       coming, how long it takes, just      to cross it, the lush      measure that -- all summer -- has      been these well-groomed,       well-fed grounds, the lake      unswum and gleaming, the light      catching, losing      the useless extravagancePhillips basically forms the scene of a man walking into a discussion of man's temporality, the fact that man tires. While what God makes -- "the lake unswum and gleaming" -- needs to make no effort to be beautiful, man exhausts himself just surviving. By the last two stanzas, the speaker concludes that the body must make bets with itself:      Always, the body      wagering --      up, through itself --       Give. What he wants, he shall have.In Phillips's work, man -- though mortal -- still has great power. Man can demand, man can inspire love, and man can pray. In the struggle between man and God, in that constant "wagering," man sometimes wins.&3151;Aviya Kushner

    Yet each has a reason why they have to win the upcoming Odyssey gaming tournament and neither is willing to let emotion get in the way—even if it means giving up their one chance at something truly magical.

    ASIN B08TRNQJXK moved to the most recent edition

    But when a depraved fantasy keeps plaguing her thoughts, she decides to take a risk and finally allow herself a night of debauchery. Even if she has to hire the company for the evening. An unexpected storm and a surprise visitor throw her plans in disarray but what should be a mortifying error could prove to be a blessing in disguise. Candace Kane’s go-with-the-flow attitude and sharp tongue often got her in trouble, but she didn’t expect any on a quick trip to the library. When a stern, attractive librarian comes on to her hard, Candace can’t help but say yes. The decision hurls both women into uncharted waters. A stand-alone novella (31,500 words).

    Besides, how hard could one festive family weekend be, anyway?That’s before she meets the boisterous McElroy clan, with accents as thick as a homemade pie crust, and an endless supply of competitive siblings, including Lizzie, Michael’s beautiful younger sister.Lizzie seems to be everywhere, with her intoxicating scent, wandering hands, lingering gaze, and that bright, echoing laugh. The more time Fiona spends in her orbit, she wonders how she can even concentrate let alone pull off a convincing fake relationship.An amusing, charming lesbian romance about finding unexpected love inside family expectations.Themes: Christmas · family · holiday romance · POC64,000 words

    Austin Smith is pushing fifty, loveless and drifting, until one day he meets Julien, a much younger, married Frenchman. In the beginning, the lovers' only impediments are the comic clashes of culture, age, and temperament. Before long, however, the past begins to catch up with them. In a desperate quest to save health and happiness, they move from Venice to Key West, from Montreal in the snow to Providence in the rain. But it is amid the bleak, baking sands of the Sahara that their love is pushed to its ultimate crisis.

    There, she meets Ruby, who has two hobbies: tinkering with her baby blue 1970 Ford Torino and competing in local beauty pageants, the latter to live out the dreams of her overbearing mother. The two are drawn to each other and can't deny their growing feelings. But while Morgan--out and proud, and determined to have a fresh start--doesn't want to have to keep their budding relationship a secret, Ruby isn't ready to come out yet. With each girl on a different path toward living her truth, can they go the distance together?

    He has a flourishing bar in the heart of Soho and in six months he will be marrying Ashley. There's just one problem. Phil has been married before, 20 years ago. To a woman. In fact, technically Phil and Hazel are still married. And what Phil doesn't know yet is that Hazel has a son - a 19-year-old son.

    As a major player in the high-stakes world of corporate restructuring, she’s learned how to handle many different people and problems, but one thing she doesn’t know how to handle is a horse. Enter Jackson Morgan, a trainer who specializes in the Western event of cutting, in which a horse and rider work to separate a single cow from the herd. Alexandria hires him to teach her how to ride, so she can curry favor with Everett Covington, a crusty Texan whose trucking business Alexandria desperately needs to purchase in order to pull off a lucrative deal—and whose passion happens to be cutting horses.The consummate city slicker, Alexandria gamely goes about learning the sport of cutting, but things get complicated when she starts to fall for the cowboy who’s teaching her. Soon she discovers that in order to acquire the trucking company she’s been chasing, she’ll have to rein in her emotions.

    Writer Vanessa Montoya-O'Callaghan has been looking forward to the WTFcon for months. Not just because of the panels and fanfiction readings but because WTFcon is where she'll finally meet Soleil, her internet girlfriend, for the first time. Taxidermy assistant Callie Buchannan might be good at scooping brains out of deer skulls, but that doesn't mean it's her passion. Since her parents' divorce, her taxidermist father only cares about his work, and assisting him at the World Taxidermy and Fish-Carving Championships is the only way Callie knows to connect with him. When a crazy mix-up in the hotel lobby brings the three girls together, they form an unlikely friendship against a chaotic background of cosplay, competition, and carcasses!

    She has questions about her grandparents that she hopes to find the answers to while preparing the farm to sell. Abigail Price, a neighbor of Syd’s grandmother, has lived on her grandmother’s farm in Iowa for most of her life, leaving only to promote her latest novel. In helping Syd find the answers she’s looking for, they develop a mutual attraction and deeper feelings for each other.Syd has to return to her life in Chicago, but will Abby stay in Iowa, or will she give the big city, and love, a chance?Cover Artist: Sheri HalalGenres: Contemporary / Romance