For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps, Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times.Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida’s intimate relationships with writers such as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva.Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century.

    PublicationA major literary event--the complete, uncensored journals of Sylvia Plath, published in their entirety for the first time.Sylvia Plath's journals were originally published in 1982 in a heavily abridged version authorized by Plath's husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept during the last twelve years of her life. Sixty percent of the book is material that has never before been made public, more fully revealing the intensity of the poet's personal and literary struggles, and providing fresh insight into both her frequent desperation and the bravery with which she faced down her demons. The complete Journals of Sylvia Plath is essential reading for all who have been moved and fascinated by Plath's life and work.

     James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

    Taking readers into a secluded sanctuary for book lovers, and guiding us through the creation of the author's own first book, Sixpence House becomes a heartfelt and often hilarious meditation on what books mean to us.

    The story’s focus is not on drama but on a bitter truth: both armies want nothing more than to stop fighting and go home. Achilles—the electrifying hero who is Homer’s brilliant creation—quarrels with his commander, Agamemnon, but eventually returns to the field to avenge a comrade’s death. Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer’s Achilles.Homer’s Iliad addresses the central questions defining the war experience of every age. Is a warrior ever justified in challenging his commander? Must he sacrifice his life for someone else’s cause? Giving his life for his country, does a man betray his family? Can death ever be compensated by glory? How is a catastrophic war ever allowed to start—and why, if all parties wish it over, can it not be ended?As she did in The Endurance and The Bounty, Caroline Alexander has taken apart a story we think we know and put it back together in a way that reveals what Homer really meant us to glean from his masterpiece. Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of our civilization.

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    But beyond these familiar details, the Brontes' story has remained largely obscure. This landmark book is the first definitive history of this fascinating family. Based on eleven years of research among newly discovered letters by every member of the family, original manuscripts, and the newspapers of that time, it gives a new and fuller picture of the Brontes' lives from beginning to end and, in the process, demolishes many myths. The father, Patrick, was not, as commonly believed, the cold patriarch of a family of victims. Charlotte, ruthlessly self-willed, ran roughshod over her sisters and went so far as to alter or destroy their manuscripts when she disapproved. Emily was so psychologically and physically dependent on her fantasy life that she could not survive in the outside world. Anne, widely regarded as the gentlest of the sisters, had a core of steel and was a more daring and revolutionary author than Charlotte. Branwell, the adored brother, was a talented poet who provided much of Charlotte's inspiration.

    It was the year that began with the publication of James Joyce’s Ulysses and ended with the publication of T. S. Eliot’s The Waste Land: respectively, the most influential English-language novel and poem of the century. To this day, these two works remain the titanic figures of modern literature—some would say, of modernity itself. And it was the indefatigable Pound who played a significant part in the launch of both writers’ careers. In Constellation of Genius, Kevin Jackson puts the accomplishments of Joyce and Eliot in the context of the world in which their works first appeared. We see the collapse of the Ottoman Empire, the end of Dada, and the death of Proust. Meanwhile, Hollywood transformed the nature of fame, making Charlie Chaplin the most recognizable man on the planet. Hitchcock directed his first feature, Kandinsky and Klee joined the Bauhaus, and Louis Armstrong took the train from New Orleans to Chicago, heralding the start of modern jazz. Gloriously entertaining, erudite, and idiosyncratic, this is a biography of a year, a journey through the diaries of the anthropologists, actors, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works collided over twelve months, creating a frenzy of innovation that split the world in two.Some of the people discussed are: Charlie Chaplin, Jean Cocteau, F. Scott Fitzgerald, Coco Chanel, Winston Churchill, Sigmund Freud, E. M. Forster, George Gershwin, Albert Einstein, Adolf Hitler, Carl Jung, James Joyce, Sergei Prokofiev, Luis Buñuel, Bertolt Brecht, Wyndham Lewis, Fritz Lang, D. H. Lawrence, Lawrence of Arabia, Katherine Mansfield, Aleister Crowley, Bronisław Malinowski, Eugene O’Neill, George Orwell, Nikola Tesla, Alfred Hitchcock, Pablo Picasso, Vladimir Mayakovsky, Bertrand Russell, Rainer Maria Rilke, Hermann Hesse, Igor Stravinsky, Arnold Schoenberg, Joseph Stalin, Leon Trotsky, Walt Disney, Lois Armstrong, Franz Kafka, Rudolph Valentino, Buster Keaton, Virginia Woolf, Evelyn Waugh, W. B. Yeats, Benito Mussolini, Salvador Dalí, Federico García Lorca, T. S. Eliot, Anna Akhmatova, Le Corbusier, John Maynard Keynes, F. W. Murnau, Sergei Diaghilev, Ernest Hemingway, Frank Lloyd Wright, Wassily Kandinsky, André Breton, Rudyard Kipling, Ronald Firbank, Marcel Duchamp, Dashiell Hammett, Georges Bataille, Aldous Huxley, Andrei Bely, Henri Matisse, Marcel Proust, Ludwig Wittgenstein

    Millions have been enthralled by The Da Vinci Code's fascinating historical speculations-and the blockbuster novel's audience has also made bestsellers of several books offering to separate the facts from the fiction.This comprehensive, encyclopedic volume is written by an acclaimed medievalist-and takes an objective, history-based approach to the phenomenon and the questions it has raised.The Real History Behind the Da Vinci Code gives easy-to-find, clear answers about the people, places, and events that play roles in Dan Brown's tantalizing thriller in a lively, encyclopedic format-shedding new light on some of the deepest mysteries of the Dark Ages.

    He worked as an editor, a designer, a curator, a news reporter, and a teacher. He was at the forefront of literary Greenwich Village which saw him develop lasting friendships with Thomas Pynchon, Kurt Vonnegut, Tom Wolfe, Grace Paley, and Norman Mailer. Married four times, he had a volatile private life. He died of cancer in 1989. The recipient of many prestigious literary awards, he is best remembered for the classic novels Snow White, The Dead Father, and many short stories, all of which remain in print today.  This is the first biography of Donald Barthelme, and it is nothing short of a masterpiece.

    Anna Akhmatova rose to fame in the years before World War I, but she would pay a heavy price for the political and personal passions that informed her brilliant poetry. In Anna of All the Russias we see Akhmatova's work banned from 1925 until 1940 and again after World War II. We see her steadfast opposition to Stalin, even while her son was held in the Gulag. We see her abiding loyalty to such friends as Mandelstam, Shostakovich, and Pasternak as they faced Stalinist oppression. And we see how, through everything, Akhmatova continued to write, her poetry giving voice to the Russian people by whom she was, and still is, deeply loved.

    Though she might well have weathered the oppressive regime, Humbert was stirred to action by the awful atrocities she witnessed. In an act of astonishing bravery, she joined forces with several other colleagues to form an organized resistance—very likely the first such group to fight back against the occupation. (In fact, their newsletter, Résistance, gave the French Resistance its name.) In the throes of their struggle for freedom, the members of Humbert’s group were betrayed to the Gestapo; Humbert herself was imprisoned. In immediate, electrifying detail, Humbert describes her time in prison, her deportation to Germany, where for more than two years she endured a string of brutal labor camps, and the horror of discovering that seven of her friends were executed by a firing squad. But through the direst of conditions, and ill health in the labor camps, Humbert retains hope for herself, for her friends, and for humanity. Originally published in France in 1946, the book was soon forgotten and is now translated into English for the first time. Résistance is more than a firsthand account of wartime France: it is the work of a brave, witty, and forceful woman, a true believer who refused to go quietly.

    From Solzhenitsyn to Laura Zigman, Catherine M. to Captain Underpants, the result is a personal chronicle of insight, wit, and enough infectious enthusiasm to make a passionate reader out of anybody.

    Reprinted here for the first time is Franzen's controversial l996 investigation of the fate of the American novel in what became known as "the Harper's essay," as well as his award-winning narrative of his father's struggle with Alzheimer's disease, and a rueful account of his brief tenure as an Oprah Winfrey author.

    A recent French biography begins, Who doesn't know Nadar? In France, that's a rhetorical question. Of all of the legendary figures who thrived in mid-19th-century Paris a cohort that includes Victor Hugo, Baudelaire, Gustave Courbet, and Alexandre Dumas Nadar was perhaps the most innovative, the most restless, the most modern. The first great portrait photographer, a pioneering balloonist, the first person to take an aerial photograph, and the prime mover behind the first airmail service, Nadar was one of the original celebrity artist-entrepreneurs. A kind of 19th-century Andy Warhol, he knew everyone worth knowing and photographed them all, conferring on posterity psychologically compelling portraits of Manet, Sarah Bernhardt, Delacroix, Daumier and countless others a priceless panorama of Parisian celebrity. Born Gaspard-Felix Tournachon, he adopted the pseudonym Nadar as a young bohemian, when he was a budding writer and cartoonist. Later he affixed the name Nadar to the facade of his opulent photographic studio in giant script, the illuminated letters ten feet tall, the whole sign fifty feet long, a garish red beacon on the boulevard. Nadar became known to all of Europe and even across the Atlantic when he launched "The Giant," a gas balloon the size of a twelve-story building, the largest of its time. With his daring exploits aboard his humongous balloon (including a catastrophic crash that made headlines around the world), he gave his friend Jules Verne the model for one of his most dynamic heroes. The Great Nadaris a brilliant, lavishly illustrated biography of a larger-than-life figure, a visionary whose outsized talent and canny self-promotion put him way ahead of his time."