He doesn't count on Harlen Bigbear and his unique brand of community planning. Harlen tries to sell Will on the idea of returning to Medicine River to open shop as the town's only Native photographer. Somehow, that's exactly what happens. Through Will's gentle and humorous narrative, we come to know Medicine River, a small Albertan town bordering a Blackfoot reserve. And we meet its people: the basketball team; Louise Heavyman and her daughter, South Wing; Martha Oldcrow, the marriage doctor; Joe Bigbear, Harlen's world-travelling, storytelling brother; Bertha Morley, who has a short fling with a Calgary dating service; and David Plume, who went to Wounded Knee. At the centre of it all is Harlen, advising and pestering, annoying and entertaining, gossiping and benevolently interfering in the lives of his friends and neighbours.

    A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself.

    A formidable debut, it is a profound and unforgettable depiction of today’s doctors, patients, and hospitals.Provocative, heartbreaking, and darkly humorous, Bloodletting & Miraculous Cures introduces readers to a masterful new voice in fiction. A practicing ER physician, Vincent Lam delivers a precise and intimate portrait of the medical profession in his fiction debut. These twelve interwoven stories follow a group of young doctors as they move from the challenges of medical school to the intense world of emergency rooms, evacuation missions, and terrifying new viruses. Winner of the prestigious Giller Prize, Bloodletting & Miraculous Cures marks the arrival of a deeply humane and preternaturally gifted writer. Fitz, Ming, Chen, and Sri are the four ambitious protagonists of Bloodletting & Miraculous Cures. They fall in love as they study for their exams, face moral dilemmas as they split open cadavers, confront police who rough up their patients, and treat schizophrenics with pathologies similar to their own. In one harrowing story set amidst the 2003 SARS crisis, which the author witnessed firsthand, two of these doctors suddenly become the patients. Bloodletting & Miraculous Cures invites us into a world where the ordinary becomes the critical in a matter of seconds. A formidable debut, it is a profound and unforgettable depiction of today’s doctors, patients, and hospitals.

    Instead, the group is thrown into a detention processing center, with government officials and news headlines speculating that among the "boat people" are members of a separatist militant organization responsible for countless suicide attacks—and that these terrorists now pose a threat to Canada's national security. As the refugees become subject to heavy interrogation, Mahindan begins to fear that a desperate act taken in Sri Lanka to fund their escape may now jeopardize his and his son's chance for asylum. Told through the alternating perspectives of Mahindan; his lawyer, Priya, a second-generation Sri Lankan Canadian who reluctantly represents the refugees; and Grace, a third-generation Japanese Canadian adjudicator who must decide Mahindan's fate as evidence mounts against him, The Boat People is a spellbinding and timely novel that provokes a deeply compassionate lens through which to view the current refugee crisis.

    In 1968, into the devastating, spare atmosphere of Labrador, Canada, a child is born: a baby who appears to be neither fully boy nor fully girl, but both at once. Only three people are privy to the secret—the baby’s parents, Jacinta and Treadway, and their trusted neighbor and midwife, Thomasina. Though Treadway makes the difficult decision to raise the child as a boy named Wayne, the women continue to quietly nurture the boy’s female side. And as Wayne grows into adulthood within the hypermasculine hunting society of his father, his shadow-self, a girl he thinks of as “Annabel,” is never entirely extinguished. When Wayne finally escapes the confines of his hometown and settles in St. John’s, the anonymity of the city grants him the freedom to confront his dual identity. His ultimate choice will once again call into question the integrity and allegiance of those he loves most. Kathleen Winter has crafted a literary gem about the urge to unveil mysterious truth in a culture that shuns contradiction, and the body’s insistence on coming home. A daringly unusual debut full of unforgettable beauty, Annabel introduces a remarkable new voice to American readers.

    Her attempt to live out her life as Lily Azerov shatters as she disappears, leaving a new husband and baby daughter, and a host of unanswered questions. Who is she really and what happened to the young woman whose identity she has stolen? Why has she left and where did she go? It is left to the daughter she abandoned to find the answers to these questions as she searches for the mother she may never find or really know.

    As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman's Boy, spanning as it does two countries, two centuries, two views of history—the Canadian Wild West as 'imagined' by Hollywood—is a great accomplishment. Readers, I think, will find this book irresistible."

    At nineteen, Mary Boulton has just become a widow—and her husband's killer. As bloodhounds track her frantic race toward the mountains, she is tormented by mad visions and by the knowledge that her two ruthless brothers-in-law are in pursuit, determined to avenge their younger brother's death. Responding to little more than the primitive fight for life, the widow retreats ever deeper into the wilderness—and into the wilds of her own mind—encountering an unforgettable cast of eccentrics along the way. With the stunning prose and captivating mood of great works like Charles Frazier's Cold Mountain or early Cormac McCarthy, Gil Adamson's intoxicating debut novel weds a brilliant literary style to the gripping tale of one woman's desperate escape.

    Hieronymus Falk, a rising star on the cabaret scene, is arrested in a cafe and never heard from again. He is twenty years old. A German citizen. And he is black.Fifty years later, Sid, Hiero's bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero's fate was settled.In Half Blood Blues, Esi Edugyan weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don't tell your story, someone else might tell it for you. And they just might tell it wrong ...

    Winner of the American Book AwardBased on the author's own experiences, this award-winning novel was the first to tell the story of the evacuation, relocation, and dispersal of Canadian citizens of Japanese ancestry during the Second World War.

    . . and a band of marauding raccoons. Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle – and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle Wayne – a master of aboriginal martial arts – to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

    A book of post-9/11 Canada, The Ever After of Ashwin Rao demonstrates that violent politics are all-too-often homegrown in North America but ignored at our peril. In 2004, almost 20 years after the fatal bombing of an Air India flight from Vancouver, 2 suspects--finally--are on trial for the crime. Ashwin Rao, an Indian psychologist trained in Canada, comes back to do a "study of comparative grief," interviewing people who lost loved ones in the attack. What he neglects to mention is that he, too, had family members who died on the plane. Then, to his delight and fear, he becomes embroiled in the lives of one family caught in the undertow of the tragedy, and privy to their secrets. This surprising emotional connection sparks him to confront his own losses. The Ever After of Ashwin Rao imagines the lasting emotional and political consequences of a real-life act of terror, confronting what we might learn to live with and what we can live without.

    Lizzy is the steadfast grandmother; crazy, red-haired Josie, the mother; and Kit, the 14-year-old daughter who tells their story. Like a maritime cutter, the narrative sails along smoothly, and much of the dialogue is in the distinctive argot of that windy Atlantic island: "When it's clear like ice and ribbed on the bottom--that's the killin' frost. Your berries are dead. Good for moose and caribou pickin's. Now, there's them that picks 'em anyway, and that's why their jam is as tart as a whore's arse." With its partridgeberry patches, moose stew, and endless cups of tea, this is quintessential Newfoundland. After Lizzy dies, the nasty local pastor wants to put Kit in an orphanage and Josie in an appropriate institution. The compassionate Doctor Hodgins becomes their staunch defender against both do-gooders and those plotting Kit's downfall. This first novel is a female coming-of-age story of the rural variety, replete with endemic poverty, good-hearted and downright evil village people, and the constant irritant of Newfoundland's raw, nasty weather. It is also the touching story of Kit's first love, and it reads like a breeze. --Mark Frutkin

    Avery is one of the engineers responsible for the dismantling and reconstruction of the temple as it’s rescued from the rising waters of the Aswan Dam. He is a “machine-worshipper,” yet exquisitely sensitive to the dichotomy of creation and destruction of which machines are capable. Jean is a botanist by avocation and passion, interested in everything that grows. They had met on the banks of the St. Lawrence River and watched together as the construction of the seaway changed the course of the river and swallowed towns, homes, lives. Now, at the edge of another world about to be lost forever, Avery and Jean create their own world, exchanging the “moments that are the mortar of our days, innocent memories we don’t know we hold until given the gift of the eagerness of another.”But that gift will not be enough to bind them when tragedy strikes, and they will go back to separate lives in Toronto. Avery returns to school to study architecture, and Jean enters the life of Lucjan, a Polish émigré artist. Lucjan’s haunting stories of occupied Warsaw draw Jean further and further away from Avery. But, in time, he will also offer her the chance for forgiveness, consolation, and, finally, her own, most essential life.Stunning in its explorations of both the physical and emotional worlds of its characters, intensely moving and lyrical, The Winter Vault is a radiant work of fiction.

    It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.