But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

    Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

    These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

    As tiny and inconspicuous as it may seem, That-Which-Had-Been exhibits an unexpected and varied gift for survival, as it journeys implacably toward its ultimate destination. Along the way, it meets a rich array of ordinary human beings, some of whom assist it along its way, others who impede its progress, none of whom have any idea of its existence.From whence comes the strange, but universal, experience of deja vu? Why do some people exhibit a wisdom far beyond their age and experience - persons reincarnationists refer to as 'old souls'? Joseph Wurtenbaugh in this short story offers a fascinating and tantalizingly plausible explanation for these phenomena, presented in a natural setting that brims with adventure and exhilarating possibility. Not to be missed by anyone who enjoys science fiction or thinking outside the box.

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

    Two roughneck hockey players are kicked off the team and forced to join the drama club. A young bartender at a party of coastal aristocrats has to deal with the surreal request to put a rich old coot out of his misery. Can a father defend his family if the diver helping to free the tangled propeller of their boat turns out to be a real threat?With humor, a piercing eye, and a sense that danger often lies just around the corner, Robinson gives us a variety of vivid characters, wealthy and poor, delinquent and romantic, while illuminating the mythic, universal implications of so-called ordinary life. These stories are at once classic and modern; taken together, they bring the good news that an important, compassionate new voice in American fiction has arrived.

    In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.

    James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    A painter who owes his small success to a man he despises, discovers that his passivity has cost him the love that might have set him free. A writer of modest talents encounters the old love who once betrayed him; now she repels him, yet the unfinished novel she leaves in his hands may surpass anything he could ever produce himself. An American poet in Rome finds herself forced to choose between her lover and a world so alien it takes her voice away. A print maker, who has reached a certain age, enters so deeply into the magical world of her imagination that she can never find her way back. In captivating, luminous prose, Martin explores the trials and rewards of human relationships and creative endeavor with all the ease and insight of a writer at the top of her form.

    On a blistering desert landscape in World War II, two armies face each other. One belongs to the legendary French Foreign Legion, but the other belongs to the French Foreign Legion also, one side working for the Allies, the other for the Germans. In this vivid historical recreation of one of the strangest battles in modern warfare, a terrible twist of Fate compels comrades-in-arms, who trained together, ate together, and slept in the same barracks, to become mortal enemies.David Morrell is the prize-winning author of First Blood, the novel in which Rambo was created. His numerous New York Times bestsellers include the classic espionage novel, The Brotherhood of the Rose, the basis for the only television miniseries to be broadcast after a Super Bowl. An Edgar, Anthony, and Macavity nominee, Morrell is a recipient of the International Thriller Writers’ prestigious Thriller Master award.“Nobody does this kind of thing better than David Morrell.”—Lee Child, New York Times bestselling author of The Affair“A titan among thriller writers.”—Joseph Finder, New York Times bestselling author of Buried Secrets

    “The stories in this volume,” writes Louis Begley in his new Introduction, “show the wide range of [O’Hara’s] interests and an ability to treat with a virtuoso’s ease characters and situations from any place on America’s geographic and social spectrum.”Stories included:The decision -- Everything satisfactory -- The moccasins -- Doctor and Mrs. Parsons -- Pardner -- A phase of life -- Walter T. Carriman -- Now we know -- Too young -- Summer's day -- The king of the desert -- Bread alone -- Graven image -- The next-to-last dance of the season -- Where's the game? -- Mrs. Whitman -- Price's always open -- The cold house -- Are we leaving tomorrow? -- No mistakes -- The ideal man -- Do you like it here? -- The doctors son -- Hotel kid -- The public career of Mr. Seymour Harrisburg -- In the morning sun -- War aims -- Secret meeting -- Other women's households -- Over the river and through the wood -- I could have had a yacht -- A respectable place.

    In classic Western style Larry McMurtry illustrates the timeless conflict between the modernity and the Old West through the eyes of Texas cattlemen.Horseman, Pass By tells the story of Homer Bannon, an old-time cattleman who epitomizes the frontier values of honesty and decency, and Hud, his unscrupulous stepson. Caught in the middle is the narrator, Homer's young grandson Lonnie, who is as much drawn to his grandfather’s strength of character as he is to Hud's hedonism and materialism. When first published in 1961, Horseman, Pass By caused a sensation in Texas literary circles for its stark, realistic portrayal of the struggles of a changing West in the years following World War II. Never before had a writer managed to encapsulate its environment with such unsentimental realism. Today, memorable characters, powerful themes, and illuminating detail make Horseman, Pass By vintage McMurtry.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel