Together with cast and crew, Tarantino and Rodriguez chronicle the making of not one but two motion pictures: Quentin Tarantino's Death Proof and Robert Rodriguez's Planet Terror. Compiling never-before-seen production artwork, hundreds of behind-the-scenes photos, exclusive interviews and enough blood, flesh and gore for two books, Grindhouse: The Sleaze-Filled Saga Of An Exploitation Double Feature offers fans the definitive insider's guide to the world of Grindhouse!

    In the most peculiar setting his widow and ex-wife live in their manse, where multiple mysteries abound and a fatal competition ensues between them.

    Changing styles in feminist thought, the tangled connections between creativity and ideology, the writer’s odd place in our money-centered world, the way we turn our friends into surrogate families—while always fluid and lively, the play is thick with ideas, like a stockpot of good stew.” –Michael Feingold, Village Voice“Beautifully layered. Margulies delivers a spot-on glimpse of New York's literary scene: the power of a Times book review, or the milestone of the 92nd Y's authors series, or the significance of a little-known but much-revered lit mag like the now-defunct Grand Street. He's even better at teasing the sense of betrayal that can dissolve creative friendships…the ethics of friendship and fiction smack into each other.” –Lisa Kennedy, Denver Post“[Collected Stories] digs into its engaging tale of aesthetics and ethics with intelligence and sharp, literate humor….Mr. Margulies has found fertile material in the struggles of the creative classes to reconcile the demands of ambition with the exigencies of life.” –New York Times“This provocative piece of theater serves as a timely reminder that we are defined by our feelings and memories — and such precious thoughts are sacred.” –Matthew J. Palm, Orlando SentinelCollected Stories explores the vexed emotional and legal question of a writer's right to create art from the biographical material of another person's life-particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Lisa Morrison, a student of Steiner's who, after publishing a much-ballyhooed first short-story collection under Steiner's direction, follows up with a novel that draws upon the Schwartz affair. The result is charged drama with the depth and weight of the finest prose fiction. Winner of the Los Angeles Drama Critics Award for Best New Play.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    The smart sister from Baltimore City has looks, brains, a promising job offer, and now, it looks like she's met her dream guy in handsome law student, Devin Patterson. Though their backgrounds couldn't be more different, wealthy, sheltered Devin falls hard for savvy, inner-city Clark. They're more than lovers; they're soul mates, and their storybook romance is the envy of the campus. Caught Up In Love - But out in the real world, their bond will be tested again and again. From the strain of long-distance love and the pull of two high-powered careers to the well-meaning-but-misdirected advice of friends, the prejudices of family, and the strong allure of new passion and players, Clark and Devin are in for a ride that could tear them apart for good. Caught In The Mix Now - for two people caught in the mix of secrets, family drama, lies, career struggles, and the hard truths of growing up and moving on, love is anything but easy- and doing the right thing by yourself is the hardest lesson of all.

    For thirty years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways. From the music to their live concert sound systems and fan recordings, they were forward-thinking champions of artistic control and outlaw artists who marched to the beat of their own drums.In Deal, Bill Kreutzmann, one of their founding members and drummer for every one of their over 2,300 concerts has written an unflinching and wild account of playing in the greatest improvisational band of all time. Everything a rock music fan would expect is here, but what sets this apart is Bill's incredible life of adventure that was at the heart of the Grateful Dead experience. This was a band that knew no limits and Bill lived life to the fullest, pushing the boundaries of drugs, drums and high times, through devastating tragedy and remarkable triumph.But at this book's beating heart is the music--theirs and others. Some of the greatest musicians and concerts were a part of the Grateful Dead's career, from sharing the stage with Janis Joplin, Bob Dylan, and The Who, to playing in the Acid Tests, The Monterey Pop Festival, Woodstock and Altamont. Bill's life is a chronicle of American music and pop culture history and his epic personal journey is one of sonic discovery and thrilling experiences.

    Examining this facet of Christianity from historical and sociological viewpoints, Marty lays bare the roots of this faith, in turn chronicling its success throughout the world.Writing with great style, and providing impeccable interpretations of historical, canonical, and liturgical documents, Marty gives readers of all faiths and levels of familiarity with Christian practices and history a highly useful and supremely accessible primer. He depicts the life of Christ and his teachings and explains how the apostles set out to spread the Gospel. With a special emphasis on global Christianity, he shows how the religion emerged from its ancestral homelands in Africa, the Levant, and Asia Minor, was imported to Europe, and then spread from there to the rest of the world, most often via trade and conquest. While giving a broad overview, Marty also focuses on specific issues, such as how Christianity struggles with the polar tensions inherent to many of the faith’s denominations, and how it attempts to reconcile some of its stances on armed conflict, justice, and dominion with the teachings of Christ.The Christian World is a chronicle of one of the great belief systems and its many followers. It’s a magnificent story of emperors and kings, war and geography, theology and politics, saints and sinners, and the earthly battle to save souls. Above all, it’s a remarkable testament to the teachings of Christ and how his message spreads around the globe to touch human experience everywhere.From the Hardcover edition.

    In this entertaining and endearing book, which ranges from the warmly to the wildly funny, Cosby holds forth with the most marvellous stories he has ever told about his childhood. Here are tales you'll never forget, including his heroic quest for Spanish Fly and his day as a school crossing guard - when he fell dizzily in love that he almost waved his heartthrob under a bus.Childhood finds Bill Cosby in the territory he knows best: amid the trials of bedtime (fears of bedwetting and the Loch Ness Monster) and the tribulations of bad table manners; coping with the early demise of his children's pets and his own days spent smoking in the boys' room; out on the streets playing stickball; and back home lusting after Wonder Woman.Youth may be wasted on the young, but Bill Cosby's boyhood - which hasn't completely ended - is an international treasure.

    This is a marvelous rags-to-riches autobiography, thoughtful, dramatic and funny, filled with perceptive details about events and personalities. In his parade of people and events, we meet Douglas MacArthur, both as outcast and conqueror; listen to a troubled Eisenhower preparing to lay aside his uniform and plunge into politics; visit Mao Tse-tung in his cave in Henan; and trace the power-curve of America's greatness across the glory years at home and abroad.Prologue: The StorytellerBoston: 1915-38Asia: 1938-45 Europe: 1948-53 America: 1954-63Epilogue: Outward BoundAcknowledgmentsIndex

    You've seen his energetic stand-up performances on HBO, Comedy Central, and in venues across the globe. Now, for the first time, Lewis Black translates his volcanic eruptions into book form in Nothing's Sacred, a collection of rants against stupidity and authority, which oftentimes go hand in hand. With subversive wit and intellectual honesty, Lewis examines the events of his life that shaped his antiauthoritarian point of view and developed his comedic perspective. Growing up in 1950s suburbia when father knew best and there was a sitcom to prove it, he began to regard authority with a jaundiced eye at an early age. And as that sentiment grew stronger with each passing year, so did his ability to hone in on the absurd. True to form, he puts common sense above ideology and distills hilarious, biting commentary on all things politically and culturally relevant. "No one is safe from Lewis Black's comic missiles." (New York Times) You have been warned....

    Carefully rendered reproductions of Giger's best paintings are accompanied by his own commentary. 70 color illus. 75 b&w illus. 25 b&w photos.

    “We come into the world intent on finding narrative in everything,” writes Manguel, “landscape, the skies, the faces of others, the images and words that our species create.” Reading our own lives and those of others, reading the societies we live in and those that lie beyond our borders, reading the worlds that lie between the covers of a book are the essence of A Reader on Reading.The thirty-nine essays in this volume explore the crafts of reading and writing, the identity granted to us by literature, the far-reaching shadow of Jorge Luis Borges, to whom Manguel read as a young man, and the links between politics and books and between books and our bodies. The powers of censorship and intellectual curiosity, the art of translation, and those “numinous memory palaces we call libraries” also figure in this remarkable collection. For Manguel and his readers, words, in spite of everything, lend coherence to the world and offer us “a few safe places, as real as paper and as bracing as ink,” to grant us room and board in our passage.

    James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. All of the minutiae of Leopold Bloom’s day, including its unspeakable details, unfold with careful precision in its pages. The New York Society for the Suppression of Vice immediately banned the novel as "obscene, lewd, and lascivious.” Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to its landmark federal obscenity trial in 1933.   Literary historian Kevin Birmingham follows Joyce’s years as a young writer, his feverish work on his literary masterpiece, and his ardent love affair with Nora Barnacle, the model for Molly Bloom. Joyce and Nora socialized with literary greats like Ezra Pound, Ernest Hemingway, T. S. Eliot and Sylvia Beach. Their support helped Joyce fight an array of anti-vice crusaders while his book was disguised and smuggled, pirated and burned in the United States and Britain. The long struggle for publication added to the growing pressures of Joyce’s deteriorating eyesight, finances and home life.   Salvation finally came from the partnership of Bennett Cerf, the cofounder of Random House, and Morris Ernst, a dogged civil liberties lawyer and founder of the ACLU. With their stewardship, the case ultimately rested on the literary merit of Joyce’s master work. The sixty-year-old judicial practices governing obscenity in the United States were overturned because a federal judge could get inside Molly Bloom’s head.   Birmingham’s archival work brings to light new information about both Joyce and the story surrounding Ulysses. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say yes to Ulysses.

    In addition to seven essays on craft, this collection brings together her penetrating and instructive commentaries on a wide variety of individual writers, including Jane Austen, E. M. Forster, Willa Cather, Anton Chekhov, William Faulkner, and Virginia Woolf.

    Braunbeck109 • The Pig Man • (1993) • short story by Augustine Funnell125 • Mobius • (1987) • short story by Richard Christian Matheson129 • The Rendering Man • (1994) • short story by Douglas Clegg147 • Weight • (1994) • short story by Dominick Cancilla159 • Layover • (1991) • short story by Ed Gorman169 • Johnny Halloween • (1992) • short story by Norman Partridge181 • Hope • (1993) • short story by Steve Bevan187 • The Mailman • (1988) • short story by Bentley Little197 • Silhouette • (1996) • short story by Stephen Mark Rainey215 • Roadkill • (1991) • short story by Tom Elliott221 • The Rifle • (1995) • short story by Jack Ketchum233 • Pieces • (1992) • short story by Ray Garton237 • Rustle • (1993) • short story by Peter Crowther255 • When the Silence Gets Too Loud • (1995) • short story by Brian Hodge269 • The Rabbit • (1990) • short story by Jack Pavey281 • The Flood • (1986) • short story by John Maclay287 • The Right Thing • (1994) • short story by Gary L. Raisor [as by Gary Raisor]305 • Pig's Dinner • (1991) • short story by Graham Masterton317 • Crash Cart • (1993) • short story by Nancy Holder329 • Wall of Words • (1994) • short story by Lucy Taylor337 • Metastasis • (1990) • short story by David B. Silva349 • Wrapped Up • (1981) • short story by Ramsey Campbell357 • Depth of Reflection • (1990) • short story by David L. Duggins369 • The Mole • (1990) • short story by David Niall Wilson375 • Saviour • (1991) • short story by Gary A. Braunbeck391 • Great Expectations • (1990) • short story by Kim Antieau397 • Shell • (1992) • short story by Adam Corbin Fusco

    Written by one of America's most innovative and articulate feminists, this book illustrates how childhood experience, gender and sexuality, private aspirations, and public personae all assume undeniable roles in the causes and effects of war.