When she was young, an industrial accident left Zinnia with a rare condition. Not much is known about her illness, just that no one has lived past twenty-one.Her best friend Charm is intent on making Zinnia's last birthday special with a full sleeping beauty experience, complete with a tower and a spinning wheel. But when Zinnia pricks her finger, something strange and unexpected happens, and she finds herself falling through worlds, with another sleeping beauty, just as desperate to escape her fate.USA Today bestselling author Alix E. Harrow's A Spindle Splintered brings her patented charm to a new version of a classic story.

    Let the carriage to a royal ball wait. There is a story to be told: of a starless night, a mother and her sick son, and a mortal who falls in love with the snow god, and will do anything to have her...

     UNCHAINED (Book 1) Callie Penrose is a middle-class, Midwest American girl, and a wizard in training. She works for the Vatican Shepherds – an elite group of twelve warrior priests who travel the world smiting whatever offends them or their Good Lord.One problem. Callie isn’t a huge fan of churches… Not even a minor fan, really.But when a Heavenly spear enters an auction in Kansas City, Callie is forced to step up as an interim Shepherd, and her first night on the job puts her in a bidding war against the infamous Nate Temple – the billionaire wizard from St. Louis. And when demons, shifter bears, vampires, and Nephilim attack the auction for the spear, Nate and Callie are forced to join teams, and one-time foes become hesitant allies.Callie must learn where she stands as a wizard. Will she hide behind a man, or light Kansas City afire with a name of her own? And will she finally come to appreciate God? Or will the demons and monsters in the shadows take her for themselves?Because Callie soon learns she isn’t just a wizard, and it was never just about the spear. Monsters have evidently been hunting Callie her entire life, and now, they’ve finally found her… RAGE (Book 2) Ever since Callie – the Vatican’s rookie monster hunter – killed a demon a few weeks ago, Kansas City’s been eerily quiet.But she soon learns it’s just the calm before the storm.Because werewolves begin abducting young women in Kansas City, and a new church opens its doors, pronouncing death to all idols, including these ‘make-believe’ monsters and wizards.But when one of their congregation is disemboweled by a monster on the steps of the church with the phrase God is dead painted in blood, someone in the church decides to take a lesson from the Salem Witch Trials… And the police seem to be helping.Callie must catch the killer before Kansas City erupts in civil war. A civil war she inadvertently started.But she’s being stalked. By something unseen. More than one something… And with so many new faces coming to Missouri – gods, legends, and nightmares – Callie begins to realize it’s all someone’s sick idea of a game.And that Hell never really left Kansas City. Or Callie Penrose. WHISPERS (Book 3) The Vatican is broken… And Callie’s hearing Whispers in the dark corners of her mind…One of the Vatican’s most infamous Shepherds has been murdered, and Callie’s friends are the prime suspects. To prove them innocent, Roland and Callie must risk their very souls…Because Callie can’t reveal that she’s hearing strange Whispers when she uses her magic, or that she’s harboring an Angel’s Grace. And if the Shepherds discover the hellish bargain Roland made, the streets of Rome will flow with blood as brother turns against brother.And with the Antipope pressuring the Vatican for change, and Nate Temple arriving unannounced to demand an audience with the Shepherds, things couldn’t get any more chaotic.Until Callie learns of an ancient order of traitors hiding in the Vatican, and they’ll do anything to bring it down – brick by brick.

    The king's house had many other doors, but this was the door for petitions. Since the king spent all his time sitting at the door for favors (favors being offered to the king, you understand), whenever he heard someone knocking at the door for petitions, he would pretend not to hear . . ." Why the petitioner required a boat, where he was bound for, and who volunteered to crew for him, the reader will discover in this delightful fable, a philosophic love story worthy of Swift or Voltaire.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    Vanna, raised as an eloi but secretly intelligent, needs money to help her doll-like sister, who has disappeared. Vanna forms a friendship with a man named Jare, and they become involved in buying and selling a stimulant known to the Health Authority to be extremely dangerous: chili peppers. Then Jare comes across a strange religious cult in possession of the Core of the Sun, a chili so hot that it is rumored to cause hallucinations. Does this chili have effects that justify its prohibition? How did Finland turn into the North Korea of Europe? And will Vanna succeed in her quest to find her sister, or will her growing need to satisfy her chili addiction destroy her?Johanna Sinisalo’s tautly told story of fight and flight is also a feisty, between-the-lines social polemic—a witty, inventive, and fiendishly engaging read.

    Ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

    In Homecoming, the Brennans run Quentin's restaurant in Dublin for the owner, who lives abroad. But what will happen when he suddenly pays a visit? Telling Stories sees Irene's fiancÈ turning up the night before the wedding with a face as white as the dress that is to be worn the next day. Then trouble starts... In Needy, Heather is painfully aware that Valentine's Day declarations of love should be viewed with suspicion, even if the sender is the one she loves. And in The Interview, Bessie is deaf and needs a place in a special school. But will she pass the interview?

    Little is known of her but she was probably the Abbess of the abbey at Shaftesbury in the late 12th century, illegitimate daughter of Geoffrey Plantagenet and hence the half-sister of Henry II of England. It was to a king, and probably Henry II, that she dedicated these poems of adventure and love which were retellings of stories which she had heard from Breton minstrels. She is regarded as the most talented French poet of the medieval period.

    Cold Comfort is his temperamental tribute to the city of Duluth, Minnesota, where bears wander the streets and canoe racks are standard equipment.

    Includes stunning illustrations by Christoph Niemann. "A novelist who writes in a universal language." --The New York TimesIn The Archer we meet Tetsuya, a man once famous for his prodigious gift with a bow and arrow but who has since retired from public life, and the boy who comes searching for him. The boy has many questions, and in answering them Tetsuya illustrates the way of the bow and the tenets of a meaningful life. Paulo Coelho's story suggests that living without a connection between action and soul cannot fulfill, that a life constricted by fear of rejection or failure is not a life worth living. Instead one must take risks, build courage, and embrace the unexpected journey fate has to offer.With the wisdom, generosity, simplicity, and grace that have made him an international best seller, Paulo Coelho provides the framework for a rewarding life: hard work, passion, purpose, thoughtfulness, the willingness to fail, and the urge to make a difference.

    She had a face of feral sweetness, its color yellow; her eyes were long and dark, her mouth a taut bow, her nostrils upturned as if she were scenting the wind."In "How Shall I Know You?," a melancholic and ailing writer reluctantly travels east of London to give a lecture before a literary society. Mr. Simister, the organization's secretary, lures the world-weary novelist turned biographer with promises of a modest stipend and lodging at a charming bed-and-breakfast for her trouble. Nevertheless, on that rainy day she meets Mr. Simister at the train station, she wonders why she ever agreed to come in the first place. Driving past steel-shuttered windows and Day-Glo banners, Mr. Simister takes the writer to her hotel for the evening, which turns out to be crumbling and isolated rather than picturesque. As she crosses the threshold into the dank stench of Eccles House she is faced with the feral porter, Louise, and suffers through an evening that may be more than she bargained for.From Hilary Mantel's brilliant and darkly comic collection of contemporary stories, The Assassination of Margaret Thatcher, comes a tale told with her distinctive blend of subversive wit and gimlet-eyed characterization. "How Shall I Know You?" showcases the extraordinary genius of Hilary Mantel, called one of our "greatest living novelists" (NPR).

    Her first, "Make Someone Happy," did indeed make many people happy, and so, due to popular demand, she has put together a second volume, which includes “The Book of Homer,” a tribute to her beloved dog who recently died. "Still Happy," like "Make Someone Happy," exemplifies Berg’s gift, as the Boston Globe said, “in her ability to find the extraordinary in the ordinary, the remarkable in the everyday.”

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    In stories touched by the fantastical and the strange, and filled with humor, irony, and menace, Buzzati illuminates the nightmarish side of our ordinary existence.From “The Epidemic,” which traces the gradual effects of a “state influenza” that targets those who disagree with the government, to “The Collapse of Baliverna,” where a man puzzles over whether a misstep on his part caused the collapse of a building, to “Seven Floors,” which imagines a sanatorium where patients are housed on each floor according to the gravity of their illness and brilliantly highlights the ominous machinations of bureaucracy, Buzzati’s surreal, unsettling tales reckon with the struggle that lies beneath everyday interactions, the sometimes perverse workings of human emotions and desires, and, with wit and pathos, describe the small steps we take as individuals and as a society in our march toward catastrophe.With hints of Kafka and Edgar Allan Poe, Catastrophe, published for the first time in the United States, feels as timely today as ever.