Born under an Assumed Name portrays the thrilling and confusing life of a girl growing up abroad in a world of secrecy and diplomacy—and the heavy toll it takes on her and her father. As Taber leads us on a tour through the alluring countries to which her father is assigned, we track two parallel stories—those of young Sara and her Cold War spy father. Sara struggles for normalcy as the family is relocated to cities in North America, Europe, and Asia, and the constant upheaval eventually exacts its price. Only after a psychiatric hospitalization at age sixteen in a U.S. Air Force hospital with shell-shocked Vietnam War veterans does she come to a clear sense of who she is. Meanwhile, Sara's sweet-natured, philosophical father becomes increasingly disillusioned with his work, his agency, and his country. This is the question at the heart of this elegant and sophisticated work: what does it mean to be an American? In this fascinating, painful, and ultimately exhilarating coming-of-age story, young Sara confronts generosity, greatness, and tragedy—all that America heaps on the world.

    In spite of a public perception that Eisenhower was unwilling to challenge McCarthy, Ike believed that directly confronting the senator would diminish the presidency. Therefore, the president operated with a “hidden hand,” refusing even to mention the Senator’s name. In Ike and McCarthy, David A Nichols shows how the tension between the two men escalated. In a direct challenge to Eisenhower, McCarthy alleged that the US Army was harboring communists and launched an investigation. But the senator had unwittingly signed his own political death warrant. The White House employed surrogates to conduct a clandestine campaign against McCarthy and was not above using information about the private lives of McCarthy’s aides as ammunition. In January 1954 McCarthy was arguably the most powerful member of the Senate. By the end of that year, he had been censured by his colleagues for unbecoming conduct. Eisenhower’s covert operation had discredited the senator months earlier, exploiting the controversy that resulted from the televised Army-McCarthy hearings. McCarthy would never recover his lost prestige. Nichols uses documents previously unavailable or overlooked to authenticate the extraordinary story of Eisenhower’s anti-McCarthy campaign. Ike and McCarthy is an eye-opening, newsworthy, and fascinating read.

    … Destined to take its place as not only one of the masterworks on Eisenhower, but as one of the classics of presidential history. … Impeccably researched, the book is nothing short of extraordinary. What a triumph!”—JAY WINIK, New York Times bestselling author of April 1865 and 1944In Three Days in January, Bret Baier masterfully casts the period between Eisenhower’s now-prophetic farewell address on the evening of January 17, 1961, and Kennedy’s inauguration on the afternoon of January 20 as the closing act of one of modern America’s greatest leaders—during which Eisenhower urgently sought to prepare both the country and the next president for the challenges ahead.Those three days in January 1961, Baier shows, were the culmination of a lifetime of service that took Ike from rural Kansas to West Point, to the battlefields of World War II, and finally to the Oval Office. When he left the White House, Dwight Eisenhower had done more than perhaps any other modern American to set the nation, in his words, “on our charted course toward permanent peace and human betterment.”On January 17, Eisenhower spoke to the nation in one of the most remarkable farewell speeches in U.S. history. Ike looked to the future, warning Americans against the dangers of elevating partisanship above national interest, excessive government budgets (particularly deficit spending), the expansion of the military-industrial complex, and the creeping political power of special interests. Seeking to ready a new generation for power, Eisenhower intensely advised the forty-three-year-old Kennedy before the inauguration.Baier also reveals how Eisenhower’s two terms changed America forever for the better, and demonstrates how today Ike offers us the model of principled leadership that polls say is so missing in politics. Three Days in January forever makes clear that Eisenhower, an often forgotten giant of U.S. history, still offers vital lessons for our own time and stands as a lasting example of political leadership at its most effective and honorable.

    Nineteenth-century African Americans felt deep affection for their "liberator" as a "homely" man who did not hold himself apart. During Reconstruction, Southerners felt a nostalgia for the humility of Lincoln, whom they envisioned as a "conciliator." Later, teachers glorified Lincoln as a symbol of nationhood that would appeal to poor immigrants. Monument makers focused not only on the man’s gigantic body but also on his nationalist efforts to save the Union, downplaying his emancipation of the slaves.Among both black and white liberals in the 1960s and 1970s, Lincoln was derided or fell out of fashion. More recently, Lincoln has once again been embodied (as both idealist and pragmatist, unafraid of conflict and transcending it) by outstanding historians, by self-identified Lincolnian president Barack Obama, and by actor Daniel Day-Lewis—all keeping Lincoln alive in a body of memory that speaks volumes about our nation.

    Bundy was an exceptionally evil, well-organized and calculating criminal who used his knowledge of law enforcement techniques to elude capture for years. The crime scenes, where he murdered women, were scattered over such wide geographic areas that it took police a very long time to recognize it was the work of one man. His fingerprints were never found at the scenes of the crimes and he had a strange chameleon-like ability to change his appearance at will. As one person said, 'Ted lured females the way a lifeless silk flower can dupe a honey bee.' All of Bundy's victims were white females, mainly college students aged between 15 and 25. He confessed to 30 killings but the real figure could have been 100 or more.

    Drawing on unprecedented access to the family and its private papers, Pulitzer Prize-winning and bestselling historian Doris Kearns Goodwin takes readers from John Francis "Honey Fitz" Fitzgerald's baptism in 1863 through his reign as mayor of Boston, to the inauguration of his grandson as president ninety-eight years later. Each character emerges unforgettably: the young, shrewdly political Rose Fitzgerald; her powerful, manipulative husband, Joseph P. Kennedy; and the "Golden Trio" of Kennedy children -- Joe Jr., Kathleen, and Jack -- whose promise was eclipsed by the family's legacy of tragedy. Through the prism of two self-made families, Goodwin reveals the ambitions and the hopes that form the fabric of the American nation.

    Kennedy as a racial healer, a tribune for the poor, and the last progressive knight. But Kennedy—nurtured on the rightist orthodoxies of his dynasty-building father—started his public life as counsel to the left-baiting, table-thumping Senator Joseph McCarthy.A bare-knuckled political operative who masterminded his brother’s whatever-it-takes bids for senator and president, Kennedy okayed FBI wiretaps of Martin Luther King Jr. and cloak-and-dagger operations against communist Cuba that included blowing up railroad bridges, sabotaging crops, and plotting the elimination of President Fidel Castro.Remembered now as a rare optimist in an age of political cynicism, RFK’s profoundly moving journey from cold warrior to hot-blooded liberal also offers a lens into two of the most chaotic and confounding decades of twentieth century America.

    The Force of Things follows two families across the twentieth century—one starting in czarist Russia, the other starting in the American Midwest—and takes them across revolution, war, fascism, and racial persecution, until they collide at mid-century. Their immediate attraction and tumultuous marriage is part of a much larger story: the mass migration of Jews from fascist-dominated Europe in the 1930s and 1940s. It is a micro-story of that moment of cross-pollination that reshaped much of American culture and society. Theirs was an uneasy marriage between Europe and America, between Jew and WASP; their differences were a key to their bond yet a source of constant strife. Alexander Stille's The Force of Things is a powerful, beautifully written work with the intimacy of a memoir, the pace and readability of a novel, and the historical sweep and documentary precision of nonfiction writing at its best. It is a portrait of people who are buffeted about by large historical events, who try to escape their origins but find themselves in the grip of the force of things.

    The Beatles, Elvis Presley, and The Righteous Brothers filled the airwaves. Television shows like "The Adventures of Ozzy and Harriett" and "The Andy Griffith Show" mirrored the innocence of life in the dusty city of Tucson, Az. But the sunbaked desert surrounding Tucson was hiding a sinister secret. A psychopath names Charles Schmid, later nicknamed the "Pied Piper of Tucson" by Life Magazine, would steal that innocence away, along with the lives of three beautiful teenage girls.In this firsthand account written in 1967, Richard Bruns shares the evolution of his friendship with Schmid, the details of getting involved way in over his head, and how he finally summoned the courage to blow the whistle to end the deadly rampage that shocked the nation and changed the city of Tucson forever.

    Cecil Beaton and Katharine Hepburn were her godparents. Tracy was named after Katherine Hepburn’s character, Tracy Lord, in the classic film, The Philadelphia Story. These stylish showbiz people were role models for Tracy, who became a clotheshorse at a young age. Tracy’s father, Kenneth Tynan, was a powerful theater critic and writer for the Evening Standard, The Observer, and The New Yorker. Her mother was Elaine Dundy, a successful novelist and biographer, whose works have recently been revived by The New York Review of Books. Both of Tracy’s parents, particularly her father, were known as much for what they wore as what they wrote. In the Tynans’ social circles, style was essential, and Tracy had firm ideas about her own clothing for as long as she can remember. Shopping was an art passed down through the family; though shopping trips with her mother were so traumatic that Tracy started shopping on her own when she was fourteen. When Tracy started writing about her life she found that clothing was the focus of many of her stories. She recalls her father’s dandy attire and her mother’s Pucci dresses, as well as her parents’ rancorous marriage and divorce, her father’s prodigious talents and celebrity lifestyle, and her mother’s lifelong struggle with addiction. She tackles issues big and small using clothes as an entrée—relationships, marriage, children, stepchildren, blended families, her parent’s decline and deaths, and her work as a costume designer are all recounted with humor, with insight, and with the special joy that can only come from finding the perfect outfit.

    Flappers is in part a biography of that restless generation: starting with its first fashionable acts of rebellion just before the Great War, and continuing through to the end of the decade when the Wall Street crash signal led another cataclysmic world change. It focuses on six women who between them exemplified the range and daring of that generation’s spirit.Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka were far from typical flappers. Although they danced the Charleston, wore fashionable clothes and partied with the rest of their peers, they made themselves prominent among the artists, icons, and heroines of their age. Talented, reckless and willful, with personalities that transcended their class and background, they re-wrote their destinies in remarkable, entertaining and tragic ways. And between them they blazed the trail of the New Woman around the world.

    In the first week of October, 1918, six hundred men charged into the forbidding Argonne Forest. Against all odds, they surged through enemy lines--alone. They were soon surrounded and besieged. As they ran out of ammunition, water, and food, the battalion withstood constant mortar attack and relentless enemy assaults. Seven days later, only 194 soldiers from the original unit walked out of the forest. The stand of the "Lost Battalion" was--and remains--an unprecedented display of heroism under fire.The narrative of Never in Finer Company focuses on the stories of four men: the battalion's commander, Major Charles Whittlesey, a lawyer eager to prove his mettle; his New York stockbroker executive officer, Captain George McMurtry; Sergeant Alvin York, whose famous exploits help rescue the battalion; and Damon Runyon, the soon-to-be famous newspaper man who struggled to understand the events he witnessed. From the patriotic frenzy that sent young men "over there" to the hurried stateside training, shipping overseas, and encounters with life at the front, each man trod a unique path to the October days that engulfed them. And their stories did not end on the battlefield--each man was haunted by the experience as America tried to come to grips with the carnage of the war.Character-rich, abundantly textured, sometimes tragic, sometimes uplifting, but always compelling, Never in Finer Company is a deeply moving and dramatic story on an epic scale.

    Perry captures Rose Kennedy's essential contributions to the incomparable Kennedy dynasty. This biography--the first to draw on an invaluable cache of Rose's newly released diaries and letters--unearths the complexities behind the impeccable persona she showed the world. The woman who emerges in these pages is a fascinating character: savvy about her family's reputation and resilient enough to persevere through the unfathomable tragedies that befell her. As a young woman, she defied her father, Boston mayor John Fitzgerald, by marrying ambitious businessman Joseph Kennedy. During Joe's diplomatic career, she began carefully calibrating her family's image, stage-managing photo shoots and interviews of her nine children and herself. After husband Joe's isolationist views on the eve of World War II made him a political liability, Rose took to the campaign trail for son Jack. Her perfectionism, initially a response to the strictures imposed on Catholic women, ultimately created a family portrait that resonated in modern politics and media. Perry's account looks past the fanfare, poignantly revealing the matriarch's vulnerability. Rose sought solace from crushing personal tragedies and a philandering husband in prayer, habitual shopping, travel, and medication. Initially ashamed and afraid of daughter Rosemary's mental disability, Rose ultimately shined a light on the affliction, raising millions of dollars for disabled children. An indefatigable campaigner for Jack, Bobby, and Teddy, she had an unshakable Catholic faith that informed their compassionate social policies and her daughters' philanthropies.The definitive biography, Rose Kennedy provides unequaled access to the life of a remarkable woman who witnessed a century of history and masked her family's more inconvenient truths while capturing the American imagination.

    He first came to international prominence in 1979, when he was recruited from the cult metal band Quiet Riot to play with Ozzy Osbourne, who had been fired from Black Sabbath for his drink and drug addictions and was in urgent need of a co-writer to kickstart a solo career. How and why Ozzy and Randy went on to find enormous success is one of the key themes of Crazy Train, named after the first and most famous Osbourne/Rhoads co-composition. It was Randy's pioneering combination of neo-classical soloing, catchy riffage and unforgettable songwriting which propelled Ozzy. The two albums that Randy recorded with Quiet Riot and the two with Ozzy showcase the young guitarist's immense ability, although the full extent of his talent may never have been revealed. In 1982 he died in an air crash. The parallels between Crazy Train and the author's best-selling To Live Is To Die: The Life And Death Of Metallica's Cliff Burton (Jawbone 2009) are intentional and obvious. Both books deal with a musical prodigy who died tragically in his mid-20s; both men have a vast following and a profile which has risen in the years since their deaths; and both men have a large coterie of friends, family and associates prepared to tell their stories for the very first time.

    As it passed through the night, few of the grieving onlookers gave thought to what might be happening behind the Pullman shades, where women whispered and men tossed back highballs. Inside was a Soviet spy, a newly widowed Eleanor Roosevelt, who had just discovered that her husband's mistress was in the room with him when he died, all the Supreme Court justices, and incoming president Harry S. Truman who was scrambling to learn secrets FDR had never shared with him.Weaving together information from long-forgotten diaries and declassified Secret Service documents, journalist and historian Robert Klara enters the private world on board that famous train. He chronicles the three days during which the country grieved and despaired as never before, and a new president hammered out the policies that would galvanize a country in mourning and win the Second World War.