This unforgettable novel tells a universal coming-of-age story about Taja Brown, a young African American girl growing up in Houston, Texas, and deftly and beautifully explores the universal struggles of growing up, battling family expectations, discovering a sense of self, and finding a unique voice and purpose.Told in fifty-three short, episodic, moving, and iridescent chapters, Calling My Name follows Taja on her journey from middle school to high school.

    He’s filled with turmoil and heartache and regrets, but for two hours every Wednesday all he feels is me. How much I desire him, how desperate he makes me, how much I’d like things to be different between us. Real.He used to be my best friend back before he got married. And now? Now, he’s a young widower. It would be wrong on so many levels to expect something more from him, so I give him what he needs. Dark, delicious fucking.But I know I can’t keep this up. I’ve already given him my body, my soul. I want him to have my heart. It might drive him away forever, but that’s a risk I’m willing to take.Wednesday is an angsty romp told from dual points of view. If you’re in the mood for something quick and dirty, you’ve found it. Proceed at your own risk.

    Until, at a painfully bad film festival, he meets Amy Husk. She's attractive. She's funny. She's quirky. And...she has an inoperable brain aneurysm and not much time to live. She may not even make it to the long-awaited final episode of EXIT RED, the Greatest. Show. Ever.She convinces him that they should do something crazy and frivolous. And suddenly Todd, a guy who doesn't do spontaneity, is on an insane road trip from Florida to Rhode Island with a woman he barely knows, just to visit a really cool hot dog place.Many things will go wrong. But, hey, many things will go right, too. There's a hook-handed hitchhiker and some property destruction. Maybe some sex. A kumquat will probably be relevant at some point, although not during the sex (if there is any).A laugh-out-loud comedy, a touching love story, and a cross-country adventure, KUMQUAT is a story about making the most out of the time you've got.If that doesn't interest you, there's also a gummi bear tractor.

    Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now. Will Chen plans to steal them back.A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents’ American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago. His crew is every heist archetype one can imag­ine—or at least, the closest he can get. A con artist: Irene Chen, a public policy major at Duke who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering major who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they’ve cultivated as Chinese Americans, but when Will asks, none of them can turn him down. Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they’ve dreamed for themselves but yet another thwarted at­tempt to take back what colonialism has stolen.Equal parts beautiful, thoughtful, and thrilling, Portrait of a Thief is a cultural heist and an examination of Chinese American identity, as well as a necessary cri­tique of the lingering effects of colonialism.