But that's not the only motivator. The way he sees his boss and best friend Paul has changed, his feelings transforming into something new and exciting. No matter how hard he tries, he just can't shake it.Jade loves their attention, the two gorgeous friends who swing by to see her at the cafe every day. They're both like something ripped straight from her dreams, and after she finds herself stranded, she can't turn down their offer to have her stay over. When the power goes out she's left with a dilemma; does she stay on her own in the cold, or go and join them in Michael's room where it's warmer?Paul's never done anything like this before. He has eyes for Jade, they both do. How could he possibly resist her? She's beautiful, smart, and great fun to be around. When they find out she's got no way of getting home, it's only right that they let her stay over at Michael's. They're both stranded and caught in the storm after-all. Now, with the power out, he's face to face with the most important decision of his life. Does he embark on a journey that threatens to completely change him, or does he turn his back on something incredible? "Lost Between Them" Is a hot and steamy MMF romance intended for mature audiences 18+ This story contains male on male sex and explores the evolving relationship between all three characters and their changing sexuality. Approximately 43,000 words with HEA ending.

    Jody is in his forties and runs a map store. Not one for the outside world, he stays in his store all the time. His friend, Carl is in his late thirties and has been bringing chairs of dead friends into Jody's store and leaving them there. When Jody needs to take an AIDS test, Carl tries to convince him it is not only okay to leave the store, but also that he must take responsibility for his life. If he doesn't, he will join the set of chairs that Carl has taken great pains to place in the right spots around the store. Jody finally leaves the map store to take his HIV test and return to find Carl sitting in a chair of his own. With this gesture, we know that Carl has joined the many of their friends who have died, but now Jody must take Carl's place as the caretaker.

    Of words, yes. Of well crafted images ("your name tucked under my tongue, an unraveling string that pulls & pulls".) But more than just that, this book thrills and pulls you in, showing you a history, a lineage, an invitation into Wee’s room, both in its cleanest and messiest moments. This is a stunning work by a powerful writer. The work in this book grabs on to all of the right emotions, and never lets go.”— Hanif Willis-AbdurraqibAuthor of The Crown Ain’t Worth Much*“Natalie Wee’s writing is indicative of a wordsmith-master utilizing all her tools with precision. Wee says the words we think, and then reshapes them, out loud, into beautiful origami-like gifts that hit you like “stray bullets splinter technicolour lovers.” The intricacies of her images walk a fine line that hover closely over genius, and the supernatural. From her well thought-out use of white space, enjambments, and form, Our Bodies and Other Fine Machines tells tales of hurt, pain, lust, love and all that lurks between leaving the “unsayable hung in our mouths.”— Chelene Knight,Managing Editor of Room Magazine*“This debut is breathtaking. Wee’s writing drops you into her world and you do not want to leave. Her portrait of girlhood from an outsider still feels as intimate and relentlessly soft as any old Polaroid plucked from your mother’s scrapbook. The poetry here is raw and refined, bloody and delicate, a whole body of work that turns our elusive moments into fine tuned pieces of machinery. Rarely do I find myself in awe of the beauty of language, both diction and visually. Even the shape of Wee’s words are gorgeous.Though this is Wee’s first collection, she writes with a steady hand and a steadier voice. Wee’s perspective is genuine, honest, and highly crafted. Our Bodies & Other Fine Machines is a bouquet arranged with every blossom and thorn for us to witness.”— Alex Dang!,Author of Are You Proud of Me?*“In Our Bodies & Other Fine Machines, Natalie Wee asks, “What is it like to be made a person / instead of a stranger’s dim shadow?” and reveals, “my bones are heavy with the weight of never having been seen at all.” It is with just such rigor and grace that Wee demands sight throughout this collection. Illuminating myriad ways queer women of color are silenced, dismissed, and unseen, she uses her vibrant voice as a call to attention. At times demure, yet always potent: “Mine was not a magic / of large curses but small misfortunes,” Wee opens a necessary and vulnerable space for the silenced. “My hands have made / some good mistakes,” she confides, but warns, “Do not mistake my silence / for subservience.” These pages are alive with determination to be heard, seen, understood. There is an urgency here one cannot escape, expressed entirely in Wee’s own careful and knowing language. More than remarkable, this book is necessary.”— Jeanann Verlee,Author of Racing Hummingbirds and Said the Manic to the Muse

    With quiet consideration and dark wit, Bibbins addresses the majority of his poems to Mark Crast, his friend and lover who died from AIDS at the early age of 25. Every broken line and startling linguistic turn grapples with the genre of elegy: what does it mean to experience personal loss, Bibbins seems to ask, amidst a greater societal tragedy? The answer is blurred—amongst unforeseen disease, intolerance, and the intimate consequences of mismanaged power. Perhaps the most unanswerable question arrives when Bibbins writes, "For me elegy/ is like a Ouija planchette/ something I can barely touch/ as I try to make it/ say what I want it to say." And while we are still searching for the words that might begin an answer, Bibbins helps us understand that there is endless value in continuing—through both joy and grief—to wonder.

    Poems in English and Spanish that discuss what it means to be Puerto Rican in the United States today.

    I've had that lesson beaten into me ever since I was a child. Some people might think that's a tragedy, but not me. Because you know what's even better than love?Power.I clawed my way to the top of the food chain and became the leader of the Beaufort crime syndicate at only twenty years old. Now, nobody crosses me and lives to tell the tale. There's just one little problem:You don't build an empire without making a few enemies.My past is coming back to haunt me with a vengeance, but I have no intention of going down without a fight. Hiring a K-9 handler for added security was a simple business decision.But I wasn’t counting on Ayla. Aloof attitude, dark hair, tattoos--exactly my type. She’s far more than just a K-9 handler, and I want to peel back that carefully composed exterior and see what’s underneath.I know I'm bad for her, but sometimes, being bad feels too good to stop. I just hope we both make it out of this alive.AYLAI’ve always had three rules for how I handle my work: Get in. Get the job done. And don’t get invested.When a mysterious client offered me a fabulous sum of money to come work for them, I jumped at the opportunity. I thought it would be just another job.Turns out I probably should have asked a few more questions.Now I'm stuck working for a woman who is equal parts terrifying and gorgeous. My new employer has a reputation for being ruthless, and I've seen firsthand what she's capable of. She crushes hardened criminals beneath the point of her stiletto heels without breaking a sweat.I should be running away from her as fast as I can.So why can't I get her out of my head?

    

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    It brings together (but is not limited to) estranged lovers, despairing mothers and the avenging spirits of murdered women, in an assortment of words that celebrate queer desire, obsessive longing and a general disregard for "proper" subject matter. Comprising selected work written over the course of a decade, the largely confessional collection has been described as dark and hysterical ... but in a good way.

    For fans stirred by the cerebral lyrics of SOAD albums Hypnotize, Mesmerize, Steal This Album!, Toxicity, and their first, self-titled breakthrough—and for everyone enthusiastic about Serj’s solo album, Imperfect Harmonies—this essential, one-of-a-kind collection of Tankian’s innermost thoughts and feelings is a must-read. Unique illustrations punctuate nearly 70 poems—almost none of which have ever been published before. Glaring through Oblivion is an indispensable find for any true fan.

    He didn’t realize that learning how to dance and exercise at the same time would change his life. Years have gone by since his break-up and Salsex has become a regular part of who he is. Things are okay for Jason, though he doesn’t have anyone special in his life. After his last long-term relationship exploded so spectacularly, he has resigned himself to the foregone conclusion that he won’t ever find another long-term boyfriend. He’s slowly settling into the idea that he’ll be single forever when Taylor walks into his life. Taylor’s career in football hit a roadblock when the bones in his arms were shattered after an accident. Now that Taylor is recovering, he needs to do some cardio so that he’s in tip top shape when he goes back to playing football. Taylor’s aspirations are more academic than athletic, however, but it doesn’t matter, He needs his sports scholarship to continue his degree. When Taylor walks into Jason’s Salsex class, all he expects is an interesting and fun way to do the cardio part of his exercise routine. What he gets is Jason, a gorgeous Salsex instructor who makes him question everything that he thought he knew about himself. At first, Taylor thinks that he may have just found a friend, but when Jason calls him after a personal crisis, Taylor realizes that everything has changed for him. That, added to a roommate that may or may not be sabotaging his potential relationship with Jason – if it can even be called that – and his celebrity status in a small city are enough to further to complicate things. When Jason’s ex-boyfriend shows up to his apartment, Jason needs to confront a lot of issues that he thought he had left behind years ago, when all he wants to focus on is the gorgeous man that keeps going to his Salsex class. Can they overcome life’s obstacles to come together or will it all be too much for them? Please Note: This book contains Adult Language & Steamy Adult Activities, it is intended for 18+ Adults Only. Novel, approx. 70,000+ words in length. HEA (happy ever after ending). Does not end with a "cliffhanger".

    Time to make your dreams come true.

    Meet Harper Ray, an undiscovered musician who’s willing to dig weeds, clean houses, and give guitar lessons to stay afloat. A childhood tragedy has kept her blocked and has limited her ability to see and live her potential. Ivy Homestead is a green witch and life coach. Her life purpose has always been to help people live their best lives. But after hurting her best friend over a year ago, Ivy has struggled with feelings of inadequacy. What they both discover will test their strength and have them questioning what they're willing to risk to find their way back home within themselves and each other.

    

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.