It is narrated from the perspectives of multiple characters, a technique used to create suspense in many of the "sensation novels" pioneered by Wilkie Collins and others in the 1860s, as well as in many late nineteenth-century novels such as Dracula.Richard Marsh was the pseudonym of the British author, Richard Bernard Heldmann.

    . .Featuring new and original tales from:Bridget CollinsSunday Times bestselling author of The BindingImogen Hermes GowarSunday Times bestselling author of The Mermaid and Mrs HancockKiran Millwood HargraveSunday Times bestselling author of The MerciesAndrew Michael HurleySunday Times bestselling author of The LoneyJess KiddInternational award-winning author of Things in JarsElizabeth MacnealSunday Times bestselling author of The Doll FactoryNatasha PulleySunday Times bestselling author of The Watchmaker of Filigree StreetLaura PurcellAward-winning author of The Silent Companions

    There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From bloody horror to supernatural creatures to unsettling, all-too-possible realism, this collection has something for any reader looking for a thrill.Fans of TV’s The Walking Dead, True Blood, and American Horror Story will tear through tales by these talented authors:Stefan BachmannLeigh BardugoKendare BlakeA. G. HowardJay KristoffMarie LuJonathan MaberryDanielle PaigeCarrie RyanMegan ShepherdNova Ren SumaMcCormick TemplemanApril Genevieve TucholkeCat Winters

    For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

    She's still reeling from the news when she's offered an unexpected solution: Mr Argenton, a wealthy stranger, asks for her hand in marriage.Marrying Mr Argenton will restore her family's fortunes and save them from scandal, but condemns Sophie to a life in Northwood, a vast and unnaturally dark mansion situated hours from civilisation.Sophie struggles to adjust to her new position as mistress over the desolate house. Mr Argenton's relatives are cold, and Mr Argenton himself is keeping secrets. Even worse, the house is more than it seems.Mr Argenton's young cousin, Elise, draws terrifying images. Doors slam. Inhuman figures slink through the forest surrounding the house. A piano plays in the middle of the night. Blood drips from the ceilings.Sophie is inevitably pulled towards the terrifying truth: Northwood's ancient halls are haunted by the family's long-dead ancestors. The malevolent spirits--produced by grisly deaths--resent her intrusion into their home.Trapped in Northwood and desperate for an escape, Sophie's fate is further complicated as she finds herself irrevocably drawn to the tall, dark-eyed man she married. She suspects her feelings are returned, but Mr Argenton is hiding the truth about the house--and his secrets are so dangerous that they might just be unforgivable.

    Growing obsessed, David made his way to England to calm his fears -- instead he found an...UNBOUNDED HELL.Colin and his wife were dead -- victims of ghastly violence. Their seemingly serene cottage seethed with an aura of murder, madness, and betrayal. Overpowered by the evil, David soon embarked on a...JOURNEY INTO THE MACABRE.Suffocatingly, the presence grew...grew to a malevolent force trying to kill David's fiancee...grew until David himself was a helpless prisoner of unholy passion!

    Dupin is unrivalled."H. P. Lovecraft, a master of the modern horror story, wrote in 1932 that the perfect writer should have "the sheer genius of Poe."Tributes like these coming from such different writers indicate the widespread reputation for excellence enjoyed by Edgar Allan Poe (1809-1849). During a short life shot through with personal tragedy, Poe managed to write virtuoso stories of detection, nightmarish tales of the macabre, brilliant poetry, and incisive criticism. In the totality of these achievements, few other American writers are his equal.Includes the following tales:The Tell-Tale HeartThe Black CatThe Fall of the House of UsherThe Pit and the PendulumThe Cask of the AmontilladoThe AssignationThe Masque of the Red DeathThe Premature BurialWilliam WilsonA Tale of the Ragged MountainsThe Gold-BugThe Murders in the Rue MorgueThe Mystery of Marie RogetThe Purloined LetterThe Facts in the Case of M. ValdemarThe Oblong BoxMS. Found in a BottleThe Oval PortraitBereniceMorellaLigeiaEleonaraThe Domain of ArnheimA Descent into the MaelstromIncludes the following poems:Spirits of the DeadSonnet-To Science"Alone"To HelenIsrafelThe City in the SeaLenoreTo One in ParadiseDream-LandThe RavenUlalume-A BalladThe BellsA Dream within a DreamThe Valley of UnrestAnnabel Lee

    Her story was this: she had been an orphan, her mother probably a whore. Brought up by nuns, she had lost her faith, found another, fought for it and been imprisoned. This was inexact but serviceable.On the twelfth day of her hunger strike, Maggy is unable to tell the difference between what is real and what is imagined. That's true of what brought her here too: was she IRA, or did she just take risks for the sake of a friend?Julia O'Faolain paints a portrait of young Irish girls and their unseverable connection, showing solidarity in places politics cannot reach.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    Inspired by our native landscapes and traversing boundaries of the past and future, this collection is Tom Cox's first foray into fiction. Funny, strange and poignant, it elicits the unexpected and unseen to raise our hackles and set imaginations whirring.Inspired by our native landscapes, saturated by the shadows beneath trees and behind doors, listening to the run of water and half-heard voices, Tom Cox's first collection of short stories is a series of evocative and unsettling trips into worlds previously visited by the likes of M.R. James and E.F. Benson.Railway tunnels, the lanes and hills of the Peak District, family homes, old stones, shreds fluttering on barbed wire, night drawing in, something that might be an animal shifting on the other side of a hedge: Tom has drawn on his life-long love of weird fiction, folklore and nature's unregarded corners to write a collection of stories that will delight fans old and new, and leave them very uneasy about turning the reading lamp off.

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    Jess had done the research. Success requires precision: a dark room, a mirror, a candle, salt, and four teenage girls. Each of them--Jess, Shauna, Kitty, and Anna--must link hands, follow the rules . . . and never let go. A thrilling fear spins around the room the first time Jess calls her name: "Bloody Mary. Bloody Mary. BLOODY MARY." A ripple of terror follows when a shadowy silhouette emerges through the fog, a specter trapped behind the mirror. Once is not enough, though--at least not for Jess. Mary is called again. And again. But when their summoning circle is broken, Bloody Mary slips through the glass with a taste for revenge on her lips. As the girls struggle to escape Mary's wrath, loyalties are questioned, friendships are torn apart, and lives are forever altered.A haunting trail of clues leads Shauna on a desperate search to uncover the legacy of Mary Worth. What she finds will change everything, but will it be enough to stop Mary--and Jess--before it's too late?

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    P. Lovecraft, Peter Straub, and Thomas Ligotti. His stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards. His debut collection, The Imago Sequence and Other Stories, was the inaugural winner of the Shirley Jackson Award.He returns with his second collection, Occultation. Pitting ordinary men and women against a carnivorous, chaotic cosmos, Occultation’s nine tales of terror (two published here for the first time) were nominated for just as many Shirley Jackson awards, winning for the novella “Mysterium Tremendum” and the collection as a whole. Occultation brings more of the spine-chillingly sublime cosmic horror Laird Barron’s fans have come to expect. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    Almost immediately, terrifying events convince Jillian that an angry spirit is trying to enter the house. Is it Walking John, the two-hundred-year-old ghost that haunts the bay? And who besides the ghost is roaming the local woods at night? If Toby uncovered something sinister, was his death really an accident? The arrival of handsome Scotland Yard inspector Drew Merriken leaves Jillian with more questions than answers and the added complication of a powerful mutual attraction.