Next goes her flat and then her job. Single, unemployed and living in a rented room, Bea is flying without a safety net for the first time in thirty-eight years.So what is she supposed to do now that she’s rewound her life to start again?She has no idea how to date anymore. It’s all gone online and with so much competition at the click of a button, her aging bosom might not be up to the job. People are waxing in places she can’t even reach and posting red carpet-worthy selfies every ten seconds.She used to dream of a musical career but is only getting gigs as background music for drunks in pubs. And her ex is being a hundred times more charming in trying to win her back than he bothered to be when he had her.Maybe grasping life with both hands won’t be so easy after all… Can she really become who she wants to be?

    . . Three-year-old Sherry is the adored only child of Simon and Karen Barrett. When Sherry is critically injured in a hit-and-run accident, the fault lines in the Barretts's marriage begin to show. As her parents' marriage falls apart, it is discovered that Sherry--in her coma-like state--has miraculous healing powers.    Meanwhile, the guilt-stricken driver of the truck attempts suicide--but is unable to die. Henry Denton instead finds himself in a place of darkness, somewhere between this world and the next, invisible to all but a group of mysterious and downtrodden men. Haunted by his shame, Henry struggles to understand this mysterious limbo, and what he must do to free himself.     As word of Sherry's powers spread, her parents must decide how best to shelter their daughter and help the many sick and dying who are drawn to her side. At the same time, a larger battle is brewing--one that has been raging for close to two-thousand years, and one that might yet claim the lives of Sherry and her family.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    In crackling prose, she describes homes ruled by bullies, psychopaths, and delinquents; families whose conflict resolution techniques range from grand theft to homicide; kids who have nowhere to go and a lifetime to get there.