With the exception of a few dance recordings, including “Is It All Over My Face?” and “Go Bang! #5,” Russell’s pioneering music was largely forgotten until 2004, when the posthumous release of two albums brought new attention to the artist. This revival of interest gained momentum with the issue of additional albums and the documentary film Wild Combination. Based on interviews with more than seventy of his collaborators, family members, and friends, Hold On to Your Dreams provides vital new information about this singular, eccentric musician and his role in the boundary-breaking downtown music scene.Tim Lawrence traces Russell’s odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. “He lived in a world in which those walls weren’t there.” Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell’s openness to sound, his commitment to collaboration, and his uncompromising idealism.

    Born in Croydon in 1936, his early life was turbulent. His father left home and his mother committed suicide during the war leaving his formidable, but adored grandmother, to raise him, and it was she who gave him the title for this book. His big television break came with "Not So Much a Programme, More a Way of Life" with David Frost, John Bird and John Fortune and he also had a brief stint in the popular TV soap "Coronation Street". His radio career includes the hugely popular "The News Huddlines", which he starred in and ran for twenty-six years. "A Fart in a Colander" brings together some wonderful stories from his life, and sparkles with the fun and laughter Roy has brought to millions of people throughout his career.

    

    The bullet that ripped my girlfriend away from me in Iraq, ripped a May shaped hole in my heart that I don't want to fill. The only time my lungs fully remember how to do something as simple as breathing air is when I'm with a woman who can never be mine. In a relationship? I'll take it. Engaged? Yes please. Married? Hell yeah. Then I met her. The blonde with the boyfriend who's involved with everything I hate. I don't know if she knows what he's into, all I know is that my pants aren't the only thing that tighten when I'm around her. And now history is trying to repeat itself and I'm letting it happen over my dead body. Juliana: My life is comfortable. My boyfriend is seriously good-looking and my best friend is fun, supportive and always up for having a good time. I'm content, until I'm not. My perfectly constructed life comes crashing down around me and it's a mysterious, super hunky ex- SEAL who's suddenly at the right place at the right time. Every time. But when choices I didn't make impact my life in ways I never thought possible, I'm alone. Screwed. Terrified. When everything is on the line and your life is on the wrong side of the plumbing system, what do you do? I don't know... I don't know because this wasn't my mess to clean up. I like to think I'm an optimist, but how is it possible that anything good can come of this?

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Legends about Cornell abound--as the shy hermit, the devoted family caretaker, the artistic innocent--but never before Utopia Parkway has he been presented for what he was: a brilliant, relentlessly serious artist whose stature has now reached monumental proportions. Cornell was haunted by dreams and visions, yet the site of his imaginings couldn't have been more ordinary: a small house he shared with his mother and invalid brother in Queens, New York. In its cluttered basement, he spent his nights arranging photographs, cut-outs and other humble disjecta into some of the most romantic works to exist in three dimensions. Cornell was no recluse, however: admired by successive generations of vanguard artists, he formed friendships with figures as diverse as Duchamp, de Kooning, and Warhol and had romantically charged encounters with Susan Sontag and Yoko Ono--not to mention unrequited crushes on countless shop girls and waitresses. All this he recorded compulsively in a diary that, along with his shadow boxes, forms one of the oddest and most affecting records ever made of a life. It is from such documents, and from a decade of sustained attention to Cornell, that Deborah Solomon has fashioned the definitive biography of one of America's most powerful and unusual modern artists.

    One of America's most famous celebrities, a movie and television star, offers an honest and revealing portrait of his life and career, reviewing his many loves, his many successes, and his many heartaches.

    But even he, with his penchant for fishnet stockings and stiletto heels, is stunned by the antics of his guests - to say nothing of the Butler who invented the ultimate sex machine.The author also wrote "Iron Maiden".

    For nearly two years, Loni Anderson has silently watched and listened as her ex-husband Burt Reynolds accused her of adultery, of being a spendthrift and a rotten mother. Now, she tells all in an explosive book filled with wisdom as well as revelations--a book for any woman who has learned that sometimes our hearts have to break for something better to enter. Photos.

    Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea.The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker.Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators.Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.

    The late 1960s in West Germany was a period of profound breakthroughs, upheavals and reversals. Out of this climate, a music scene exploded that would forever change the face of western rock; at times anarchic, at others mystical, magickal, or utopian, it pushed rock beyond any known limits. Illustrated with concert photos, posters, record cover art and other rare visual material, and also including essays by Michel Faber, Erik Davis, David Stubbs, Ken Hollings and testimonials from Gavin Russom (Delia and Gavin/Black Meteoric Star), Plastic Crimewave, Stephen Thrower (Coil/Cyclobe), and Ann Shenton (Add N to (X)) this is an essential compendium to a music whose spirit and ideas still vibrate through contemporary culture today.

    As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs.Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the ’60s and ’70s—including:

    Now, I survive off the grid and close to nature, the way we were intended to live: free.s Throughout my 20s, my 30s and 40s, I worked various construction jobs, lived in the Caribbean aboard a sailboat, owned a restaurant, got married and divorced, and raised two kids. There were highs and lows, but one constant: I spent a lot of time working, working, and working some more – and still stressing about money. Finally, in 2013, I spent $12,500 to buy a sturdy 39-foot Ericson sailboat that needed a little work. Since then, I’ve been living full-time aboard the Gypsea Soul, on the water. I outfitted her with rainwater catchment tanks, plus solar panels to power my freezer and navigation instruments. I am usually on the move or keep my boat anchored out in the water, so that I don't have to pay marinas any rent. This let me clear up my debts, and in turn, freed my spirit. Living on a boat, I've met a wild cast of characters and had a ton of adventures -- hilarious ones, but scary ones, too. In the following pages, I'll share those adventures with you, as well as some how-to information for anyone curious about following a similar path. In between chapters, I've interspersed some of my insights, just as I wrote them, taken straight from my Captain's Log. (Don't call it a “diary”! LOL.) I hope that as you read this book, you will feel sailingas though you’re along with me, fruity island drink by your side, the salt and wind in your hair, lost in the amazement of the sea. Most of all, I hope you'll be inspired to go after whatever's been pulling on your heart.

    Among the stories is the remarkable transformation of nine year old Sarah, who comes into Becky’s life when she is beaten half to death by her mother’s violent boyfriend. Then there’s Liam, a tall and gangly young teen who has cut himself off from the world after being thrown out of home by his drug-addicted mother when he was just ten years old. Becky also tells the story of Jade and Jasmine, toddler twins who had been locked in a freezing, bare room for weeks on end, with just one filthy blanket to share. Sometimes these children are so vulnerable it becomes a situation of life and death, and Becky has been there and taken them to a place of safety. Although some of the stories are at times heartbreaking, Becky’s determination that no child should be forgotten makes this remarkable book an unforgettable and inspiring read.

    Emily Christie grew up surrounded by relatives whose job it was to protect her. Her father was a hard-working policeman, her grandad was a respected paramedic; they were the perfect family. Or so it seemed. Evil lurked beneath the surface. When she was just five years old, Emily’s beloved grandad started grooming her, calling her his ‘special little girl’. In the years that followed she was subjected to countless unforgivable acts of sexual abuse at his hands, that escalated in severity and threatened to tear her life apart. Knowing her grandad was considered to be a pillar of the community, Emily was too scared to tell the truth. But one day she found the courage to stop the abuse and the strength to start rebuilding her life. No Safe Place is the inspirational story of a little girl’s journey from helpless victim to triumphant survivor.