Chartwell House, Kent: Winston Churchill wakes at dawn. There’s a dark, mute “presence” in the room that focuses on him with rapt concentration.It’s Mr. Chartwell.Soon after, in London, Esther Hammerhans, a librarian at the House of Commons, goes to answer the door to her new lodger. Through the glass she sees a vast silhouette the size of a mattress.It’s Mr. Chartwell.Charismatic, dangerously seductive, Mr. Chartwell unites the eminent statesman at the end of his career and the vulnerable young woman. But can they withstand Mr. Chartwell’s strange, powerful charms and his stranglehold on their lives? Can they even explain who or what he is and why he has come to visit?In this utterly original, moving, funny, and exuberant novel, Rebecca Hunt explores how two unlikely lives collide as Mr. Chartwell’s motives are revealed to be far darker and deeper than they at first seem.

    And in them we’d write as we really were, not as we wanted to appear. But there comes a day when journals outlive us. And with them, our secrets.Summer vacation on Great Rock Island was supposed to be a restorative time for Kate, who’d lost her close friend Elizabeth in a sudden accident. But when she inherits a trunk of Elizabeth's journals, they reveal a woman far different than the cheerful wife and mother Kate thought she knew.The complicated portrait of Elizabeth—her troubled upbringing, and her route to marriage and motherhood—makes Kate question not just their friendship, but her own deepest beliefs about loyalty and honesty at a period of uncertainty in her own marriage.The more Kate reads, the more she learns the complicated truth of who Elizabeth really was, and rethinks her own choices as a wife, mother, and professional, and the legacy she herself would want to leave behind. When an unfamiliar man’s name appears in the pages, Kate realizes the extent of what she didn’t know about her friend, including where she was really going on the day she died.Set in the anxious summer after the September 11th attacks, this story of two women—their friendship, their marriages, private ambitions and fears—considers the aspects of ourselves we show and those we conceal, and the repercussions of our choices.“I loved this bittersweet novel, which manages to be both a compelling mystery and a wise meditation on friendship, marriage and motherhood in an age of great anxiety. Bernier will have you thinking about her characters long after you've turned the final page.”—J. Courtney Sullivan, New York Times bestselling author of Maine

    And across the centuries the fates of three women are linked: to this place, to each other.In the early 1700s, Sarah, accused of being a witch, flees for her life.In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community.Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward.Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

    . .May had been the clever daughter and she had escaped the shelter of The Beacon, just once, to go to university. But in London she had been pursued by nameless terrors, the victim of fears and anxieties. Now she was the spinster daughter, the one who stayed, who nursed her father after his accident and looked after her mother in her old age. Frank was the one who got away. He married and moved on. But why does no one ever mention Frank’s name? Richly atmospheric, evoking mystery, ambiguity and suspense, The Beacon is a novella which continues to resonate beyond the final pages.

    Own room in Hampstead, all found, exciting cultural milieu. Modest wage. Ideal 'gap year' opportunity. Apply Prys Box 4224XXC. 'It's only England,' said Mr Fox, 'just a few hours on the train. You can always come home.' 'Ah've never been though,' said Struan, 'never been South.' 'Then you should,' said Mr Fox, 'you really should.' So it is that Struan Robertson, orphan, genius, and just seventeen, leaves his dour native town of Cuik, and arrives in London in the freakish fine summer of 1989. His job, he finds, is to care for Phillip, dumbfounded and paralysed by a massive stroke, because, though two teenage children, two wives, and a literary agent all rattle round Phillip's large house, they are each too busy with their peculiar obsessions to do it themselves. As the city bakes, Struan finds himself tangled in a midsummer's dream of mistaken identity, giddying property prices, wild swimming, and overwhelming passions. For everyone, it is to be a life-changing summer.

    Hart, who is dying of cancer. Hart House is also inhabited by Mrs. Prence, the perpetually disgruntled housekeeper, and Major Clement Hart, Mrs. Hart's war-ravaged son, who is struggling to come to terms with his latent homosexuality.When a child's game goes violently awry in the woods surrounding Hart House, a great shadow - love, perhaps - descends upon its inhabitants.Like the misguided child's play, other seemingly random events - a torn dress, a missing ring, a lost letter - propel Coral and Clement into the dark thicket of marriage.A period novel observed through a refreshingly gimlet eye, Coral Glynn explores how quickly need and desire can blossom into love, and just as quickly transform into something less categorical.Borrowing from themes and characters prevalent in the work of mid-twentieth-century British women writers, Peter Cameron examines how we live and how we love - with his customary empathy and wit.

    A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past.Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead—a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses.Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its  “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph.

    He gets out of bed at precisely 7:30 a.m., just as he did when his wife, Miriam, was alive. He dresses in the same gray slacks and mustard sweater vest, waters his fern, Frederica, and heads out to his garden. But on the one-year anniversary of Miriam's death, something changes. Sorting through Miriam's possessions, Arthur finds an exquisite gold charm bracelet he's never seen before. What follows is a surprising and unforgettable odyssey that takes Arthur from London to Paris and as far as India in an epic quest to find out the truth about his wife's secret life before they met--a journey that leads him to find hope, healing and self-discovery in the most unexpected places. Featuring an unforgettable cast of characters with big hearts and irresistible flaws, The Curious Charms of Arthur Pepper is a curiously charming debut and a joyous celebration of life's infinite possibilities.

    She finds solace in “The Kingdom,” a stand of red oak and thick mountain laurel near her home in suburban Pennsylvania, where she can escape from her large and unruly family and share menthol cigarettes and lukewarm beers with her best friend. One night, while driving home, Libby’s mother, exhausted and overwhelmed with the fighting in the backseat, pulls over and orders Libby’s little sister Ellen to walk home. What none of this family knows as they drive off leaving a twelve-year-old girl on the side of the road five miles from home with darkness closing in, is what will happen next. A Crooked Tree is a surprising, indelible novel, both a poignant portrayal of an unmoored childhood giving way to adolescence, and a gripping tale about the unexpected reverberations of one rash act.

    Young Englishwoman Vivian Rose Spencer is running up a mountainside in an ancient land, surrounded by figs and cypresses. Soon she will discover the Temple of Zeus, the call of adventure, and the ecstasy of love. Thousands of miles away a twenty-year old Pathan, Qayyum Gul, is learning about brotherhood and loyalty in the British Indian army.July, 1915. Qayyum Gul is returning home after losing an eye at Ypres, his allegiances in tatters. Viv is following the mysterious trail of her beloved. They meet on a train to Peshawar, unaware that a connection is about to be forged between their lives – one that will reveal itself fifteen years later, on the Street of Storytellers, when a brutal fight for freedom, an ancient artefact and a mysterious green-eyed woman will bring them together again.A powerful story of friendship, injustice, love and betrayal, A God In Every Stone carries you across the globe, into the heart of empires fallen and conquered, reminding us that we all have our place in the chaos of history and that so much of what is lost will not be forgotten.

    Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called ‘The Improbability of Love’. Delving into the painting’s past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    The Dukes of Hazzard is on TV and Curly Wurlys are in the shops. And trying to find a place in it all is young Leon.Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, a belly like Father Christmas, and mutters swearwords under her breath when she thinks can't hear. Maureen feeds and looks after them, and claims everything will be okay.But will they ever see their mother again? Who are the couple who secretly visit Joke? The adults are speaking in low voices, and wearing pretend faces. They are threatening to take Jake away and give him to strangers. Because Jake is white and Leon is not. As Leon struggles to cope with his anger, certain things can still make him smile – like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum.Evoking a Britain of the early eighties, My Name is Leon is a story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we somehow manage to find our way home.

    . . When her husband dies in a car crash--not long after announcing he wants a divorce--Jo Mackenzie packs up her two rowdy boys and moves from London to a dilapidated villa in her seaside hometown. There, she takes over her beloved Gran's knitting shop--a quaint but out-of-date store in desperate need of a facelift. After a rough beginning, Jo soon finds comfort in a "Stitch and Bitch" group; a collection of quirky, lively women who share their stories, and their addiction to cake, with warmth and humor. As Jo starts to get the hang of single-parent life in a small town, she relies on her knitting group for support. The women meet every week at the shop on Beach Street and trade gossip and advice as freely as they do a new stitch. But when a new man enters Jo's life, and an A-list actress moves into the local mansion, the knitting club has even more trouble confining the conversation to knit one, purl two.The Beach Street Knitting Society and Yarn Club is an uplifting, winning tale about the healing power of friendship and new beginnings. It's a charming novel that will delight all passionate knitters--and win over befuddled, would-be knitters, too.