Such interest is set to expand even more in this centenary year of the war's outbreak.In the midst of her studies at Oxford when war broke out across Europe, Vera Brittain left university in 1915 to become a V.A.D (Voluntary Aid Detachment) nurse, treating soldiers in London, Malta and Etaples in France. The events of the First World War were to have an enormous impact on her life. Four of Brittain's closest friends including her fiancé Roland Leighton and her brother Edward Brittain MC were killed in action, sparking a lifelong commitment to pacifism. In 1933 she published Testament of Youth, the first of three books dealing with her experience of war. In equal measures courageous, tragic and deeply fascinating, Testament of Youth is one of the most compelling and important works of war literature ever to have been written by a British woman.Mark Bostridge's Vera Brittain and the First World War, published to coincide with the film of Testament of Youth, explores the effects of the First World War on Vera Brittain, both in terms of her personal life and in terms of its effect on her development as a writer and her eventual decision to become a pacifist. Taking advantage of the interest generated by the film, it will bring her story to a new generation and incorporate the most up-to-date research. It will also include a short essay 'From Book to Film', describing the process of turning Testament of Youth into a major feature film. This will include interviews with the production staff and actors, as well as with members of Vera Brittain's family, including Shirley Williams.The film, which has been scripted by Juliette Towhidi and is being produced by BBC Films and Heyday Films, the makers of Harry Potter, is currently in production. Alicia Vikander (Anna Karenina) stars as Brittain, with Kit Harington (Game of Thrones, Pompeii) playing her fiancé Roland Leighton.

    A grieving daughter with a secret to unearth Ex-journalist Heather Evans returns to her childhood home after her mother’s inexplicable suicide and discovers something chilling – hundreds of letters between her mother and Reave, dating back decades. A hunt for a killer ready to strike againWhen the body of a woman is found decorated with flowers, just like his victims, Reave is the only person alive who could help. After years of silence, he will speak to Heather, and only Heather.If she wants to unearth the truth and stop further bloodshed, she’ll have to confront a monster.

    She doesn’t even know her birth mother’s name—only that the young woman signed parental rights over to the state when Natalie was a baby. Now Natalie’s own daughter must complete a family tree project for school, and Natalie is determined to unearth the truth about her roots.Brooke Walker doesn’t have a family. At least, that’s what she tells herself after being separated from her mother and her little sister at age four. Having grown up in a state facility and countless foster homes, Brooke survives the only way she knows how, by relying on herself. So when she discovers she’s pregnant, Brooke faces a heart-wrenching decision: give up her baby or raise the child completely on her own. Scared and confused, she feels lost until a surprise encounter gives her hope for the future.How do our early experiences—the subtle and the traumatic—define us as adults? How do we build relationships when we’ve been deprived of real connection? Critically acclaimed author Amy Hatvany considers controversial and complicated questions about childhood through the lens of her finely crafted characters in this astute novel about mending wounds by diving into the truth of what first tore us apart.

    From early pioneers like Suicide and Richard Hell, to forgotten treasures like Red Transistor and Bush Tetras, and descendants like ESG and Sonic Youth, No Wave charts all the cracks and crevices of a surprisingly diverse movement.Flashing through the New York underground in the late 1970s, No Wave was the ultimate anti-movement. Its bands consisted of artists and poets untrained in music, looking to explode rock and disappear before the smoke cleared. No Wave tells the fascinating story of this radical, anarchic and hugely influential musical movement.Best known for short songs and even shorter life-spans, No Wave bands fused disparate styles to fashion abrasive, rhythmic songs that were completely original and utterly compelling. The primary perpetrators – Lydia Lunch’s howling Teenage Jesus and the Jerks, James Chance’s skeletal Contortions, the dark-noise groups Mars and DNA – all drew on primitivism, performance art, and the avant-garde.The book also delves into No Wave cinema, where pioneers like Amos Poe, Eric Mitchell, and Beth and Scott B. translated the aggression and innovation of No Wave music to the screen. Musicians often starred in these films, and figures like Jim Jarmsuch and Steve Buscemi first cut their teeth in this vibrant scene.Illustrated with rare and previously unseen concert photos, record covers, and other ephemera of the times, and featuring exclusive interviews with key protagonists from the scene, No Wave is the definitive guide to a genre whose sounds and ideas still vibrate through alternative culture today.

    And that's just the start of their troubles.Emme never meant to stay in Maine. She'd come only to find a librarian for her Gram's library, a custodian for the collection of mysterious books she'd promised to protect. On a dark, wintery night, alone in the library, she takes her first glance into one of the antique novels and finds herself transported to 1892 England staring into the eyes of handsome and dashing hero Jack Ridgewell. As each chapter passes she learns you can truly fall in love with a character in a book, that book boyfriends are real and Emme must choose between the real world, and his.When the last page is read he's gone and Emme feels the cold loneliness of lost love. Will she find Jack again, or will their love be forever lost? The answer lies within the pages…

    

    The book traces his immense impact on the portrayal of the leading stars year by year, from his arrival in California in 1925 until his departure in 1943. During that time he photographed all of the greatest personalities, at Metro-Goldwyn-Mayer, Warner Brothers, and Columbia as well as independently. The prints come from the Chapman Collection, one of the most extensive archives of original Hurrell photographs in the world, and they include a number of rarities and surprises. Although some photos by Hurrell are familiar and frequently reproduced, most of the images in this book will come as a revelation, since they have not been published in over half a century. The genesis of the pictures is examined in a remarkable text by Mark A. Vieira, himself a highly regarded portrait photographer, who came to know Hurrell well during the photographer's later years. Vieira explains in detail Hurrell's technical feats of lighting and retouching. And drawing on firsthand accounts, he vividly re-creates the lively interplay between the photographer and his subjects at the shooting sessions in which these portraits were taken.

    “I had all I ever wanted, from Lana Turner and Joan Crawford to every starlet in Hollywood, and then some. They were mine to have. Ava [Gardner] was the best. I screwed up my life. I pissed away millions. I was #1, the biggest star in the world.” Mickey Rooney began his career almost a century ago as a one-year-old performer in burlesque and stamped his mark in vaudeville, silent films, talking films, Broadway, and television. He acted in his final motion picture just weeks before he died at age ninety-three. He was an iconic presence in movies, the poster boy for American youth in the idyllic small-town 1930s. Yet, by World War II, Mickey Rooney had become frozen in time. A perpetual teenager in an aging body, he was an anachronism by the time he hit his forties. His child-star status haunted him as the gilded safety net of Hollywood fell away, and he was forced to find support anywhere he could, including affairs with beautiful women, multiple marriages, alcohol, and drugs. In The Life and Times of Mickey Rooney, authors Richard A. Lertzman and William J. Birnes present Mickey’s nearly century-long career within the context of America's changing entertainment and social landscape. They chronicle his life story using little-known interviews with the star himself, his children, his former coauthor Roger Kahn, collaborator Arthur Marx, and costar Margaret O’Brien. This Old Hollywood biography presents Mickey Rooney from every angle, revealing the man Laurence Olivier once dubbed “the best there has ever been.”

    The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s Airport; Wi-Fi; and Netflix’s unlimited DVD rentals. Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s the definitive account of a culture-conquering movie year none of us saw coming…and that we may never see again.

    

    Window boxes overflow with evergreens and sea stars, as the sleepy town welcomes visitors for the annual Christmas Lights Festival.But things are not as perfect as they seem. On the eve of the tree lighting in the town square, police find a runaway in trouble. Residents of the community gather to help, but complications arise, and unraveling the boy's past is harder than they imagine. As a blustery Pacific Northwest Christmas draws near, can they find a way to give a boy with a shattered past a chance at happiness? Can they give him a home for the holidays?A Light in the Window is a heartwarming tale of community, family, and second chances.

    She has been running from her past ever since. For two decades, she has pushed the bad memories from her mind and struggled to make a life for herself hundreds of miles away from the town of Rocky Point, Washington. When her grandmother dies, Maisy is forced to go home—back to a house where the nightmares all started. Back to a house where evil still lurks and unrest still lingers. Soon Maisy is tossed back in time. Nothing is what it seems. Someone or something is trying to communicate with her. With the help of local firefighter, Cade Rowe, Maisy chooses not to run from the truth this time. As secrets long buried begin to surface, a wave of terror washes over the entire town. Evil spreads. Hideaway Hall is wide awake and it's only a matter of time before everyone who touches it realizes the power of those trapped inside.

    A divine spat leaves French medic Viv stranded in the middle of an arcane disaster zone crawling with undead horrors. Thankfully, there are strange allies to be found, not least the mysterious interface that helps humans survive in this merciless world.Viv will have to progress fast to survive this calamity and find civilisation. She will also need a bit of luck. Unless, of course, she becomes the calamity herself. After all, luck is such a fickle thing.

    Refusing to cave in to society's rules, Eleanor's exuberant style, wavering voice and lack of Hollywood beauty are fodder for the media.First Lady for thirteen years, Eleanor redefines and exploits this role to a position ofpower. Using her influence she champions for Jews, African Americans and women. Living through two world wars Eleanor witnesses thousands of graves, broken bodies and grieving families. After visiting troops in the Pacific she says:"If we don't make this a more decent world to live in I don't see how we can look these boys in the eyes."She defies a post-war return to status quo and establishes the Universal Declarationof Human Rights within the U.N. She earns her way to being named "First Lady of the World." The audacity of this woman to live out her own destiny challenges us to do the same. After all, it's not about Eleanor. Her story is history.  It's about us.

    His masterful examination of the nightmarish nexus of dreams and reality helped spark a career that has spanned close to forty years. Then, with their mix of horror, sex, and humor, Craven's Scream movies helped revitalize the slasher film genre. An absorbing portrait of cult film director Wes Craven's life and career in film Draws on the author's new interviews with Craven, including little-known details about the director's life and work Insights into the making of the Nightmare on Elm Street movies and the Scream films—the #1 horror franchise of all time Fascinating stories about the director's work with a range of producers, screenwriters, and actors, including Robert Englund Publication timing ties in with the release of Scream 4  If you've ever had nightmares about Freddy Krueger or psychopaths wearing Halloween scream masks, or if want to know more about the director behind the new Scream 4, this is one book you simply have to read.