Victory isn't enough: now Arthur wants to annihilate the Saxons by becoming The Dragon Lord. Mael and Starkad, an Irish adventurer and his giant Danish companion, are peerless warriors in a warrior age; men who have fought all across Europe for survival and pay and always for each other. Now they must seek an ancient skull from which Merlin's wizardry can raise a dragon, and also the weapons by which alone the dragon can be controlled. Accompanied by a priestess older than time, their search takes them from a monster-haunted lake, to the barrow of a thing no longer dead, and to a battlefield where the enmity of Briton and Saxon rises to a cataclysm which drowns the earth in blood. Yet one task remains. The fiery breath of the dragon Mael and Starkad have helped create can sweep the land clear of all life if it ever escapes from Merlin's control. And the dragon is about to escape!

    Little is known of her but she was probably the Abbess of the abbey at Shaftesbury in the late 12th century, illegitimate daughter of Geoffrey Plantagenet and hence the half-sister of Henry II of England. It was to a king, and probably Henry II, that she dedicated these poems of adventure and love which were retellings of stories which she had heard from Breton minstrels. She is regarded as the most talented French poet of the medieval period.

    Exile. Lover of Men.“My mother is the Witch-Queen Morgan le Fay and my father, King Arthur. Merlin foretold that if a son like me were born to Arthur, his kingdom would be destroyed. By birthright, I am heir to the throne stolen from my mother…” In this spellbinding novel of dangerous magic and burning desire, Mordred’s first forbidden passion for the greatest knight of his father’s kingdom leads him to break the most sacred law and betray his own people…sending him on a treacherous journey from which few have ever returned. A twist on the Camelot legends from New York Times bestselling and award-winning author Douglas Clegg, the first in a projected series.

    A girl of magic, whose childhood ends when King Uther Pendragon murders her father and steals away her mother. Then Pendragon dies and, in a warring country with no one to claim the throne, there are many who want Morgan dead. But Morgan has power, and magic. She is able to change the course of history, to become other, to determine her own fate-and, thus the fate of Britain. She will become Morgan le Fay. "Springer wields language like a sword, and both blood and flowers spring to these pages in vivid hues." (Booklist, starred review)

    Each excerpt is set in its historical and literary context, so that anyone who enjoys this anthology can make his own exploration of the many and glittering treasures of Arthurian legend.

    Dedicating his work to Elizabeth I, Spenser brilliantly united medieval romance and renaissance epic to expound the glory of the Virgin Queen. The poem recounts the quests of knights including Sir Guyon, Knight of Constance, who resists temptation, and Artegall, Knight of Justice, whose story alludes to the execution of Mary Queen of Scots. Composed as an overt moral and political allegory, The Faerie Queene, with its dramatic episodes of chivalry, pageantry and courtly love, is also a supreme work of atmosphere, colour and sensuous description.

    This bilingual edition, a parallel text in Old French and English, is based on a reexamination of the Old French manuscript, and makes Silence available to specialists and students in various fields of literature and women's studies.     The Roman de Silence, an Arthurian romance of the thirteenth century, tells of a girl raised as a boy, equally accomplished as a minstrel and knight, whose final task, the capture of Merlin, leads to her unmasking.

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    At the center of the maelstrom stands Keira, an innocent girl who possesses the ability to foretell the fate of her world. When Keira is kidnapped from her village home, her mother, Alayna, flees to Camelot and finds Mordred, an enigmatic knight who will ultimately become Keira’s greatest champion, Alayna’s greatest love, and King Arthur’s greatest enemy.In the long tradition of Arthurian legend, Mordred has been characterized as a buffoon, a false knight, and a bloodthirsty traitor. The Book of Mordred reveals a mysterious man through the eyes of three women who love him.

    Meet a daring damosel from the Golden Age, a brave, fearless woman of whom stories were told and legends woven. Vivian is the fifteen year old grand-niece of the Lady Morgan le Fay, whose tale is inextricably linked with that of Sir Gawain le Jeune, the nephew of that great Gawain, one of King Arthur's most stalwart Knights... Knightly chivalry is beset by Dark Age barbarity in this richly woven tapestry of heroes and heroines, monsters and saints, temptresses and magicians.

    As Morgan comes of age, she discovers her own magical powers. One day she falls in love with a young Irish chieftain. But will her drive for revenge destroy her chance for love and happiness?

    But when a young boy stumbles upon the crypt of King Arthur, the legendary monarch and the Knights of the Round Table are magically reincarnated. Together once again, King Arthur, Sir Lancelot, Merlin, and the rest of the classic knights take on the invading extraterrestrials and their wicked leader, Morgan Le Fay, the half-sister of Arthur. A mythical tale of honor and bravery, CAMELOT 3000 proves that some heroes are timeless.

    Castleview, an Illinois town, has a phantom castle that Will Shields sees on his first night there, an experience that involves him in murder and mysterious, life-threatening events, because the castle belongs to Morgan Le Fay.

    And all that’s standing between the people of White Meadows and starvation is a young man called Lance. He’s sixteen years old, and for all his courage and hunting skills, he’s running out of fight. His family has been wiped out in a border raid, and he’s drowning in loneliness. When strangers arrive at White Meadows, all Lance can think of is using his last strength to drive them away. But these men have come in peace, not to burn and destroy. Among them is a hot-headed, utterly charming prince-in-training named Arthur. For Lance, Arthur’s arrival is like the return of the sun. The prince has everything – learning, battle skills, a splendid destiny. But as the days unfold in the remote northern settlement in the shadow of Hadrian’s Wall, it soon becomes clear that Arthur needs Lance, too.

    these tales constitute a powerful work of the imagination, ranking with Tokien's Lord of the Rings novels and T.H. White's The Once and Future King. Evangeline Walton's compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family's epic struggle for the throne.The Mabinogion is internationally recognized as the world's finest arc of Celtic mythology; Walton's vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time.