And here I am, single, haveing no fun at all. Then I would go out riding around and I would find a girl walking..."-Gerald StanoHis licence plate read: No riders except blondes, brunettes, and redheads. With his flared polyester pants, open nylon shirt, and disco music on his eight track, Gerald Stano believed he was quite the ladies' man. And should a girl dare fracture his ego, he killed her.By the time he was twenty-eight, Gerald confessed to murdering up to forty women over an eleven-year period. How they died was left to the moment: strangled, stabbed, drowned, or shot. Why? They crossed Gerald's path and were tossed out like trash. But there were other troubling questions: How did this obsessive loner lure so many women into his car? And how could so many appalling crimes go unconnected for so long?Based on exclusive access to the killer-and extensive correspondence with him-as well as interviews with the lead investigator and the victims' families, this is a revealing, shocking, and unflinching portrait of a man who fancied himself one of the greatest lady-killers of them all.

    Intrigued and frustrated with a stalled music career, Thibodeau gradually became a follower and moved to the Branch Davidian compound in Waco, Texas. He remained there until April 19, 1993, when the compound was stormed and burnt to the ground after a 51-day standoff.In this book, Thibodeau explores why so many people came to believe that Koresh was divinely inspired. We meet the men, women, and children of Mt. Carmel. We get inside the day-to-day life of the community. Thibodeau is brutally honest about himself, Koresh, and the other members, and the result is a revelatory look at life inside a cult.But Waco is just as brutally honest when it comes to dissecting the actions of the United States government. Thibodeau marshals an array of evidence, some of it never previously revealed, and proves conclusively that it was our own government that caused the Waco tragedy, including the fires. The result is a memoir that reads like a thriller, with each page taking us closer to the eventual inferno.

    Three years later, the case was still haunting him, so he returned to the subject to examine its impact on a more personal level. More than anything, Morrison wanted an answer as to why the murder happened. He had started out (naively) believing that this was a question the trial would answer, and was dismayed to find that it was the one issue the court never addressed. Do the boys themselves know why? "I don't think they'll ever know," Morrison writes. "The further they go from it and the more they talk to therapists, the more they will develop a story about what happened. But whether that's a true story is very debatable... There isn't going to be the single answer that we all crave." And so Morrison turned inward to look for answers, mulling over his own experiences of being a child and being a parent. As If (named from the expression he hears his children using to express skepticism) is an extended personal essay on the nature of childhood, including aggressive and sexual feelings that children have and those that other people have toward children. With its flurry of quotations and ruminations, this book won't be to everyone's taste, but it does illustrate an intriguingly personal approach to understanding a crime. --Fiona Webster

    As they lay sleeping in the central Oregon desert, a man in a pickup truck deliberately ran over their tent and proceeded to attack them with an axe. The horrific crime was reported in newspapers across the country, but no one was ever arrested. Fifteen years later, Jentz returns to the small town where she was nearly murdered and makes an extraordinary discovery: the violence of that night is as present for the community as it is for her. Shockingly, many say they know who did it, and he is living freely in their midst.Powerful, eloquent, and paced like the most riveting of thrillers, Strange Piece of Paradise is a startling profile of a psychopath, a sweeping reflection on violence and the myth of American individualism, and a moving record of Jentz's brave inner journey from violence to hope.