When, in 1947, the British divided and departed their most prized imperial possession, they handed a huge, diverse, and poor society to a small nationalist elite. For decades this elite would uphold a political construct, an idea of India grounded in democracy, religious tolerance, economic development, and cultural pluralism. Sunil Khilnani investigates the fate of this idea, offering incisive portraits of Gandhi, Nehru, and other Indian founders and assessing the lively debates among them and their successors over who is an Indian, the meaning of modernity, and India's place in the world.In a new introduction written for this edition, Khilnani reflects on the book's striking relevance to the country's recent developments--from the rise of a new billionaire class to the election of a government with a more exclusivist conception of Indian identity. Throughout, he provokes readers and illuminates a fundamental question as urgent now as ever: Can the original idea of India survive its own successes?

    Jejuri is a site of pilgramage in author Arun Kolatkar's native state of Maharashtra, and Jejuri the poem is the record of a visit to the town -- a place that is as crassly commercial as it is holy, as modern and ruinous as it is ancient and enduring. Evoking the town's crowded streets, many shrines, and mythic history of sages and gods, Kolatkar's poem offers a rich description of India while at the same time performing a complex act of devotion. For the essence of the poem is a spiritual quest, the effort to find the divine trace in a degenerate world. Spare, comic, sorrowful, singing, Jejuri is the work of a writer with a unique and visionary voice.

    There is no reason either to call them sacred or infallible … The time has come when the Hindu mind must be freed from the hold which the silly ideas propagated by the Brahmans have on them. Without this, the liberation of India has no future”—B.R. Ambedkar Hinduism claims one billion adherents worldwide. To all those who hold this religion dear, B.R. Ambedkar poses many riddles: Is it even a religion? Who is a Hindu? Like most of his writings, Riddles in Hinduism remained unpublished during his lifetime. When the state of Maharashtra finally printed it in 1987, the Shiv Sena sought a ban. While the liberals looked away, the Dalit movement circulated copies. At a time when the state and the Hindu right are painting Ambedkar as a ‘Hindu’ figure, this fierce critique—now with illuminating annotations—shows us how and why Ambedkar had no love for Hinduism. In his introduction, Kancha Ilaiah tells us why Hinduism is facing its biggest ever challenge from Dalitbahujans. Ambedkar was one, today there are a million Ambedkars.ISBN-10: 9788189059774ISBN-13: 978-8189059774

    The Argumentative Indian is "a bracing sweep through aspects of Indian history and culture, and a tempered analysis of the highly charged disputes surrounding these subjects--the nature of Hindu traditions, Indian identity, the country's huge social and economic disparities, and its current place in the world" (Sunil Khilnani, Financial Times, U.K.).

    Following in the method of previous murders of rationalists M.M. Kalburgi, Govind Pansare and Narendra Dabholkar, Lankesh’s murder chilled the nation, sparking off protests across India. Even as the police unravels the plot behind her murder and connects it to the others, the larger forces that killed these four activists continue to grow. A fierce critic of the burgeoning Hindutva faction in Karnataka and elsewhere in India, and a strident supporter of separate-religion status for Lingayats, Lankesh’s activism had made her many foes. Fluent in Kannada and English, she was a particular threat to her ideological enemies – able to reach the influencers through a language of power and a wider audience at the grassroots through her mother tongue. In this personal-is-political narrative, senior journalist and analyst Chidanand Rajghatta examines the lives of two people against the volatile backdrop of an increasingly fractious and intolerant India. The two strands come together in the gutting death of a courageous woman who took on these forces and fought for a more equitable society, a better India.

    Should we care? In this well-argued book, Romila Thapar and others tell us why we should. Thapar begins by defining the critical role that such individuals play in our societies today. Collectively, they are the objective, fearless, constructive voice that asks the awkward questions when government, industry, religious leaders and other bulwarks of society stray from their roles of ensuring the proper functioning of a country whose hallmarks are (or should be) social and economic equality, justice for all, and the liberty to say, think and profess the fundamental requirements of good citizenship. Through the lens of history, philosophy, science, and politics, she shows us the key role enlightened thinkers and activists have played in India, Europe and elsewhere. Today, as the liberal space in India is threatened by religious fundamentalism, big business, and, worryingly, a government that appears to be tacitly (and sometimes overtly) encouraging the attack on freedom of expression, secular values and rational readings of history, there could be no book as timely as this one. With contributions from writers and scholars in the fields of philosophy, science, history, journalism and social activism, The Public Intellectual in India shows us why it is important to have independent voices to protect the underprivileged, ensure human rights and social justice, and watch over the smooth functioning of our liberal, secular democracy.

    His groundbreaking work explores India's sexual fantasies and ideals, the "unlit stage of desire where so much of our inner theater takes place."Kakar's sources are primarily textual, celebrating the primacy of the story in Indian life. He practices a cultural psychology that distills the psyches of individuals from the literary products and social institutions of Indian culture. These include examples of lurid contemporary Hindi novels; folktales; Sanskrit, Tamil, and Hindi proverbs; hits of the Indian cinema; Gandhi's autobiography; interviews with women from the slums of Delhi; and case studies from his own psychoanalytic practice. His attentive readings of these varied narratives from a vivid portrait of sexual fantasies and realities, reflecting the universality of sexuality as well as cultural nuances specific to India.Moving from genre to genre, Kakar offers a brilliant reading of verses from the Laws of Manu, the original source of Hindu religious laws, to uncover their psychological foundations—male terror of the female sexual appetite that shields itself by idealizing women's maternal role. Kakar also examines the psychosexual history of Gandhi at length, though his near-lifelong celibacy makes him an atypical subject. Gandhi's story is universal, Kakar says, because "we all wage war on our wants."In India's lore and tradition, complex symbols abound—snakes that take the shape of sensual women or handsome men, celibates sleep with naked women, gods rape their daughters, and a goddess fries a king in oil. With the analyst's "third ear," Kakar listens, decodes, and translates the psychological longings that find expression in Indian sexual relations.

    K. Nayudu and Sachin Tendulkar naturally figure in this captivating history of cricket in India, but so too—in arresting and unexpected ways—do Mahatma Gandhi and Muhammad Ali Jinnah. The Indian careers of those great English cricketers Lord Harris and D. R. Jardine provide a window into the operations of Empire, while the extraordinary life of India's first great slow bowler, Palwankar Baloo, introduces the still-unfinished struggle against caste discrimination. Later chapters explore the competition between Hindu and Muslim cricketers in colonial India and the extraordinary passions now provoked when India plays Pakistan. An important, pioneering work, this is also a beautifully-written meditation on the ramifications of sport in society at large, and on how sport can influence both social and political history.

    At the same time, Roy makes clear that what millions of Indians need is not merely formal democracy, but liberation from the oppression, shame, and poverty imposed on them by India’s archaic caste system.

    The heartbreaking story of Kashmir has so far been told through the prism of the brutality of the Indian state, and the pro-independence demands of separatists. But there is another part of the story that has remained unrecorded and buried. Our Moon Has Blood Clots is the unspoken chapter in the story of Kashmir, in which it was purged of the Kashmiri Pandit community in a violent ethnic cleansing backed by Islamist militants. Hundreds of people were tortured and killed, and about 3,50,000 Kashmiri Pandits were forced to leave their homes and spend the rest of their lives in exile in their own country. Rahul Pandita has written a deeply personal, powerful and unforgettable story of history, home and loss.

    But India's millennials are nothing like their counterparts in the West.In a world that's marked by unprecedented connectivity and technological advancement, in a country that's increasingly characterized by ambition, political power and access, in an economy that appears to be breaking down the barriers to wealth that existed for every previous era, this is a generation that cannot - will not - be defined on anything but their own terms. They are wealth-chasers, attention-seekers, power-trappers, fame-hunters. They are the dreamers.Snigdha Poonam's remarkable cultural study of the unlikeliest of fortune-hawkers travels through the small towns of northern India to investigate the phenomenon that is India's Generation Y. From dubious entrepreneurs to political aspirants, from starstruck strivers to masterly swindlers, she travels - on carts and buses, in cars and trucks - through the India's badlands to uncover a theatre of toxic masculinity, spirited ambition and a kind of hunger for change that is bound to drive the future of our country. These young Indians aren't just changing their world - they're changing yours.

    In this riveting book, jaithirth Rao traces its history, explores its philosophical underpinnings and different manifestations, and defines it as conservatism – a philosophy that rejects radical, reactionary and utopian positions and argues for change that evolves gradually and peacefully, preserves features of the past that are constructive and worth cherishing, and believes in a minimalist state that protects individual liberties even as it promotes policies that work on the ground. Hindu nationalism and the Bharatiya Janata Party are among the many offshoots of this tradition. Focusing on five areas – The economy, politics, culture, society and aesthetics – Rao examines the rich contribution that Indian conservatism could make in each of these fields in contemporary India. Lively, eloquent and provocative, this is a book that will stimulate much thought, discussion and debate as it challenges the dogmas of the left and the extreme right and raises the key issues that engage India today.

    The sequel to Adi Parva, which was chosen as one of 2012's Best Graphic Novels by comic book historian Paul Gravett, this book combines breath-taking art with classic storytelling. Based on the Mahabharata, the Puranas and the tradition of oral storytellers, Sauptik is also very contemporary. The narrative, with its lush visuals, emphasizes, over and over, our forgotten connection with the soil, with rivers, with forests, with fire. In book one, Adi Parva: Churning of the Ocean, the celestial river Ganga narrates events from the beginning of time and in its sequel, Sauptik: Blood and Flowers, Ashwatthama carries the story forward after surviving the Kurukshetra battle.

    K. Narayan has produced his own versions of tales taken from the Ramayana and the Mahabarata. Carefully selecting those stories which include the strongest characters, and omitting the theological or social commentary that would have drawn out the telling, Narayan informs these fascinating myths with his urbane humor and graceful style."Mr. Narayan gives vitality and an original viewpoint to the most ancient of legends, lacing them with his own blend of satire, pertinent explanation and thoughtful commentary."—Santha Rama Rau, New York Times"Narayan's narrative style is swift, firm, graceful, and lucid . . . thoroughly knowledgeable, skillful, entertaining. One could hardly hope for more."—Rosanne Klass, Times Literary Supplement

    Anand Teltumbde identifies the watershed moments of its journey: from the adoption of a flawed Constitution to the Green Revolution, the OBC upsurge, the rise of regional parties, and up to the nexus of neoliberalism and hindutva in the present day. Joining the dots between a wide range of events on the ground and the prevailing structure of power, he debunks the pieties of state and Constitution, political parties and identitarian rhetoric, to reveal the pernicious energies they have unleashed and their dire impact on India’s most marginalised people, the dalits.The exclusion and disempowerment of dalits emerges as intrinsic to India’s republican system, whether expressed through state policies on education, agriculture and land ownership, or the tacit encouragement of caste embedded in both law and political practice. Here, the carrot of reservations comes with the stick of atrocities. As a politics of symbolism exploits the fissile nature of caste to devitalise India’s poorest whilst appropriating their votes, Teltumbde’s damning analysis also shows progressive politics a way out of the present impasse.Anand Teltumbde is a civil rights activist and a columnist with the Economic & Political Weekly. Among his many books are Dalits: Past, Present and Future, Mahad: The Making of the First Dalit Revolt and The Persistence of Caste: The Khairlanji Murders and India’s Hidden Apartheid. He teaches at the Goa Institute of Management.